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This is Volume One of a three-volume set, comprising much of Crowley's early material, written mostly between 1898-1902. His earliest works, written between 1887-1897, were almost entirely destroyed by authorities due to their offensive nature. In writing the material that appears in this volume, Crowley toned things down a notch and moved away from the more lurid and graphic sexual themes he had been primarily focused on. He concentrates almost entirely on religion and mythology in this collection. This reflects a time in his life when he was awakening to an important mystical and spiritual level. It can be seen by the reader how Crowley continues to grow and mature into more advanced ideas in the two remaining volumes, as well. It is hard to think of Crowley as a poet, but his style and advanced mystical vocabulary are unique and go beyond that of everyday poets. His plays are also interesting. Crowley once said that the last play, "Tanhauser: The Story of All Time," contained the theory of special relativity, which Einstein clarified more fully and scientifically three years later, in 1905. This volume contains four poems, five plays, four sections of shorter poems, an Epilogue, and an interesting Appendix on Qabalistic Dogma.
This is Volume One of a three-volume set, comprising much of Crowley's early material, written mostly between 1898-1902. His earliest works, written between 1887-1897, were almost entirely destroyed by authorities due to their offensive nature. In writing the material that appears in this volume, Crowley toned things down a notch and moved away from the more lurid and graphic sexual themes he had been primarily focused on. He concentrates almost entirely on religion and mythology in this collection. This reflects a time in his life when he was awakening to an important mystical and spiritual level. It can be seen by the reader how Crowley continues to grow and mature into more advanced ideas in the two remaining volumes, as well. It is hard to think of Crowley as a poet, but his style and advanced mystical vocabulary are unique and go beyond that of everyday poets. His plays are also interesting. Crowley once said that the last play, "Tanhauser: The Story of All Time," contained the theory of special relativity, which Einstein clarified more fully and scientifically three years later, in 1905. This volume contains four poems, five plays, four sections of shorter poems, an Epilogue, and an interesting Appendix on Qabalistic Dogma.
2012 Reprint of Original Three Volume s First Published from 1905-1907. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. This is a collection of Crowley's early esoteric writings and poetry and comprise the first collected edition of his writings. Aleister Crowley, born Edward Alexander Crowley, and also known as both Frater Perdurabo and The Great Beast, was an influential English occultist, mystic, ceremonial magician, poet and mountaineer, who was responsible for founding the religious philosophy of Thelema. In his role as the founder of the Thelemite philosophy, he came to see himself as the prophet who was entrusted with informing humanity that it was entering the new Aeon of Horus in the early 20th century. Born into a wealthy upper class family, as a young man he became an influential member of the esoteric Hermetic Order of the Golden Dawn after befriending the order's leader, Samuel Liddell MacGregor Mathers. Subsequently believing that he was being contacted by his Holy Guardian Angel, an entity known as Aiwass, while staying in Egypt in 1904, he "received" a text known as 'The Book of the Law' from what he believed was a divine source, and around which he would come to develop his new philosophy of Thelema. He would go on to found his own occult society and eventually rose to become a leader of Ordo Templi Orientis (O.T.O.), before founding a religious commune in Cefalu known as the Abbey of Thelema, which he led from 1920 through till 1923. After abandoning the Abbey amid widespread opposition, Crowley returned to Britain, where he continued to promote Thelema until his death. Crowley has remained an influential figure and is widely thought of as the most influential occultist of all time. Includes: Volume 1. Aceldama. The tale of Archais. Songs of the spirit. The poem. Jephithah. Mysteries. Jezebel, and other tragic poems. An appeal to the American republic. The fatal force. The mother's tragedy. The temple of the holy ghost. Carmen Saeculare. Tannhauser. Epilogue. Appendix. -- Volume 2. Oracles. Alice: An adultery. The Argonauts. Ahab and other poems. The God-eater. The sword of song. Ambrosii magi hortus rosarum. The three characteristics. An essay on ontology. Science and Buddhism. The excluede middle; or, the sceptic refuted. Time. Epilogue. Volume 3. The star and the garter. Rosa mundi, and other love-songs. The Sire de Maletroit's door. Gargoyles. Rodin in rime. Orpheus. Epilogue and dedication. Appendix A. Bibliographical note. Appendix B. Index of first lines.
This edition includes Liber 777, Gematria (from Equinox Volume 1, Number 5), and Sepher Sephiroth (from Equinox Volume 1, Number 8).
Do What Thou Wilt: An exploration into the life and works of a modern mystic, occultist, poet, mountaineer, and bisexual adventurer known to his contemporaries as "The Great Beast" Aleister Crowley was a groundbreaking poet and an iconoclastic visionary whose literary and cultural legacy extends far beyond the limits of his notoriety as a practitioner of the occult arts. Born in 1875 to devout Christian parents, young Aleister's devotion scarcely outlived his father, who died when the boy was twelve. He reached maturity in the boarding schools and brothels of Victorian England, trained to become a world-class mountain climber, and seldom persisted with any endeavor in which he could be bested. Like many self-styled illuminati of his class and generation, the hedonistic Crowley gravitated toward the occult. An aspiring poet and a pampered wastrel - obsessed with reconciling his quest for spiritual perfection and his inclination do exactly as he liked in the earthly realm - Crowley developed his own school of mysticism. Magick, as he called it, summoned its users to embrace the imagination and to glorify the will. Crowley often explored his spiritual yearnings through drug-saturated vision quests and rampant sexual adventurism, but at other times he embraced Eastern philosophies and sought enlightenment on ascetic sojourns into the wilderness. This controversial individual, a frightening mixture of egomania and self-loathing, has inspired passionate - but seldom fair - assessments from historians. Lawrence Sutin, by treating Crowley as a cultural phenomenon, and not simply a sorcerer or a charlatan, convinces skeptic readers that the self-styled "Beast" remains a fascinating study in how one man devoted his life to the subversion of the dominant moral and religious values of his time.
In 1909, Crowley received and wrote down his visions in the Sahara. In them, he gives an account of crossing the Abyss and attaining the grade of Master of the Temple. The core of this book is a record of his visions of the 30 Aethyres of the Enochian Magick developed by John Dee and Edward Kelley. It includes Crowley's own diagrams and the original typescript of the Commentaries. There is also a record of Crowley's magical work conducted with Victor B. Neuberg, and includes the "Esoteric Record of the Paris Working" as well as "The Holy Hymns to the Great Gods of Heaven".
Crowley at his absolute best. An annotated and very personal encyclopedia of magical instruction covering the Qabalah, the major schools and symbols of magick, meditation and astral projection, the tarot, astrology, pentacles, lamens, talismans, and much, much more.
Edited, with an Introduction, by William Breeze. Foreword by David Tibet. This volume brings together the uncollected short fiction of the poet, writer and religious philosopher Aleister Crowley (1875 - 1947). Crowley was a successful critic, editor and author of fiction from 1908 to 1922, and his short stories are long overdue for discovery. Of the fifty-two stories in the present volume, only thirty were published in his lifetime. Most of the rest appear here for the first time. Like their author, Crowley's stories are fun, smart, witty, thought-provoking and sometimes unsettling. They are set in places he had lived and knew well: Belle Epoque Paris, Edwardian London, pre-revolutionary Russia and America during the first World War. The title story The Drug stands as one of the first - if not the first - accounts of a psychedelic experience. His Black and Silver is a knowing early noir discovery that anticipates an entire genre. Atlantis is a masterpiece of occult fantasy, a dark satire that can stand with Samuel Butler's Erewhon. Frank Harris considered The Testament of Magdalen Blair the most terrifying tale ever written. Extensive editorial end-notes give full details about the stories.