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This book is a conversation between Alina and her dog Lawerence, who is psychic. Through a number of nights, her dog communicates with her through dreams, various topics like karma, his past lives as a human, and the reason for him to be born as a dog in this life. He makes a powerful argument for compassion towards animal killing and to become a vegetarian, and eat alternative meat products at least for a few days in a week to save the world's depleting resources. The book gets into mechanics of premonition and dream yoga; also touches paranormal phenomenon's like telepathy, reincarnation, out-of-body and energy channels in the body called chakras. He also talks about death, what happens?, and ancient superhumans. All paranormal phenomenon's are explained.
WINNER OF THE NATIONAL BOOK AWARD FOR FICTION ONE OF THE NEW YORK TIMES’S 100 BEST BOOKS OF THE 21ST CENTURY NOW A MAJOR MOTION PICTURE STARRING NAOMI WATTS “A beautiful book . . . a world of insight into death, grief, art, and love.” —Wall Street Journal “A penetrating, moving meditation on loss, comfort, memory . . . Nunez has a wry, withering wit.” —NPR “Dry, allusive and charming . . . the comedy here writes itself.” —The New York Times The New York Times bestselling story of love, friendship, grief, healing, and the magical bond between a woman and her dog. When a woman unexpectedly loses her lifelong best friend and mentor, she finds herself burdened with the unwanted dog he has left behind. Her own battle against grief is intensified by the mute suffering of the dog, a huge Great Dane traumatized by the inexplicable disappearance of its master, and by the threat of eviction: dogs are prohibited in her apartment building. While others worry that grief has made her a victim of magical thinking, the woman refuses to be separated from the dog except for brief periods of time. Isolated from the rest of the world, increasingly obsessed with the dog's care, determined to read its mind and fathom its heart, she comes dangerously close to unraveling. But while troubles abound, rich and surprising rewards lie in store for both of them. Elegiac and searching, The Friend is both a meditation on loss and a celebration of human-canine devotion.
This is the riveting story of a family's trip to their native land of Cuba. In 1998, the author was informed of his grandmother's terminal illness. Curious to unravel the mystery that for many years has enshrouded Cuba, he convinced his mother and aunt to accompany him and revisit their native land, the country they had left behind forty and twenty years, respectively. This book, part diary, part memoir, is based on this memorable and nostalgic trip. We are taken to Santiago de Cuba and to Boniato, a small town on the outskirts of the city rumored to have been built atop an old Indian cemetery. Along the way, we meet colorful characters and eccentric family members set against a rich background of folklore, local color and politics: we meet the author's aunt Mimi who as a girl thought a cow was her mother; his great grandmother who died of a stroke after arguing with a flock of pigeons; and even ghosts rumored to haunt his small family house in Boniato.
One man sees an atomic apocalypse coming—and tries to warn the world—in this novel with “a sly, Hitchcockian touch”from an Edgar Award finalist (Publishers Weekly). High on a mesa in the mountains of New Mexico, a small town hides a dreadful secret. On a morning very soon there will be an accident that triggers a terrible chain reaction, and the world we know will be wiped out. James Oberhelm, a reporter at Los Alamos National Laboratory, already sees the devastation, like the skin torn off a moment that is yet to be. He believes he can prevent an apocalypse, but first James must escape the devices of a sensuous young blood tech, a lecherous old hippie, a predator in a waking nightmare, and a forsaken adobe house high away in the Sangre de Cristo Mountains whose dark history entwines them all. A massive bomb is ticking beneath the sands of the Southwest, and time is running out to send a warning. James has to find a way to pass along the message—even if it ruins him. “Arellano pulls off the not-inconsiderable feat of making the disintegration of his hero more compelling than the end of the world as we know it.” —Kirkus Reviews “Reads like a top-notch thriller . . . Alternating between the hilarious and the dreamlike, the novel is imbued with the sense of foreboding inherent to Los Alamos’s infamous ‘gift’ to mankind.” —George Mastras, author of Fideli’s Way and writer/producer, Breaking Bad “Nothing in New Mexico has ever been more secret than Los Alamos, the Atomic City, where a diverse group of geniuses built the first atomic bombs and changed the face of the world forever. That’s the setting and premise for this excellent novel by Cuban-American Robert Arellano. Disaster is about to happen and one man can avert it . . . maybe.” —The Globe and Mail (Toronto)
When Bellmount’s obnoxious sheriff is accused of a crime spree, psychic Dr. Miranda Albright reluctantly steps in. Friends and residents of the colorful small town are only too eager to help or hinder her quest for justice. Dead Santas don’t make for a merry Christmas and the season is fast approaching. From holiday hijinks at a department store to sleuthing at a house of ill repute, Miranda follows the clues. Meantime, her relationship with the hunky Weston Westinghouse the Third continues to heat up. Until it doesn’t. Now Miranda has two goals: finding a killer and convincing Weston they belong together.
In Nazi Germany, Hitler portrayed the Jews as vermin and six million people were killed. Metaphors can make the unreasonable seem reasonable, the illegitimate appear legitimate, and good people turn evil. Top speechwriter Simon Lancaster goes on a mission to explore how metaphors are used and abused today. From Washington to Westminster, Silicon Valley to Syria, Glastonbury to Grenfell, he discovers the same images being used repeatedly. Scum! Bitch! Vegetable! Whilst vulnerable groups are dehumanised, the powerful are hailed as stars, angels or even gods. Prepare to take a journey into the surreal. This book raises profound questions about the power of language and the language of power. You will never think about words in the same way again.
Sixteen-year-old Kyra, a highly-skilled potions master, is the only one who knows her kingdom is on the verge of destruction???which means she''s the only one who can save it. Faced with no other choice, Kyra decides to do what she does best: poison the kingdom''s future ruler, who also happens to be her former best friend. But, for the first time ever, her poisoned dart???misses. Now a fugitive instead of a hero, Kyra is caught in a game of hide-and-seek with the king''s army and her potioner ex-boyfriend, Hal. At least she''s not alone. She''s armed with her vital potions, a too-cute pig, and Fred, the charming adventurer she can''t stop thinking about. Kyra is determined to get herself a second chance (at murder), but will she be able to find and defeat the princess before Hal and the army find her? Kyra is not your typical murderer, and she''s certainly no damsel-in-distress???she''s the lovable and quick-witted hero of this romantic novel that has all the right ingredients to make teen girls swoon.
The Vet's Daughter combines shocking realism with a visionary edge. The vet lives with his bedridden wife and shy daughter Alice in a sinister London suburb. He works constantly, captive to a strange private fury, and treats his family with brutality and contempt. After his wife's death, the vet takes up with a crass, needling woman who tries to refashion Alice in her own image. And yet as Alice retreats ever deeper into a dream world, she discovers an extraordinary secret power of her own. Harrowing and haunting, like an unexpected cross between Flannery O'Connor and Stephen King, The Vet's Daughter is a story of outraged innocence that culminates in a scene of appalling triumph.