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In this book, Petra Schönemann-Behrens provides an informative review of the life and times of Alfred Fried, a significant German pacifist of the late nineteenth century and the early twentieth century.
"In this book, Petra Schönemann-Behrens provides an informative review of the life and times of Alfred Fried, a significant if underappreciated German pacifist of the late nineteenth century and the early twentieth century. In response to the militarism and international anarchy of the European states, Fried developed his unique notion of "revolutionary" or "scientific" pacifism, differentiating it from reform pacifism, in order to address the material causes of war. As theorist, practitioner, and journalist, Fried advanced radical concepts at the time: the formation of a pan-European union, the establishment of an effective international court of arbitration, the elimination of a secretive diplomatic class, and the expansion of international economic and cultural cooperation. This work is translated after the German work Alfred H. Fried: Friedensaktivist - Nobelpreisträger published by Römerhof Verlag, in 2011"--
Offers the first detailed review of Carl A. Spaatz as a commander. Examines how the highest ranking U.S. airman in the European Theater of Operations of World War II viewed the war, worked with the British, and wielded the formidable air power at his disposal. Identifies specifically those aspects of his leadership that proved indispensable to the Allied Victory over Nazi Germany. Chapters: Carrying the Flame: From West Point to London, 1891-1942; Tempering the Blade: The North African Campaign, 1942-1943; Mediterranean Interlude: From Pantelleria to London, 1943; The Point of the Blade: Strategic Bombing and the Cross-Channel Invasion, 1944; and The Mortal Blow: From Normandy to Berlin, 1944-1945. Maps, charts and b & w photos.
Style-Architecture and Building-Art is Hermann Muthesius’s classic criticism of nineteenth century architecture. Now published for the first time in English, this pivotal text represents the first serious effort by Muthesius to define the elements of early modernist architecture according to notions of realism and simplicity. Although Muthesius is known best in Anglo-American architectural literature for his studies of the English house, his scholarship constituted a wide-ranging modernist polemic emanating from the German realist movement of the late 1890s. Notions that were introduced in Style-Architecture and Building-Art became common in later modernist historiography: disdain for the nineteenth century’s artistic eclecticism and lack of originality; appreciation of the material and industrial aspects of building technology, and, above all, a simpler approach to design. Muthesius' critique of stylistic architecture is not only linked to the development of the Deutsche Werkbund movement, but also can be viewed more broadly as a cornerstone of the modern movement. In his introduction, Standford Anderson situates Muthesius and his work in turn-of-the-century architectural discourse and analyzes his vision of a new form of architecture. Anderson also discusses the rationale underlying the call for cultural renewal, the role of English architectural models in Muthesius’s thought, critical differences between the first and second editions of Style-Architecture and Building-Art, the influence of the Jugendstil and Art Nouveau movements on Muthesius and, in turn, the influence of Muthesius on the Deutsche Werkbund movement.