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She's a liar. She's a cheat. And she's about to fall for the wrong guy... Get in, get the guy, get out. That's the plan. But when this Hollywood princess gets caught up in small-town drama? Well, nothing is as simple as it seems. There's only one person who can convince Delilah Devereaux to leave the lap of luxury for a one-way ticket to Podunk, Montana. Her powerful producer of a father has sent her to the tiny, close-knit ranching town for one reason—to bring back Brandon MacMillan, the reclusive son of a legendary TV star. All she has to do is lure him away from his crazy mom, the pretty girl next door, and his lifelong best friend. Not a problem. Except Delilah's perfect plan doesn't account for all the secrets and lies between the two families, and it definitely doesn't prepare her for Jack. The small-town hottie sees right through her lies, and worse, he makes her wonder if perhaps she's not as heartless as she believes. But there's no way she's going to let anything ruin her mission...not even Jack. It would just be so much easier if he wasn't so irritating. Or so tempting. Or...best friends with her mark. Author's Note: Two things you should know before you go any further. 1) This book is part of a continuing series. And 2) I've written more than 40 PG young adult books over the years...but this is not one of them. While there's no sex or F-bombs in this book, there is some mild language, steamy situations, and mature topics. This is more PG-13 than my other novels (think Gossip Girl vs Disney Channel) and if that is not to your taste, please don't read!
75 great American masters are introduced through open-ended quality art activities allowing kids to explore great art styles from colonial times to the present. Each child-tested art activity presents a biography, full color artwork, and techniques covering painting, drawing, sculpture, photography, architecture, and more. Special art options for very young children are included. Many great artists will be familiar names, like Cassatt, Warhol, and O'Keeffe. Other names will be new to some, like Asawa, Smithson, and Magee. Each featured artist has a style that is interesting to children, with a life history that will entertain and inspire them. Sample of some of the artists and companion activities: Andy Warhol - Package Design Bev Doolittle - Camouflage Draw Dale Chihuly - Pool Spheres Maya Lin - Memorial Plaque Jasper Johns - Encaustic Flag Joseph Raffael - Shiny Diptych Roy Lichtenstein - Comic Sounds Thomas Jefferson - Clay Keystone Edward Hopper - Wash Over Grant Wood - Gothic Paste-Up Wolf Kahn - Layered Pastel Jackson Pollock - Great Action Art Mary Cassatt - Back-Draw Monoprint Louis Comfort Tiffany - Bright Windows Hans Hofmann - Energetic Color Blocks Rube Goldberg - Contraption Georgia O'Keeffe - Paint with Distance 2009 Moonbeam Children's Bronze Award 2009 Benjamin Franklin Award
From his celebrated appearance, hatchet in hand, in Parson Mason Locke Weems’s Life of Washington to Booth Tarkington’s Penrod, the all-American boy was an iconic figure in American literature for well over a century. Sometimes he was a “good boy,” whose dutiful behavior was intended as a model for real boys to emulate. Other times, he was a “bad boy,” whose mischievous escapades could be excused either as youthful exuberance that foreshadowed adult industriousness or as deserved attacks on undemocratic pomp and pretension. But whether good or bad, the all-American boy was a product of the historical moment in which he made his appearance in print, and to trace his evolution over time is to take a fresh view of America’s cultural history, which is precisely what Larzer Ziff accomplishes in All-American Boy. Ziff looks at eight classic examples of the all-American boy—young Washington, Rollo, Tom Bailey, Tom Sawyer, Ragged Dick, Peck’s “bad boy,” Little Lord Fauntleroy, and Penrod—as well as two notable antitheses—Huckleberry Finn and Holden Caulfield. Setting each boy in a rich cultural context, Ziff reveals how the all-American boy represented a response to his times, ranging from the newly independent nation’s need for models of democratic citizenship, to the tales of rags-to-riches beloved during a century of accelerating economic competition, to the recognition of adolescence as a distinct phase of life, which created a stage on which the white, middle-class “solid citizen” boy and the alienated youth both played their parts.
The Frankster & Co, Party To Go. Professional Mobile lighting, live sound, DJ & Karaoke. Top of the line equipment and modern music, with paid subscriptions for current, high quality song selections and up to date karaoke. Sound for basic bands, plus available slideshows, videos, music videos, sent to TV's or projectors. From casual to formal, from the barn to the country club, The Frankster and his wife Tammy bring high quality fun to any event. Also at any given time there are assistants and friends that help make the party. Anytime, Anywhere... The Frankster & Co, Party to Go!
Inspiring and instructive biographies of the 100 most influential judges from state and federal courts in one easy-to-access volume. Great American Judges profiles 100 outstanding judges and justices in a full sweep of U.S. history. Chosen by lawyers, historians, and political scientists, these men and women laid the foundation of U.S. law. A complement to Great American Lawyers, together these two volumes create a complete picture of our nation's top legal minds from colonial times to today. Following an introduction on the role of judges in American history are A–Z biographical entries portraying this diverse group from extraordinarily different backgrounds. Students and history enthusiasts will appreciate the accomplishments of these role models and the connections between their inspiring lives and their far-reaching legal decisions. William Rehnquist, Oliver Wendell Holmes, Jr., and 12 other Supreme Court justices are found alongside federal judges like Skelly Wright, who ordered school desegregation in 1960. Influential state judges such as Rose Elizabeth Bird, California's first woman Supreme Court Chief Justice, are also featured.

Hearings

United States. Congress. Senate. Committee on Appropriations

Published: 1945

Total Pages: 1538


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This book is a general introduction to managing a small business. The book is meant to be a general, and simplified, introduction to the subject matter. This book treats small business management as a practical human activity rather than as an abstract theoretical concept. The hope is to teach concepts that can be immediately applied to “real world” experiences and case studies. This book incorporates the use of technology and e-business as a way to gain a competitive advantage over larger rivals. Technology is omnipresent in today’s business world and small businesses must use it to their advantage. Practical discussions and examples of how a small business can use these technologies without having extensive expertise or expenditures are found within the readings. Cash flow is extremely important to small businesses. This book explicitly acknowledges the constant need to examine how decisions affect cash flow by incorporating cash flow impact content. As the lifeblood of all organizations, cash flow implications must be a factor in all business decision-making. Finally, this book recognizes the need to clearly identify sources of customer value and bring that understanding to every decision. Decisions that do not add to customer value should be seriously reconsidered.
Retired Detroit police offi cer Hugo Heiderberg is distraught upon learning that his daughter Emily was the victim of a rape after she was abducted from a festival in downtown Detroit. Hugo is a founding member of a white supremacy group that reaps havoc against black citizens in reprisal. Emily is impregnated as a result of the rape and places the misbegotten child up for adoption. The child favorably impacts the lives of three families and grows up to become a prominent man. Sergeant Ulysses Washington, a black bigot, half-heartedly investigates the rape because of his animus against the victim’s father.
Our image of nineteenth-century American women is generally divided into two broad classifications: victims and revolutionaries. This divide has served the purposes of modern feminists well, allowing them to claim feminism as the only viable role model for women of the nineteenth century. In All-American Girl, however, Frances B. Cogan identifies amid these extremes a third ideal of femininity: the “Real Woman.” Cogan's Real Woman exists in advice books and manuals, as well as in magazine short stories whose characters did not dedicate their lives to passivity or demand the vote. Appearing in the popular reading of middle-class America from 1842 to 1880, these women embodied qualities that neither the “True Women”—conventional ladies of leisure—nor the early feminists fully advocated, such as intelligence, physical fitness, self sufficiency, economic self-reliance, judicious marriage, and a balance between self and family. Cogan's All-American Girl reveals a system of feminine values that demanded women be neither idle nor militant.