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An analysis of the use made of five structuring devices, or motifs -- the Bildungsroman, the patriarchal prison, the fairy tale, sexual politics and gender trouble --in a selection of representative women's novels from Spain and Latin America written between 1936 and the present. STEPHEN M. HART is Reader in the Department of Spanish and Latin American Studies at University College London.
Considering the ways in which a family socially constructs a home, this is a much-needed investigation into how the house, its architecture, spatial arrangements and internal and external divisions shape and reshape family relationships in the face of constant challenges and change.
Thinker, writer, diplomat, feminist Rosario Castellanos was emerging as one of Mexico's major literary figures before her untimely death in 1974. This sampler of her work brings together her major poems, short fiction, essays, and a three-act play, The Eternal Feminine. Translated with fidelity to language and cultural nuance, many of these works appear here in English for the first time, allowing English-speaking readers to see the depth and range of Castellanos' work. In her introductory essay, "Reading Rosario Castellanos: Contexts, Voices, and Signs," Maureen Ahern presents the first comprehensive study of Castellanos' work as a sign or signifying system. This approach through contemporary semiotic theory unites literary criticism and translation as an integral semiotic process. Ahern reveals how Castellanos integrated women's images, bodies, voices, and texts to feminize her discourse and create a plurality of new signs/messages about women in Mexico. Describing this process in The Eternal Feminine, Castellanos observes, "...it's not good enough to imitate the models proposed for us that are answers to circumstances other than our own. It isn't even enough to discover who we are. We have to invent ourselves."
Finalist for the Republic of Consciousness Prize Family Album is Ecuadorian author Gabriela Alemán’s rollicking follow-up to her acclaimed English-language debut, Poso Wells. Alemán is known for her spirited and sardonic take on the fatefully interconnected—and often highly compromised—forces at work in present-day South America, and particularly in Ecuador. In this collection of eight hugely entertaining short stories, she teases tropes of hardboiled detective fiction, satire, and adventure narratives to recast the discussion of national identity. A muddy brew of pop-culture and pop-folklore yields intriguing, lesser-known episodes of contemporary Ecuadorian history, along with a rich cast of unforgettable characters whose intimate stories open up onto a vista of Ecuador’s place on the world stage. From a pair of deep-sea divers using Robinson Crusoe’s map of a shipwreck to locate sunken treasure in the Galápagos Archipelago, to a night with the husband of Ecuador’s most infamous expat, Lorena Bobbitt, this series of cracked “family portraits” provides a cast of picaresque heroes and anti-heroes in stories that sneak up on a reader before they know what’s happened: they’ve learned a great deal about a country whose more well known exports—soccer, coffee and cocoa—mask an intriguing national story that’s ripe for the telling. One of The Millions Most Anticipated Books for 2022! "Ecuadorian writer Alemán’s sparkling collection (after the novel Poso Wells) brims with humor and adventure."—Publishers Weekly "Plays with tropes ranging from the Robinson Crusoe story to the classic betrayed-wife setup to wrestle with the impossible-to-decode oddness of human life, which old stories can only hide for so long."—Lily Meyer, NPR "It takes a rare and talented writer to create a cast of characters who each feel so unique, distinct, and whose stories unravel unexpectedly while also feeling inevitable, exactly right. Thoughtful and subversive, with Family Album, Alemán has given us a gift."—Jean Kyoung Frazier, author of Pizza Girl "Divers, adventurers, wrestlers, athletes: a diverse array of people come to light in these stories to insist again and again in challenging the weight of the written letter. Gabriela Alemán's stories inhabit the past to work through its possible versions. Her characters understand that History is a form of desire and the truth is not a house but a patina covering a place that has ceased to exist."—Yuri Herrera, author of A Silent Fury: The El Bordo Mine Fire "Gabriela Alemán's stories unravel a rich and intriguing universe in which nothing, and no one, is what it seems."—Pilar Quintana, author of The Bitch "These stories are like lizards lying on rocks in the sun. When you try to pick one up it darts away and disappears. Sometimes a tail comes off in your hand or the thing bites your fingers and drops of blood decorate the rock. Best read while listening to Julio Jaramillo sing 'Amor sin Esperanza' and 'Hojas Muertas.'"—Barry Gifford, author of Sailor & Lula: The Complete Novels "Gabriela Alemán writes beautiful, sly, enigmatic stories originating in a rogues gallery of real life legends, including El Santo and John Wayne Bobbitt, as well as lesser known and invented souls, all of them struggling against the silent—or is it hostile?—backdrop of Ecuador’s past and present. Family Album is a mordantly funny and haunting collection."—Zachary Lazar, author of Vengeance