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Alice in Bed is a free dramatic fantasy which merges the life of Alice James, the brilliant sister of William and Henry James, with the heroine of Lewis Carroll's Alice in Wonderland. It is a play about the anguish and grief and rage of women; and about the triumphs and limitations of the imagination.
Arm yourself against my dawn, which may at any moment cast you and Harry into obscurity, Alice James writes her brother William in 1891. In Judith Hooper's magnificent novel, zingers such as this fly back and forth between the endlessly articulate and letter–writing Jameses, all of whom are geniuses at gossiping. And the James family did, in fact, know everyone intellectually important on both sides of the Atlantic, but by the time we meet her in 1889, Alice has been sidelined and is lying in bed in Leamington, England, after taking London by storm. We don't know what's wrong with Alice. No one does, though her brothers have inventive theories, and the best of medical science offers no help. So, with Alice in bed, we travel to London and Paris, where the James children spent part of their unusual childhood. We sit with her around the James family's dinner table, as she – the youngest and the only girl – listens to the intellectual elite of Boston, missing nothing. The book is accompanied by Hooper's Afterword,"What was Wrong with Alice?," an analysis of the varied psychological ills of the James family and Alice's own medical history.
Stricken by a mysterious malady, college sophomore Alice Brody has suddenly lost the use of her legs. How does a bright, beautiful, and now immobile young woman proceed with her passions? As she convalesces in a Manhattan hospital, Alice finds herself attended by a motley group of visitors: indifferent nurses, doctors both good and bad, divorcing parents, and eccentric relatives. But Alice is a creature of many charms, whose wit can enchant those bearing even the worst bedside manner. With a captivating heroine of great comic depth, Cathleen Schine's Alice in Bed is balm for whatever ails you.
Alice in Bed is a free dramatic fantasy which merges the life of Alice James, the brilliant sister of William and Henry James, with the heroine of Lewis Carroll's Alice in Wonderland. It is a play about the anguish and grief and rage of women; and about the triumphs and limitations of the imagination.
A young girl takes refuge in a London Tube station during WWII and confronts grief, loss, and first love with the help of her favorite book, Alice in Wonderland, in the debut novel from Tony Award-winning playwright Steven Sater. London, 1940. Amidst the rubble of the Blitz of World War II, fifteen-year-old Alice Spencer and her best friend, Alfred, are forced to take shelter in an underground tube station. Sick with tuberculosis, Alfred is quarantined, with doctors saying he won't make it through the night. In her desperation to keep him holding on, Alice turns to their favorite pastime: recalling the book that bonded them, and telling the story that she knows by heart--the story of Alice in Wonderland. What follows is a stunning, fantastical journey that blends Alice's two worlds: her war-ravaged homeland being held together by nurses and soldiers and Winston Churchill, and her beloved Wonderland, a welcome distraction from the bombs and the death, but a place where one rule always applies: the pages must keep turning. But then the lines between these two worlds begin to blur. Is that a militant Red Cross Nurse demanding that Alice get BACK. TO. HER. BED!, or is it the infamous Queen of Hearts saying...something about her head? Soon, Alice must decide whether to stay in Wonderland forever, or embrace the pain of reality if that's what it means to grow up. In this gorgeous YA adaption of his off-Broadway musical, the Tony Award-winning co-creator of Spring Awakening encourages us all to celebrate the transformational power of the imagination, even in the harshest of times.
A teen plunges into a downward spiral of addiction in this classic cautionary tale. January 24th After you’ve had it, there isn't even life without drugs… It started when she was served a soft drink laced with LSD in a dangerous party game. Within months, she was hooked, trapped in a downward spiral that took her from her comfortable home and loving family to the mean streets of an unforgiving city. It was a journey that would rob her of her innocence, her youth—and ultimately her life. Read her diary. Enter her world. You will never forget her. For thirty-five years, the acclaimed, bestselling first-person account of a teenage girl’s harrowing decent into the nightmarish world of drugs has left an indelible mark on generations of teen readers. As powerful—and as timely—today as ever, Go Ask Alice remains the definitive book on the horrors of addiction.
The Lacanian Review (TLR) is a semiannual English-language journal of psychoanalysis, with bilingual (French - English) presentations of texts by Jacques Lacan and Jacques-Alain Miller. TLR publishes writing from prominent international figures of the Lacanian Orientation, featuring new theoretical developments in psychoanalysis, testimonies of the pass, dialogues with other discourses, and articles on contemporary culture, politics, art and science. Each issue explores a theme intersecting the symptoms of our era and emerging work in the New Lacanian School (NLS) and the World Association of Psychoanalysis (WAP).In our Post-Truth era, reality is under attack. The contemporary moment is disoriented by fake news, chatbots, conspiracy theories and a digital flood of leaks, lies and revelations. On hold with automated phone answering services, one pleads to just talk to a real person. But we are also complicit, enjoying online avatars, virtual reality, augmented reality and cryptocurrency fueled binges.Over a century ago, psychoanalysis learned from psychotic subjects that chasing after reality is folly. Reality is just another delusion in the service of the fantasy. To find an orientation amidst the proliferating loss of belief in reality experienced today, psychoanalysis must shift the question to find an exit from the reality trap. In its 7th issue, The Lacanian Review interrogates what is real in psychoanalysis. TLR7 introduces a landmark translation by Philip Dravers of the late Lacan's momentus and polyphonic address, "The Third," followed by texts exploring the Borromean clinic. Marie-Helene Brousse curates a dossier that approaches the subject of the real through dialogue with quantum physics and new work by Philippe de Georges and Clotilde Leguil. Interviews with Matteo Barsuglia, astrophysicist at the National Center for Scientific Research in France and Catherine Pépin, researcher at the Institute of Theoretical Physics (IPhT) of the Atomic Energy Center at Saclay (France), advance a critical conversation between two discourses that delineates what we call reality and real.Three new translations of Jacques-Alain Miller, published for the first time in English, examine truth, fiction and science in relation to the real as the impossible, but also the contingent. These lessons question whether we are in a Post-Truth era or the era of the Lying-Truth.Attesting to the singular experience of the real in psychoanalysis, TLR 7 presents three testimonies of the pass of current Analysts of the School. Clinical cases, the politics of the real, biotechnology, and Lady Gaga with Hamlet are all assembled in this issue of The Lacanian Review, a journal which might not be of a semblant. Get Real!TLR is published by the New Lacanian School (amp-nls.org) and distributed by the Lacanian Compass Bookshop (lacaniancompass.com) and Eurl Huysmans (ecf-echoppe.com).
It’s the moment Alice has been looking forward to for years—her sixteenth birthday is coming up, and that means getting her driver’s license, with the freedom that entails. And before that important milestone, there’s another delicious taste of freedom awaiting Alice and her friends—a class trip to New York City, promising some serious partying once chaperones have gone to bed. But sophomore year and driving lessons are a lot harder than Alice thought they would be, and then there’s the problem with her new boyfriend, who is sometimes too attached to her. The older Alice gets, the more complicated her life seems to become.
ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER “Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?
I haven't given up on you and I'm not going to. It's time to stop playing hard to get now. When Kate meets a dark, enigmatic man in a Soho bar, she doesn't hesitate long before going home with him. There is something undeniably attractive about Richard - and irresistibly dangerous, too. Now, after eighteen exhilarating but fraught months, Kate knows she has to finish their relationship and hopes that will be the end of it. But it is only just the beginning. Fleeing London for the wintry Isle of Wight, she is determined to ignore the flood of calls and emails from an increasingly insistent Richard. But what began as a nuisance becomes an ever more threatening game of cat and mouse...