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Readers can experience the magical tale of Aladdin anytime with this delightful read-along set. As they follow along with Aladdin and Jasmine's carpet ride around the world, word-for-word narration encourages independent reading. Plus dazzling sound effects and original character voiceS bring the story to life!
When Australian anthropologist E.W.P. Chinnery took his young Irish bride, Sarah, to Port Moresby in 1921, she did not imagine that the island of New Guinea-one of the most extraordinary regions on earth-would become her home for the next 16 years. Already a keen photographer, Sarah began recording her experiences in a daily diary.
What if Aladdin had never found the lamp? This first book in the A Twisted Tale line will explore a dark and daring version of Disney's Aladdin. When Jafar steals the Genie's lamp, he uses his first two wishes to become sultan and the most powerful sorcerer in the world. Agrabah lives in fear, waiting for his third and final wish.To stop the power-mad ruler, Aladdin and the deposed princess Jasmine must unite the people of Agrabah in rebellion. But soon their fight for freedom threatens to tear the kingdom apart in a costly civil war. What happens next? A Street Rat becomes a leader. A princess becomes a revolutionary. And readers will never look at the story of Aladdin in the same way again.
This stunning original novel will tell an all-new story set in the world of the new film, featuring Aladdin and Jasmine. A magic carpet ride full of adventure, suspense, and wonder written by New York Times Bestselling author Aisha Saeed, this story will be a must-read for any Aladdin fans who find themselves drawn into and enchanted by the magical world of Agrabah and beyond.
This is the tragic story of Janusz Korczak (as featured in the major motion picture The Zookeeper's Wife) who chose to perish in Treblinka rather than abandon the Jewish orphans in his care. Korczak comes alive in this acclaimed biography by Betty Jean Lifton as the first known advocate of children's rights in Poland, and the man known as a savior of hundreds of orphans in the Warsaw ghetto. A pediatrician, educator, and Polish Jew, Janusz Korczak introduced progressive orphanages, serving both Jewish and Catholic children, in Warsaw. Determined to shield children from the injustices of the adult world, he built orphanages into 'just communities' complete with parliaments and courts. Korczak also founded the first national children's newspaper, testified on behalf of children in juvenile courts, and, through his writings, provided teachers and parents with a moral education. Known throughout Europe as a Pied Piper of destitute children prior to the onslaught of World War II, he assumed legendary status when on August 6, 1942, after refusing offers for his own safety, he defiantly led the orphans under his care in the Warsaw Ghetto to the trains that would take them to Treblinka. Introductions by Elie Wiesel, Curren Warf and Allison A. Eddy [Subject: Biography, Holocaust Studies, Jewish Studies, WWII, Children's Rights]
This book critically examines how Walt Disney Animation Studios has depicted – and sometimes failed to depict – different forms of harming and objectifying non-human animals in their films. Each chapter addresses a different form of animal harm and objectification through the theories of speciesism, romanticism, and the ‘collapse of compassion’ effect, from farming, hunting and fishing, to clothing, work, and entertainment. Stanton lucidly presents the dichotomy between depictions of higher order, anthropomorphised and neotonised animal characters and that of lower-order species, showing furthermore how these depictions are closely linked to changing social attitudes about acceptable forms of animal harm. An engaging and novel contribution to the field of Critical Animal Studies, this book explores the use of animals not only in Disney’s best known animated films such as 101 Dalmatians, but also lesser known features including Home on the Range and Fun and Fancy Free. A quantitative appendix supplying data on how often each animal species appears and the amount of times animal harm or objectification is depicted in over fifty films provides an invaluable resource and addition to scholars working in both Disney and animal studies.
The Bodies That Remain is a collection of bodies and absences. Through biography, experimental essay and interview, fictional manifestation, and poetic extraction, The Bodies That Remain is a collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations and continued beyond them. The Bodies That Remain looks back at how the identity of these bodies was shaped by the spaces around them, through the retelling of memory, through stories told by others; of how their work, processed by their body, made it possible for others to experience sensations - mourning, desire, or a nostalgia that could not belong to another, to another's body and in capturing this ability, their work confirms the body's urgency. Amongst others, The Bodies That Remain tells the story of Emily Dickinson's decay, the missing grave of Valeska Gert, the voice and sound of the body of Judee Sill, and the derailed body and its work of Jane Bowles. It questions the absent body but broken organs of JT Leroy as they find themselves scattered across texts, and also interrogates the loss of distinction of illness for Jules de Goncourt as syphilis riddled his nervous system. It retrieves the illusory body of Kathy Acker through dream and through horror, sees the morphing body of Michael Jackson in becoming all of the bodies he was asked to be, and looks toward Sylvia Plath and the language of her own body. Contributions include texts and images by: Lynne Tillman (on Jane Bowles), David Rule (on Michael Jackson), Mairead Case (on Judee Sill), Claire Potter (on the Lads of Aran), Jeremy Millar (on Emily Dickinson), Chloé Griffin (on Valeska Gert), Phoebe Blatton (on Brigid Brophy), Susanna Davies-Crook (on Sarah Kane), Travis Jeppensen (on Gary Sullivan), Karen Di Franco (on Mary Butts), Tai Shani (on Mnemesoid), Philip Hoare (on Denton Welch), Heather Phillipson (on a dead dog), Uma Breakdown (on Guage Fanfic), Linda Stuppart (on Kathy Acker), Sharon Kivland (on Jacques Lacan), Harman Bains (on Wilhelm Reich), Pil & Galia Kollectiv (JT Leroy), Kevin Breathnach (on Jules de Goncourt), and Emily LaBarge (on Sylvia Plath).
A guide to trade names, brand names, product names, coined names, model names, and design names, with addresses of their manufacturers, importers, marketers, or distributors.