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This is a superb collection of intimate and revealing self-portraits by renowned Spanish photographer Alberto Garcia-Alix. Alberto Garcia-Alix is considered one of the finest Spanish photographers of the 21st century. Best known for his striking black and white portraits, Garcia-Alix has also captured self-portraits in nearly all his projects. What is telling about these images is that, while some are not traditional self-portraits as they don't feature the artist himself, instead showing everything from city streets to loved pets, they all capture some of the essence that has made Garcia-Alix one of today's most respected photographers. Autorretrato brings together these self-portraits - many of which are previously unpublished - providing an intimate and revealing look at Garcia-Alix's continued evolution as an artist.
Spanish photographer Alberto Garcia-Alix (born 1956) is known for his stunning black-and-white portraiture. The Box is a two volume album representing the artist's generation and its contradictions. The work spans the full arc of his career from his early 35 mm portraits of the seventies through to his work from the early 2000s.
Motorcycles are way more than a only vehicle of transportation. BRUMMM is capturing intense stories with striking photography.
The 1990s saw a resurgence of the portrait genre of photography, especially in Europe. This volume delves into this important development.
Mediumcore Exposure is the first solo exhibition of Raúl Dap. It exposes us look at a work of portraiture that houses several pieces of explicit nudity. His compositions hard, refer to aesthetic pleasure in photography with references to great authors like Robert Mapplethorpe or Alberto García Alix where the visual is considered an objective and rationale of the nude Treating Mediumcore images evoke a classic search for the body and nudity, something of a classic aesthetic hued aesthetic realities but abject display. Mediumcore bare faces the viewer as clandestine accomplice. The exhibition consists of 22 photographs that blend macro and portrait views, the everyday with the intimate, direct photo using a snapshot aesthetic without subtlety or manipulation. - Jorge López, Art Direction on Kir Royal Gallery.
A new, compact edition of Sean Scully’s photographs, featuring horizontal and vertical shards of limestone that echo his painted work and reveal a creative process best expressed through abstract shapes. Sean Scully, one of today’s most esteemed painters and an accomplished photographer, spent time on the remote Aran Islands, off the west coast of Ireland, photographing the ancient drystone walls that crisscross the stark and barren landscape. Sean Scully brings together his sensitive images, revealing the unexpected yet monumental beauty of these centuries-old structures that meander across the windswept and rocky islands. In their form and spirit, the photographs shed light on Scully’s own sensibilities as an artist. They also capture the stillness and serenity of this rugged, timeless place on the edge of Europe. This new edition features an evocative text by the award-winning Irish writer Colm To´ibi´n, which conveys the mysterious beauty of the three Aran Islands. This volume is a must-have for Sean Scully fans, as well as anyone with an interest in Ireland or photography.
This classic work of analog photojournalism—focusing on the idiosyncratic denizens of an iconic bar in the red-light district of Hamburg, Germany—is now available in a gorgeous new edition that features a tribute by musician and actor Tom Waits. Photographer Anders Petersen was hanging out at a dive bar on the Reeperbahn in Hamburg in 1968 when someone grabbed his camera from the table where he was sitting and started taking pictures. Petersen used the opportunity to photograph the culprit—and the rest of the bar’s motley crew of patrons. The resulting project is one of the most revered photobooks of all time, a celebration of a gritty city at the tail end of the sixties, and the cornerstone of Petersen’s storied career. The images have become classics of their genre; Tom Waits used one for the cover of his legendary album Rain Dogs. Their candidness and authenticity remain as eloquent today as when they were first published in 1978. This sumptuously produced reissue features a new foreword by Waits, and is certain to find a new audience, who will appreciate the stunning analog photography and its elegiac collective portrait of the fringes of society.
The hundred and fifty or so pictures that make up this retrospective of the work of Alberto Garcia-Alix (Leon, 1956) illustrate one of the most outstanding careers om the past quarter-century of Spanish photography. His artistic experience unfolds in a sort of poetic narration: that of his own private journey into the depths of the night. His ongoing autobiographical endeavour has driven him to document the chronicle of his time through a set of portraits which often include his own. Three different approaches can be discerned in his vast production. The initial period (1975-1982), to which most of his 35mm. work belongs; the eighties, which evidence the mature style of a sophisticated composer of frames; and the recent nineties, which witness a shift towards an increasingly cold, bare and essential perspective. Projects that reflect the multifaceted and heterodox nature of an artist whose oeurve rooted in the most classical tradition of black and white photography.
Foreword by Francisco Calvo Serraller.