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The first comprehensive publication exploring the life and art of pioneering American abstract artist Alice Trumbull Mason is perfect for audiences eager to discover unsung yet brilliantly talented women artists. A groundbreaking artist, Alice Trumbull Mason (1904-1971) was one of the earliest painters of the twentieth century to embrace abstract painting in America. Mason's early paintings have been compared to those of Gorky, Kandinsky, and Miró, and in 1936 she became a founding member of the American Abstract Artists (AAA) and one of its leaders in the promotion of abstract work by artists such as Josef Albers, Ad Reinhardt, Piet Mondrian, and many others. Mason was a true artist's artist whose efforts helped lead to the great movements of later twentieth-century art, such as Abstract Expressionism, Pop Art, Post-Modernism, and Conceptual Art. Alice Trumbull Mason features essays that illuminate and contextualize the artist's multifaceted work and personal life through her paintings, prints, poetry, and letters. The book reveals the full life story of a seminal abstractionist, making a sound argument for adding her to the annals of great twentieth-century artists.
This timely reexamination of the experimental New York print studio Atelier 17 focuses on the women whose work defied gender norms through novel aesthetic forms and techniques.
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
The paintings of contemporary artist Emily Mason
The extraordinarily captivating memoir of the remarkable jewel thief who robbed the rich and the famous while maintaining an outwardly conventional life—an astonishing and completely true story, the like of which has never before been told . . . or lived. Bill Mason is arguably the greatest jewel thief who ever lived. During a thirty-year career he charmed his way into the inner circles of high society and stole more than $35 million worth of fabulous jewels from such celebrities as Robert Goulet, Armand Hammer, Phyllis Diller, Bob Hope, Truman Capote, Margaux Hemingway and Johnny Weissmuller—he even hit the Mafia. Along the way he seduced a high-profile Midwest socialite into leaving her prominent industrialist husband, nearly died after being shot during a robbery, tricked both Christie’s and Sotheby’s into fencing stolen goods for him and was a fugitive for five years and the object of a nationwide manhunt. Yet despite the best efforts of law enforcement authorities from several states as well as the federal government, he spent less than three years total in prison. Shadowy, elusive and intensely private, Mason has been the subject of many magazine and newspaper features, but no journalist has ever come close to knowing the facts. Now, in his own words and with no holds barred, he reveals everything, and the real story is far more incredible than any of the reporters, detectives or FBI agents who pursued Mason ever imagined. Confessions of a Master Jewel Thief, expertly co-written by bestselling author Lee Gruenfeld, is a unique true-crime confessional.
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This exceptional book on Mondrian's work concentrates on the artist's American period. By birth a Dutchman, Piet Mondrian arrived in New York in September 1940. He died there four years later. A pioneer of abstract art, he was -- like Wassily Kandinsky and Kasimir Malevich -- one of those Western painters remarkable as much for the work he produced as for his writings on the theory of art. Mondrian's celebrity was affirmed immediately after his death, when the first retrospective exhibition of his works given by the New York Museum of Modern Art in 1945 afforded him both global recognition and a place in history. In this book, containing more than 400 reproductions, Mondrian's oeuvre finds new life and a new opportunity, as befits a master whom some would call the artist of his century. Virginia Pitts Rembert, through the skill of being able to pass on her own research and expertise, reveals Mondrian's secret strengths both as an artist and as an innovator.
Considering in depth the origins of the Solomon R. Guggenheim Museum when it was first known as the Museum of Non-Objective Painting, this volume reveals for the first time the museums complex and sometimes twisted architectural history and the ambitious exhibition programme organized by Hilla Rebay, the museums founding Director and Curator from 1939 to 1952. Through the extensive correspondence between Rebay and Rudolf Bauer the artist whose work Guggenheim collected exhaustively Karol Vail reveals the important role Bauer played in envisioning the collection and the museum. Fully illustrated throughout, and featuring extensive previously unpublished archival materials, this book provides essential reading and a rich reference of the Guggenheims multifaceted and fascinating history.