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All new information and a great companion to All American Wonder, Vol. 1. Covering more features, idiosyncrasies, as well as additional history of the Ford GPW, Willys MB, and military jeeps of the WWII era. 150 previously unpublished photos, 19 in color. Includes drawings and charts.
A glamorous birthday dinner in the Hollywood Hills ends with the famous host dead and every guest under suspicion in The Last Guest, a dark, cinematic suspense debut reminiscent of an Agatha Christie page-turner crossed with David Lynch's Mulholland Drive. “The Last Guest is a sharp, unshrinking look at the costs of submission—to power and control, to ambition and desire, even to the wish to protect those we love by forcing memory underground.”—Paula McLain, author of The Paris Wife and When the Stars Go Dark When Elspeth Bell attends the fiftieth birthday party of her ex-husband, Richard Bryant, the Hollywood director who launched her acting career, all she wants is to pass unnoticed through the glamorous crowd in his sprawling Los Angeles mansion. Instead, there are only seven other guests—and Richard's pet octopus, Persephone, watching over them from her tank as the intimate party grows more surreal (and rowdy) by the hour. Come morning, Richard is dead—and all of the guests are suspects. In the weeks that follow, each guest comes under suspicion: the school friend, the studio producer, the actress, the actor, the new partner, the manager, the cinematographer, and even Elspeth herself. What starts out as a locked-room mystery soon reveals itself to be much more complicated, as dark stories from Richard's past surface, colliding with memories of their marriage that Elspeth vowed never to revisit. She begins to wonder not just who killed Richard, but why these eight guests were invited—and what sort of man would desire to possess a creature as mysterious and unsettling as Persephone. The Last Guest is a stylish exploration of power—the power of memory, the power of perception, the power of one person over another.
American history told from the vantage of immigration politics It is often said that with the election of Donald Trump nativism was raised from the dead. After all, here was a president who organized his campaign around a rhetoric of unvarnished racism and xenophobia. Among his first acts on taking office was to block foreign nationals from seven predominantly Muslim countries from entering the United States. But although his actions may often seem unprecedented, they are not as unusual as many people believe. This story doesn’t begin with Trump. For decades, Republicans and Democrats alike have employed xenophobic ideas and policies, declaring time and again that “illegal immigration” is a threat to the nation’s security, wellbeing, and future. The profound forces of all-American nativism have, in fact, been pushing politics so far to the right over the last forty years that, for many people, Trump began to look reasonable. As Daniel Denvir argues, issues as diverse as austerity economics, free trade, mass incarceration, the drug war, the contours of the post 9/11 security state, and, yes, Donald Trump and the Alt-Right movement are united by the ideology of nativism, which binds together assorted anxieties and concerns into a ruthless political project. All-American Nativism provides a powerful and impressively researched account of the long but often forgotten history that gave us Donald Trump.
Rising 6,140 feet into the sky, Palomar Mountain is one of the highest peaks in San Diego County. It is best known as the location for the iconic Palomar Observatory and its giant 200-inch Hale telescope. But since the mid-1800s, this mile-high forested oasis in the Southern California desert has also been a haven to rustlers, ranchers, and recluses, as well as practitioners of high science and promoters of extraterrestrials. Early Luiseño Indians were the mountain's first inhabitants, and ever since then, it has been a special place with a magical attraction to many looking for inspiration and solitude. Today Palomar Mountain is home to a small, thriving community with an eclectic mix of about 300 citizens, some of whom are descendants from the original 19th-century pioneer families.
Superman may be faster than a speeding bullet, but even he can't outrun copyright law. Since the dawn of the pulp hero in the 1930s, publishers and authors have fought over the privilege of making money off of comics, and the authors and artists usually have lost. Jerry Siegel and Joe Shuster, the creators of Superman, got all of $130 for the rights to the hero. In Empire of the Superheroes, Mark Cotta Vaz argues that licensing and litigation do as much as any ink-stained creator to shape the mythology of comic characters. Vaz reveals just how precarious life was for the legends of the industry. Siegel and Shuster—and their heirs—spent seventy years battling lawyers to regain rights to Superman. Jack Kirby and Joe Simon were cheated out of their interest in Captain America, and Kirby's children brought a case against Marvel to the doorstep of the Supreme Court. To make matters worse, the infant comics medium was nearly strangled in its crib by censorship and moral condemnation. For the writers and illustrators now celebrated as visionaries, the "golden age" of comics felt more like hard times. The fantastical characters that now earn Hollywood billions have all-too-human roots. Empire of the Superheroes digs them up, detailing the creative martyrdom at the heart of a pop-culture powerhouse.
This volume presents the results of a conference on the history of total war.
This in-depth treatment of the organization and operation of the All-American Girls Professional Baseball League draws on primary documents from league owner Arthur Meyerhoff and others for a unique perspective inside the AAGPBL. The study begins with a brief history of women's softball, an important precursor to, and talent pool for, women's professional baseball. Next the book investigates league administration and organization as well as publicity and promotion. Later chapters cover team administrative structures, managers, chaperones, player backgrounds, and league policies. Finally, discussion focuses on the activities of the AAGPBL Players' Association from 1980 onward. Informed by many years of research and insights from former players, this exhaustive history contains 149 photographs.