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Albania is not well known by outsiders; it was deliberately closed to the outside world during the communist era. Now it has thankfully become free again, its borders are open and it can be visited, and it is increasingly integrating with the rest of Europe and beyond. Unfortunately, Albania has had its share of problems in the post-communist era; it's a land of destitution and despair, thanks in part to the Albanian mafia, which has turned the country into one of blood-feuds, kalashnikovs, and eternal crises. Yet, Albania is, in essence, a European nation like any other and will soon, it is to be hoped, advance and take its proper place in Europe and the world. The second edition of the Historical Dictionary of Albania relates the history of this little-known country through a detailed chronology, an introduction, a bibliography, appendixes, and over 700 cross-referenced dictionary entries on significant persons, places, and events; institutions and organizations; and political, economic, social, cultural, and religious facets.
This two-volume set presents information and images of the varied clothing and textiles of cultures around the world, allowing readers to better appreciate the richness and diversity of human culture and history. The contributors to Encyclopedia of National Dress: Traditional Clothing around the World examine clothing that is symbolic of the people who live in regions all over the world, providing a historical and geographic perspective that illustrates how people dress and explains the reasons behind the material, design, and style. The encyclopedia features a preface and introduction to its contents. Each entry in the encyclopedia includes a short historical and geographical background for the topic before discussing the clothing of people in that country or region of the world. This work will be of great interest to high school students researching fashion, fashion history, or history as well as to undergraduate students and general readers interested in anthropology, textiles, fashion, ethnology, history, or ethnic dress.
For most musicians and musicologists in the West, traditional Albanian music remains an obscure subject, even though Albania has produced a monumental cultural and corresponding musical heritage. This book examines the distinct musical culture of southeastern Europe, both monophonic and polyphonic, by delineating its four main musical dialects: Gheg, Tosk, Lab and Urban. The origins, fundamental features, musical styles and genres of the four dialects are discussed. Additional topics covered include an historical and demographic analysis of Albania, the history of Albanian ethnomusicology and the various classifications in Albanian music. Relying heavily on field research and recordings, this text introduces traditional Albanian music to both ethnomusicologists and curious readers.
This book examines the ways in which Albanian men, women, and families who have migrated from Montenegro and Kosovo to the United States understand and make sense of their mobility and settlement. Drawing on empirical research, including interview material, it goes beyond the experiences of individual migrants to explore the role that cultural identity has in shaping their mobility and immobility, with particular attention to the manner in which subjects talk about their experiences in terms of past and present movements and moments. An original storytelling study of the meaning, scope, and outcomes of mobility, and the construction of home and identity on the part of migrants, this title will appeal to scholars of sociology, geography, anthropology, and politics with interests in migration and diaspora.
This book represents a group of individual musical essays collected under common Albanian themes, with a particular focus on historical identities and traditional musical performance. It shows that, at the beginning of the 18th century, there was a growing interest in representing the Albanian hero Scanderbeg on the operatic stage, as some well-known composers of baroque music began to place a greater emphasis on music’s dramatic power to elicit emotional response. The book also notes that this sense of drama was also incorporated into the vocal forms such as opera.
This book offers a wide-range perspective covering demographic, family, urban and social transformations of the Albanian city of Shkodra during the interwar period. The topics discussed in the book are also related to the so-called process of 'modernisation' and 'westernisation' of a newly created state of Albania (1912). They include demography, census data, family structure, marriage patterns as well as cityscape and spatial layout and urban life. It gives insights into Shkodra's urban transformation, how the urban pattern differed from the Ottoman model, and the question of its continuity.