James D. Herbert
Published: 1998
Total Pages: 236
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In fact, Herbert argues, the exhibitions developed a particular sense of French national identity - one that, in managing to be at the same moment both inwardly focused and beneficently expansive, would present a vivid contrast to the growing German nationalism of the Third Reich. His epilogue takes a final look at these issues from the perspective of Jean Cocteau's 1950 film Orphee.