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Excerpt from Alexander's Gospel Songs There is a friend that sticketh closer than a brother. - Prov. Xviii, 24. Fred. P. Monnrs. Robert Hummus. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Does the Bible justify instrumental music for Christian worship?In 2006, advocates for the use of instrumental music in worship presented a three-part series titled "The Both/And Church," suggesting that people should read old texts in fresh, new ways. These advocates proposed that their understanding of biblical texts justifies instruments in church worship. Since that time, some churches have followed their lead.Ironically, this misreading of the relevant biblical texts is not new. The arguments made by these proponents are the arguments that have been made since the late 1800s among advocates of instrumental music in worship.Thomas Alexander answers these "new" arguments in a caring, biblical way in Music in Worship. He carefully evaluates each of the reasons given by "both/and church" proponents and shows that the facts about what God wants in worship have not changed - human attitudes have.
Excerpt from Alexander's Gospel Songs No; 2 Will you meet me there? Will you meet me there? Tis the Saviour bids you come. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Scholars have long recognized the relevance to Christianity of the many stories surrounding the life of Alexander the Great, who claimed to be the son of Zeus. But until now, no comprehensive effort has been made to connect the mythic life and career of Alexander to the stories about Jesus and to the earliest theology of the nascent Christian churches. Ory Amitay delves into a wide range of primary texts in Greek, Latin, and Hebrew to trace Alexander as a mythological figure, from his relationship to his ancestor and rival, Herakles, to the idea of his divinity as the son of a god. In compelling detail, Amitay illuminates both Alexander’s links to Herakles and to two important and enduring ideas: that of divine sonship and that of reconciliation among peoples.
Completely re-evaluates the backgound to and provenance of the preface to Luke's Gospel.
Singing the Gospel offers a new appraisal of the Reformation and its popular appeal, based on the place of German hymns in the sixteenth-century press and in the lives of early Lutherans. The Bohemian mining town of Joachimsthal--where pastors, musicians, and laity forged an enduring and influential union of Lutheranism, music, and culture--is at the center of the story. The Lutheran hymns, sung in the streets and homes as well as in the churches and schools of Joachimsthal, were central instruments of a Lutheran pedagogy that sought to convey the Gospel to lay men and women in a form that they could remember and apply for themselves. Townspeople and miners sang the hymns at home, as they taught their children, counseled one another, and consoled themselves when death came near. Shaped and nourished by the theology of the hymns, the laity of Joachimsthal maintained this Lutheran piety in their homes for a generation after Evangelical pastors had been expelled, finally choosing emigration over submission to the Counter-Reformation. Singing the Gospel challenges the prevailing view that Lutheranism failed to transform the homes and hearts of sixteenth-century Germany.
In 336 b.c. Philip of Macedonia was assassinated and his twenty-year-old son, Alexander, inherited his kingdom. Immediately quelling rebellion, Alexander extended his father’s empire through-out the Middle East and into parts of Asia, fulfilling the soothsayer Aristander’s prediction that the new king “should perform acts so important and glorious as would make the poets and musicians of future ages labour and sweat to describe and celebrate him.” The Life of Alexander the Great is one of the first surviving attempts to memorialize the achievements of this legendary king, remembered today as the greatest military genius of all time. This exclusive Modern Library edition, excerpted from Plutarch’s Lives, is a riveting tale of honor, power, scandal, and bravery written by the most eminent biographer of the ancient world.
Excerpt from Twice Around the World With Alexander: Prince of Gospel Singers One striking feature of the German Reformation was the admission of the Congregation into a singing share of the religious service. Luther himself became a writer of hymns; and many of his gifted countrymen produced Christian lyrics to meet the popular demand. So marked was the result of this innovation that from a hostile source came the sneer that the peopl'e were singing themselves into the Lutheran doctrine. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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