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This work is a critical edition of an Italian poetic version of the legend of Alexander the Great. The Alexandreida in Rima was written in the 15th century, and was primarily derived from a 12th century Latin prose version of a Greek romance.
Never before has there appeared in English such a collection of essays concerning Alexander the Great's legacy in world literature. From Greek and Latin works of the Classical Period through Medieval texts in Syriac, Persian, Coptic, Arabic, Ethiopic and Hebrew, as well the European languages, the fourteen chapters cover the gamut of Alexander literary studies as compiled by some of the foremost scholars in each field, bringing the reader up-to-date on everything Alexander. These experts share their results after years of investigation in the field, and, in doing so, point the reader toward the essence of each of the myriad of Alexander romances, while at the same time including copious notes and bibliography to prepare the reader for his or her own Alexander journey. Contributors include: Richard Stoneman, Saskia Dönitz, Daniel Selden, Josef Wiesehöfer, David Ashurst, Laurence Harf-Lancner, Danielle Buschinger, Juan Pedro Monferrer Sala, Roberta Morosini, Maura Lafferty, Peter Kotar, David Zuwiyya
Brill’s Companion to the Reception of Alexander the Great offers a considerable range of topics, of interest to students and academics alike, in the long tradition of this subject’s significant impact, across a sometimes surprising and comprehensive variety of areas. Arguably no other historical figure has cast such a long shadow for so long a time. Every civilisation touched by the Macedonian Conqueror, along with many more that he never imagined, has scrambled to “own” some part of his legacy. This volume canvasses a comprehensive array of these receptions, beginning from Alexander’s own era and journeying up to the present, in order to come to grips with the impact left by this influential but elusive figure.
From classics and history to Jewish rabbinic narratives and the canonical and noncanonical gospels of earliest Christianity, the relevance of studying the novel of the later classical periods of Greek and Rome is widely endorsed. Ancient novels contain insights beyond literary theories and philosophical musings to new sources for understanding the popular culture of antiquity. Some scholars, in fact, refer to ancient novels as “alternative histories,” for they tell history implicitly rather than with the intentional biases of the historian. The Novel in the Ancient World surveys the new approaches and insights to the ancient novel and wrestles with issues such as the development, transformation, and christianization of the novel (Spirit-inspired versus inspired by the Muses). This publication has also been published in hardback, please click here for details.
The 'great man' of later Greek historical thought is the long product of traceable changes in ancient ideas about the meaning and impact of an individual life. At least as early as the birth of the Athenian democracy, questions about the ownership of the motion of history were being publicly posed and publicly challenged. The responses to these questions, however, gradually shifted over time, in reaction to historical and political developments during the fifth and fourth centuries BC. These ideological changes are illuminated by portrayals of the roles played by individuals and groups in significant historical events, as depicted in historiography, funerary monuments, and inscriptions. The emergence in these media of the individual as an indispensable agent of history provides an additional explanation for the reception of Alexander 'the Great': the Greek world had long since been prepared to understand him as it did.