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Alice Seno is a seemingly shy and meek girl who always seems to be outshined by her older sister Mayura. One day, Alice has an encounter with a mysterious and magical rabbit girl, and her life is turned upside down. Alice discovers that certain words have power, and that she has the potential to be master of a set of sublimely powerful words called the Lotis Words. But power always comes with a price, and the price may turn out to be Alice's sister Mayura... -- VIZ Media
Alice Seno seems like a normal girl in high school. She's a bit shy, she's got a crush on a boy named Kyô, and she's got an older sister who is more popular than she is...pretty normal stuff, until Alice has an encounter with a mysterious and magical rabbit girl that changes the course of her life, and Alice is introduced to the sublime power of the Lotis Words. New allies Mei Lin and Billy come to the aid of Alice, Kyô, Nyozeka, Frey, and Chris in their fight against the dark forces of Mara. Together, they continue the struggle to save Alice's sister Mayura from her entanglement with Darva, who is evil incarnate. To reach Mayura, Alice must understand what her sister felt when she succumbed to the Mara, and the young Lotis Masters learn that they cannot be blind to the darkness even in their own hearts!
Kidnapped by a handsome man with rabbit ears, Alice Liddell finds herself abandoned in an odd place called Wonderland and thrust into a "game," the rules of which she has yet to learn. Alice, ever the plucky tomboy, sets off to explore and get the lay of this strange land, intent on finding her rude kidnapper and giving him a piece of her mind (and her fist). But little does she know that she's wandered right into the middle of a dangerous power struggle involving just about all of Wonderland's attractive, weapon-happy denizens. And the only way for Alice to return home is to get acquainted with the lot of them?! How in the world will she manage that and still manage to stay alive?!
The first game starts with a bang, but Ryohei manages to beat the clock and save his friends. It’s a short-lived victory, however, as they discover that winning only earns them a few days’ grace period. If they want to get home, they’re going to have to start playing a lot harder. -- VIZ Media
Now! Let the "Mad Tea Party" begin! The Kuonji clan, owner of one of the world's top conglomerates, has a tradition: Once a month, family members attend a "Mad Tea Party." But at the latest gathering, the nine Kuonji siblings in attendance are shocked to hear a pronouncement issue from the lips of their mother, Olga- "I'd like you children to now fight one another to the death!" As chaos erupts, Stella, the fourth daughter, loses all reason, and suddenly a whole new Stella, complete with blonde hair and blue dress, comes out to play-!!
Kyô Wakamiya joins Alice Seno's endeavor to save her sister, Mayura, from the darkness. From out of nowhere, a mysterious handsome man named Frei appears to claim Alice as his fiancée and he too, offers his support to save Mayura. All three of them have the potential to be great Lotis Masters, but will even their combined power be enough to save Mayura from the dark nether world that she is trapped in? -- VIZ Media
Since the first translations of Lewis Carroll's Alice books appeared in Japan in 1899, Alice has found her way into nearly every facet of Japanese life and popular culture. The books have been translated into Japanese more than 500 times, resulting in more editions of these works in Japanese than any other language except English. Generations of Japanese children learned English from textbooks containing Alice excerpts. Japan's internationally famous fashion vogue, Lolita, merges Alice with French Rococo style. In Japan Alice is everywhere--in manga, literature, fine art, live-action film and television shows, anime, video games, clothing, restaurants, and household goods consumed by people of all ages and genders. In Alice in Japanese Wonderlands, Amanda Kennell traverses the breadth of Alice's Japanese media environment, starting in 1899 and continuing through 60s psychedelia and 70s intellectual fads to the present, showing how a set of nineteenth-century British children's books became a vital element in Japanese popular culture. Using Japan's myriad adaptations to investigate how this modern media landscape developed, Kennell reveals how Alice connects different fields of cultural production and builds cohesion out of otherwise disparate media, artists, and consumers. The first sustained examination of Japanese Alice adaptations, her work probes the meaning of Alice in Wonderland as it was adapted by a cast of characters that includes the "father of the Japanese short story," Ryūnosuke Akutagawa; the renowned pop artist Yayoi Kusama; and the best-selling manga collective CLAMP. While some may deride adaptive activities as mere copying, the form Alice takes in Japan today clearly reflects domestic considerations and creativity, not the desire to imitate. By engaging with studies of adaptation, literature, film, media, and popular culture, Kennell uses Japan's proliferation of Alices to explore both Alice and the Japanese media environment.
The Jameses are perhaps the most extraordinary and distinguished family in American intellectual life. Henry’s novels, celebrated as among the finest in the language, and William’s groundbreaking philosophical and psychological works, have won these brothers a permanent place at the center of the nation’s cultural firmament. Less well known is their enigmatic younger sister, Alice. As Jean Stouse’s generous, probing, and deeply imaginative biography shows, however, Alice James was a fascinating and exceptional figure in her own right. Tortured throughout her short life by an array of nervous disorders, constrained by social convention from achieving the worldly success she so desired, Alice nevertheless emerges from this remarkable book as a personality every bit as peculiar and engaging as her two famous brothers. “The moral and philosophical questions that Henry wrote up as fiction and William as science,” writes Strouse, “Alice simply lived.” With a psychological penetration and high eloquence that are altogether Jamesian, Strouse traces the formation of a unique identity, from Alice’s unconventional peripatetic childhood in continental Europe through her years of spinsterhood in the United Sates and later England. It was there that she began to keep her celebrated diary, full of fitting social observation and unblinking self-analysis. “I consider myself one of the most potent creations of my time,” she wrote to William, with characteristic tartness, towards the end of her life, “and though I may not have a group of Harvard students sitting at my feet drinking in psychic truth, I shall not tremble, I assure you, at the last trump.”