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A collection of essays, bringing science fiction cinema into the ambit of film and cultural theory.
Alien Zone II presents some of the exciting new voices in the current debates. It continues to pursue the critical and theoretical issues opened up in the earlier book and energetically explores fresh territory.
This is especially true of the science fiction film--a genre as old as cinema itself--which has rarely received the serious attention devoted to such genres as the western, the film noir and recently, under the aegis of feminist film theory, the so-called "woman's film." Alien Zone aims to bring science fiction cinema fully into the ambit of cultural theory in general and of film theory in particular. The essays in this book--some newly written, others gathered from scattered sources--look at the ways in which contemporary science fiction films draw on, rework, and transform established themes and conventions of the genre: the mise-en-scene of future worlds; the myth of masculine mastery of nature; power and authority and their relation to technology. This material is ordered and contextualized by the editor with a view to exploring how science fiction cinema has been approached critically and theoretically by commentators on the genre: as a mirror of society, as bearing or producing ideology; as caught up in an intertext of media productions, or as expressing unconscious desires. Contributors include Giuliana Bruno, Scott Bukatman, Thomas B. Byers, Barbara Creed, Anne Cranny-Francis, Daniel Dervin, H. Bruce Franklin, James H. Kavanagh, Douglas Kelner, Steve Neale, Judith Newton, Constance Penley, Hugh Ruppersberg, Michael Ryan, Vivian Sobchack, Michael Stern, J. P. Telotte, and Paul Virilio.
This "compellingly hard-hitting" bestseller from a Pulitzer Prize finalist gives readers the complete untold story of the top-secret military base for the first time (New York Times). It is the most famous military installation in the world. And it doesn't exist. Located a mere seventy-five miles outside of Las Vegas in Nevada's desert, the base has never been acknowledged by the U.S. government — but Area 51 has captivated imaginations for decades. Myths and hypotheses about Area 51 have long abounded, thanks to the intense secrecy enveloping it. Some claim it is home to aliens, underground tunnel systems, and nuclear facilities. Others believe that the lunar landing itself was filmed there. The prevalence of these rumors stems from the fact that no credible insider has ever divulged the truth about his time inside the base. Until now. Annie Jacobsen had exclusive access to nineteen men who served the base proudly and secretly for decades and are now aged 75-92, and unprecedented access to fifty-five additional military and intelligence personnel, scientists, pilots, and engineers linked to the secret base, thirty-two of whom lived and worked there for extended periods. In Area 51, Jacobsen shows us what has really gone on in the Nevada desert, from testing nuclear weapons to building super-secret, supersonic jets to pursuing the War on Terror. This is the first book based on interviews with eye witnesses to Area 51 history, which makes it the seminal work on the subject. Filled with formerly classified information that has never been accurately decoded for the public, Area 51 weaves the mysterious activities of the top-secret base into a gripping narrative, showing that facts are often more fantastic than fiction, especially when the distinction is almost impossible to make.
Aliens are literally popping out of the ground, but luckily, Jeff and Holly have a few tricks up their sleeves Jeff Ryan and his friends want to play street hockey, but someone has stolen their puck. When the kids try to get it back, they discover the culprit is a giant mole from space. A colony of aliens has tunneled under Grover’s Mill, and they want to take over the town by killing the humans—starting with Jeff’s friends! With the help of a secret government invention, Jeff and Holly race to rescue the captives and defend their turf before the moles attack. But will they be too late to save the day?
"In 1977 NASA shot a mixtape into outer space. The Golden Record aboard the Voyager spacecraft contains world music and sounds of the Earth with which humanity represents itself to any extraterrestrial civilizations. This book asks the big questions that the Golden Record raises. Can music live up to its reputation as the universal language in communications with the unknown? How do we fit all of human culture into a time capsule that will barrel through space for tens of thousands of years?"--
This text examines the construction of sex and gender in the four science-fiction films comprising the Alien saga (starring Sigourney Weaver). It will be useful to researchers and teachers in film, mass communication, women's studies, gender studies and genre studies.
This Guide summarises the main critical trends and developments surrounding the popular genre of science fiction. Brian Baker reviews the attempts to formulate a critical history, connects the major developments with the rise of theoretical paradigms such as feminism and postmodernism, and introduces key critical texts and major critics.
In this diverse collection of essays, performance pieces, poetry and prose, mother as noun, appendage and agenda is mined for meaning in the context of contemporary Australian society.
Hayley is miserable. Her dad has just remarried and now she's stuck with a strange new stepfamily and a strange new house. Things go from bad to worse when she finds a space alien has chosen her new bedroom as his home away from home.