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In the nineteenth and early twentieth centuries, Mexicans and Americans joined together to transform the U.S.-Mexico borderlands into a crossroads of modern economic development. This book reveals the forgotten story of their ambitious dreams and their ultimate failure to control this fugitive terrain. Focusing on a mining region that spilled across the Arizona-Sonora border, this book shows how entrepreneurs, corporations, and statesmen tried to domesticate nature and society within a transnational context. Efforts to tame a 'wild' frontier were stymied by labour struggles, social conflict, and revolution. Fugitive Landscapes explores the making and unmaking of the U.S.-Mexico border, telling how ordinary people resisted the domination of empires, nations, and corporations to shape transnational history on their own terms. By moving beyond traditional national narratives, it offers new lessons for our own border-crossing age.
In this second book on the medium LORAINE REES, the clairvoyant works with a former Scotland Yard detective and a sketch artist to explore astonishing truths from the other side, including the true identity of Jack The Ripper. She also helps to ease the troubled anger of a woman after death, which reveals with stunning clarity how a soul can continue to grow and evolve even on the other side. Loraine's detailed messages from loved ones are supported by remarkably accurate sketches as well as the occasional and shocking photograph. Her work gives great comfort to many as she verifies with love and warmth the bold truth of life after death. Documented by Loraine's biographer Dr. Mary Ross, TROUBLED SPIRITS WITH MEDIUM LORAINE REES gives you an insider's view of the working life of a respected psychic who has helped the police solve difficult crime cases, and a rare glimpse into the window to the other side.
The Palestinian refugee question, resulting from the events surrounding the birth of the state of Israel seventy years ago, remains one of the largest and most protracted refugee crises of the post-WWII era. Numbering over six million in the Middle East alone, Palestinian refugees' status varies considerably according to the state or territory 'hosting' them, the UN agency assisting them and political circumstances surrounding the Israeli-Palestinian conflict these refugees are naturally associated with. Despite being foundational to both the experience of the Palestinian refugees and the resolution of their plight, international law is often side-lined in political discussions concerning their fate. This compelling new book, building on the seminal contribution of the first edition (1998), offers a clear and comprehensive analysis of various areas of international law (including refugee law, human rights law, humanitarian law, the law relating to stateless persons, principles related to internally displaced persons, as well as notions of international criminal law), and probes their relevance to the provision of international protection for Palestinian refugees and their quest for durable solutions.
Italy, 1456. The Renaissance is in glorious bloom. A Carmelite monk, the great artist Fra Filippo Lippi acts as chaplain to the nuns of the Convent Santa Margherita. It is here that he encounters the greatest temptation of his life, beautiful Lucrezia Buti, who has been driven to holy orders more by poverty than piety. In Lucrezia's flawless face Lippi sees the inspiration for countless Madonnas and he brings the young woman to his studio to serve as his model. But as painter and muse are united in an exhilarating whirl of artistic discovery, a passionate love develops, one that threatens to destroy them both even as it fuels some of Lippi's greatest work.
Charts the multiple histories of American nature religion and explores the moral and spiritual responses the encounter with nature has provoked throughout American history. Traces the connections between movements and individuals. Includes figures from popular culture such as the Hutchinson Family Singers and Davy Crockett as well as Thomas Jefferson, Ralph Waldo Emerson, Henry David Thoreau and John Muir.
In New Science, New World Denise Albanese examines the discursive interconnections between two practices that emerged in the seventeenth century--modern science and colonialism. Drawing on the discourse analysis of Foucault, the ideology-critique of Marxist cultural studies, and de Certeau's assertion that the modern world produces itself through alterity, she argues that the beginnings of colonialism are intertwined in complex fashion with the ways in which the literary became the exotic "other" and undervalued opposite of the scientific. Albanese reads the inaugurators of the scientific revolution against the canonical authors of early modern literature, discussing Galileo's Dialogue on the Two Chief World Systems and Bacon's New Atlantis as well as Milton's Paradise Lost and Shakespeare's The Tempest. She examines how the newness or "novelty" of investigating nature is expressed through representations of the New World, including the native, the feminine, the body, and the heavens. "New" is therefore shown to be a double sign, referring both to the excitement associated with a knowledge oriented away from past practices, and to the oppression and domination typical of the colonialist enterprise. Exploring the connections between the New World and the New Science, and the simultaneously emerging patterns of thought and forms of writing characteristic of modernity, Albanese insists that science is at its inception a form of power-knowledge, and that the modern and postmodern division of "Two Cultures," the literary and the scientific, has its antecedents in the early modern world. New Science, New World makes an important contribution to feminist, new historicist, and cultural materialist debates about the extent to which the culture of seventeenth-century England is proto-modern. It will offer scholars and students from a wide range of fields a new critical model for historical practice.
From migrations to pop culture, loss to la dérive, Life in a Country Album is a soundtrack of the global cultural landscape—borders and citizenship, hybrid identities and home, freedom and pleasure. It’s a vast and moving look at the world, at what home means, and the ways we coexist in an increasingly divided world. These poems are about the dialects of the heart—those we are incapable of parting from, and those that are largely forgotten. Life in a Country Album is a vital book for our times. With this beautiful, epic collection, Nathalie Handal affirms herself as one of our most diverse and important contemporary poets.
Blue Suburbia is a searing memoir so fresh, original, and honest that it will break your heart and renew your faith in the human spirit. With each spare stroke of her pen, Laurie Lico Albanese paints a vivid portrait of the blue-collar landscape of her childhood -- rusted swing sets, auto body shops, greasy hands, home improvements -- taking readers along for the wild, treacherous ride that leads to her escape. Her mother may stand silently at the sink year after year, or lie in the basement weeping, but Albanese is determined to flee the deadening certainty of her parents' lives. Her story does not disappoint us. By turns haunting, hilarious, tragic, and romantic, Blue Suburbia is the chronicle of a determined young woman who overcomes family limitations, socio-economic obstacles, and personal fears to build a happy -- and blessedly ordinary -- life. Written entirely in free verse, Blue Suburbia's cadence is a steady, rhythmic heartbeat, pulsing with pain, rebellion, love, and triumph. This is the story many of us might tell, if we had the courage.
Color illustration and map on lining papers.