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This large format book was issued in connection with Adam McLean's exhibition at the Embassy Gallery during the Edinburgh Festival 2007. It provides an overview and survey of the symbolism, gathered under three headings - Alchemy of the Cosmos, Alchemy of the Soul and Alchemy of Matter. The book shows coloured versions by Adam McLean of many of the intriguing alchemical emblems, with descriptions and analysis of their place in the history of alchemical imagery. It thus provides a simple introduction to the use of emblematic imagery in alchemy. This book was beautifully designed by the Glasgow artist, Ronnie Heeps, who also curated the exhibition.Large format A4 paperback. 50 pages. 64 coloured images.
Illuminating selections from Jung’s writings on alchemy and the transformation of the human spirit The ancient practice of alchemy, which thrived in Europe until the seventeenth century, dealt with the phenomenon of transformation—not only of ore into gold but also of the self into Other. Through their work in the material realm, alchemists discovered personal rebirth as well as a linking between outer and inner dimensions. C. G. Jung first turned to alchemy for personal illumination in coping with trauma brought on by his break with Freud. Alchemical symbolism eventually suggested to Jung that there was a process in the unconscious, one that had a goal beyond discharging tension and hiding pain. In this book, Nathan Schwartz-Salant brings together key selections of Jung’s writings on the subject. These writings expose us to Jung’s fascinating reflections on the symbols of alchemy—such as the three-headed Mercurial dragon, hermaphrodites, and lions devouring the sun—and brings us closer to the spirit of his approach to the unconscious, closer than his purely scientific concepts often allow.
The Collected Works of C. G. Jung is a multi-volume work containing the writings of psychiatrist Carl Jung. Contains revised versions of works previously published, works not previously translated, and new translations of virtually all of Jung's writings. Prior to his death he supervised the textual revision. Several of the volumes are extensively illustrated; each contains an index and most a bibliography.
Jung's last major work, completed in his 81st year, on the synthesis of the opposites in alchemy and psychology.
For the first time, The Collected Works of C. G. Jung is now available in a complete digital edition that is full-text searchable. The Complete Digital Edition includes Vols. 1–18 and Vol. 19, the General Bibliography of C. G. Jung's Writings. (Vol. 20, the General Index to the Collected Works, is not included.) Volumes 1–18 of The Collected Works are available for individual purchase and are also full-text searchable at http://press.princeton.edu/catalogs/series/bscwj.html [The Collected Works of C.G. Jung]. The Collected Works of C. G. Jung forms one of the basic texts of twentieth-century thought: at once foundational for depth psychology and pivotal for intellectual, cultural, and religious history. The writings presented here, spanning five decades, embody Jung's attempt to establish an interdisciplinary science of analytical psychology, and apply its insights to the fields of psychiatry, criminology, psychotherapy, psychoanalysis, personality psychology, anthropology, physics, biology, education, the arts and literature, the history of the mind and its symbols, comparative religion, alchemy, and contemporary culture and politics, among others: each in turn has been decisively marked by his thought. Of timely and ongoing relevance to the understanding of these fields, Jung's writings are at the same time essential reading for any understanding of the making of the modern mind.
"The Description for this book, The Quotable Jung, will be forthcoming"--
Greek vases and Peruvian bottles, Chinese bronzes and African masks, Tel Brak idols and Egyptian tomb paintings—artifacts ancient and modern reveal man's universal fascination with the eye and his awe before its mysterious powers. In this wide-ranging and richly illustrated essay Albert M. Potts considers the special properties the human mind has ascribed to the eye over the millenia and seeks out its peculiar significance as symbol. Amulets against the Evil Eye persist today in nearly every part of the world. Almost as pervasive is the conception of the Good Eye, itself used as a protective amulet. The Eye of Horus, for example, was one of the holiest symbols of the ancient Egyptian religion, and its descendants can still be found in the Mediterranean basin. Using artifacts and texts, the folklore of our own times, and aspects of the unconscious revealed by Jungian psychology, Potts reveals the diverse forms and meanings of this powerful symbol.
Mysterium Coniunctionis was first published in the Collected Works of C.G. Jung in 1963. For this second edition of the work, numerous corrections and revisions have been made in cross-references to other volumes of the Collected Works now available and likewise in the Bibliography. Mysterium Coniunctionis was Jung's last work of book length and gives a final account of his lengthy researches in alchemy. It was Jung's empirical discovery that certain key problems of modern man were prefigures in what t he alchemists called their 'art' or 'process'. Jung maintained that 'the world of alchemical symbols does not belong to the rubbish heap of the past, but stands in a very real and living relationship to our most recent discoveries concerning the psychology of the unconscious'. The volume includes ten plates, a Bibliography, an Index, and an Appendix of original Latin and Greek texts quoted in the work.
The Hexastichon was a memory system created by Sebastian Brand in 1503, involving sixteen figures which is supposed to help the reader to remember the events in each chapter of the Four Gospels, of Matthew, Mark, Luke and John.The woodcut images, to the modern mind, seem bizarre and inexplicable.Sebastian Brant (1457 - 1521) is best known for his satirical work The Ship of Fools, 1494, and his Hexastichon is now totally neglected and unknown.