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Living as an alien in one's native land is a familiar reality to marginalized communities. Cultural, economic, and political shifts can cause people to become alienated by a system of greed, racism, sexism, xenophobia, and media manipulation. How can Christians persist under a sustained threat within a social order diametrically opposed to them? This question drives Warner Bailey's investigation of 1 Peter. The mature Christology of 1 Peter yields a profile of Christian identity. This picture is funded by texts from the Book of the Twelve (Hosea-Malachi) and is counter-intuitive, in that it is able to create new initiatives for behavior that offer hope for redemption in the midst of oppression. Bailey explores how 1 Peter has been used in shaping the life of modern "aliens," such as Dietrich Bonhoeffer, living in his own country under the oppression of Nazism, and feminist, black, immigrant, and LGBTQIA+ readers. Placing 1 Peter within the crisis in U.S. political and economic life opens up fresh implications for faithful ecclesiastical practice and personal witness.
Called "Her Majesty" because of her resemblance to Queen Victoria and known as "the measuring woman" among the Indians whose land allotments she administered, Alice Fletcher (1838–1923) commanded respect from both friend and foe. She was the foremost woman anthropologist in the United States in the nineteenth century and instrumental in the adoption of the policy of severalty that dominated Indian affairs in the 1880s. This is the full and intimate story of a woman who, as she grew in understanding of Indian ways, came to recognize that she was the one who was alien, a stranger in her native land. Joan Mark recreates the long and active life of Alice Fletcher from diaries, correspondence, and other records, placing her achievements for the first time in a feminist perspective. Sustained by a sense of mission, Alice Fletcher challenged her society's definition of what women could be and do.
With a New Preface by the Author Through personal journeys and historical inquiry, this PEN Literary Award finalist explores how America’s still unfolding history and ideas of “race” have marked its people and the land. Sand and stone are Earth’s fragmented memory. Each of us, too, is a landscape inscribed by memory and loss. One life–defining lesson Lauret Savoy learned as a young girl was this: the American land did not hate. As an educator and Earth historian, she has tracked the continent’s past from the relics of deep time; but the paths of ancestors toward her—paths of free and enslaved Africans, colonists from Europe, and peoples indigenous to this land—lie largely eroded and lost. A provocative and powerful mosaic that ranges across a continent and across time, from twisted terrain within the San Andreas Fault zone to a South Carolina plantation, from national parks to burial grounds, from “Indian Territory” and the U.S.–Mexico Border to the U.S. capital, Trace grapples with a searing national history to reveal the often unvoiced presence of the past. In distinctive and illuminating prose that is attentive to the rhythms of language and landscapes, she weaves together human stories of migration, silence, and displacement, as epic as the continent they survey, with uplifted mountains, braided streams, and eroded canyons. Gifted with this manifold vision, and graced by a scientific and lyrical diligence, she delves through fragmented histories—natural, personal, cultural—to find shadowy outlines of other stories of place in America. "Every landscape is an accumulation," reads one epigraph. "Life must be lived amidst that which was made before." Courageously and masterfully, Lauret Savoy does so in this beautiful book: she lives there, making sense of this land and its troubled past, reconciling what it means to inhabit terrains of memory—and to be one.
Say you found that a few dozen people, operating at the highest levels of society, conspired to create a false ancient history of the American continent to promote a religious, white-supremacist agenda in the service of supposedly patriotic ideals. Would you call it fake news? In nineteenth-century America, this was in fact a powerful truth that shaped Manifest Destiny. The Mound Builder Myth is the first book to chronicle the attempt to recast the Native American burial mounds as the work of a lost white race of “true” native Americans. Thomas Jefferson’s pioneering archaeology concluded that the earthen mounds were the work of Native Americans. In the 1894 report of the Bureau of American Ethnology, Cyrus Thomas concurred, drawing on two decades of research. But in the century in between, the lie took hold, with Presidents Andrew Jackson, William Henry Harrison, and Abraham Lincoln adding their approval and the Mormon Church among those benefiting. Jason Colavito traces this monumental deception from the farthest reaches of the frontier to the halls of Congress, mapping a century-long conspiracy to fabricate and promote a false ancient history—and enumerating its devastating consequences for contemporary Native people. Built upon primary sources and first-person accounts, the story that The Mound Builder Myth tells is a forgotten chapter of American history—but one that reads like the Da Vinci Code as it plays out at the upper reaches of government, religion, and science. And as far-fetched as it now might seem that a lost white race once ruled prehistoric America, the damage done by this “ancient” myth has clear echoes in today’s arguments over white nationalism, multiculturalism, “alternative facts,” and the role of science and the control of knowledge in public life.
The displacement of 25 million ethnic Russians from the newly independent states is a major social and political consequence of the collapse of the former Soviet Union. Pilkington engages with the perspectives of officialdom, of those returning to their ethnic homeland, and of the receiving populations. She examines the policy and the practice of the Russian migration regime before looking at the social and cultural adaptation for refugees and forced migrants. Her work illuminates wider contemporary debates about identity and migration.
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)