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This brilliant children's theatre adaptation of Lewis Carroll's fantasy is intended for performance by kids of mixed ages-ranging from very small to twelve or fifteen years of age (you may want a child this old to play Humpty-Dumpty, who must be very wise!).Productions can be quite simple or very complex, and depending on techniques, the running time may range from 60 to 90 minutes.Scenes have been numbered and broken out for easy staging, and production tips are included.Each copy purchased includes amateur rights for one performance. For more information, please contact [email protected]
Based on events from the film Alice Through the Looking Glass, this unique illustrated novel allows readers to follow Alice, the Mad Hatter, the Red Queen and the White Queen as the characters journey through time. Each of the four characters have their own new, distinct art style to accompany their unpredictable adventures. As the readers travel along, they will be faced with choices that may turn the world upside down.
"Alice's Adventures in Wonderland and Through the Looking-Glass was originally published in 1865/1872"--T.p. verso.
A walrus and a carpenter encounter some oysters during their walk on the beach--an unfortunate meeting for the oysters.
Alice's Adventures in Wonderland is an 1865 English children's novel by Lewis Carroll, a mathematics don at the University of Oxford. It details the story of a girl named Alice who falls through a rabbit hole into a fantasy world of anthropomorphic creatures. It is seen as an example of the literary nonsense genre. The artist John Tenniel provided 42 wood-engraved illustrations for the book.It received positive reviews upon release and is now one of the best-known works of Victorian literature; its narrative, structure, characters and imagery have had a widespread influence on popular culture and literature, especially in the fantasy genre. It is credited as helping end an era of didacticism in children's literature, inaugurating an era in which writing for children aimed to "delight or entertain". The tale plays with logic, giving the story lasting popularity with adults as well as with children. The titular character Alice shares her name with Alice Liddell, a girl Carroll knewscholars disagree about the extent to which the character was based upon her.
Join Ms. Booksy, Cool School's wonderfully magical and whimsical storyteller as she jumps into the story and tells the tale of Rapunzel! Cool School style! Can Rapunzel escape the tower? Does she meet a Prince and defeat the evil witch? Will she cut her beautiful hair? Let's find out! Ready? Wiggle, Snap, StoryTime!
In this sequel to "Alice in Wonderland", Alice goes through the mirror to find a strange world where curious adventures await her.
The rule is, jam to-morrow and jam yesterday - but never jam to-day. Lewis Carroll's Through the Looking-Glass, and What Alice Found There was first published in December 1871 (dated 1872). Although Carroll intended Looking-Glass to be a follow-up piece to the immediately successful Alice's Adventures in Wonderland (1865), he created an entirely new fantasy world with a revised narrative structure. The twelve-chapter format was retained, but Looking-Glass is significantly longer than Wonderland (224 compared to 192 pages in the first editions), and introduces a range of new characters, and is framed by Alice's progression across a chess board to become queen. This new edition focuses solely on Through the Looking-Glass, with a penetrating and informative introduction by Zoe Jaques, including the most recent research and critical opinion on the subject matter.
What does Peter Pan have to say about our conception of childhood, about how we understand the child's and our own relationship to language, sexuality, and death? What can Peter Pan tell us about the theatrical, literary, and educational institutions of which it is a part? In a new preface written especially for this edition, Rose accounts for some of the new developments since her book's first publication in 1984. She discusses some of Peter Pan's new guises and their implications. From Spielberg's Hook, to the lesbian production of the play at the London Drill Hall in 1991, to debates in the English House of Lords, to a newly claimed status as the icon of a transvestite culture, Peter Pan continues to demonstrate its bizarre renewability as a cultural fetish of our times.