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From a rationale of multiculturalism and a based on systemic approach grounded in the Arab-Islamic tradition, this book integrates history, education, science, and feminism to understand the implications of culture in social change, cultural identity, and cultural exchange.
So begins Firdaus' story, leading to her grimy Cairo prison cell, where she welcomes her death sentence as a relief from her pain and suffering. Born to a peasant family in the Egyptian countryside, Firdaus suffers a childhood of cruelty and neglect. Her passion for education is ignored by her family, and on leaving school she is forced to marry a much older man. Following her escapes from violent relationships, she finally meets Sharifa who tells her that 'A man does not know a woman's value ... the higher you price yourself the more he will realise what you are really worth' and leads her into a life of prostitution. Desperate and alone, she takes drastic action. -- Publisher description.
A New York Times Notable Book: “Aboulela’s lovely, brief story encompasses worlds of melancholy and gulfs between cultures” (Kirkus Reviews, starred review). American readers were introduced to the award-winning Sudanese author Leila Aboulela with Minaret, a delicate tale of a privileged young African Muslim woman adjusting to her new life as a maid in London. Now, for the first time in North America, we step back to her extraordinarily assured debut about a widowed Muslim mother living in Aberdeen who falls in love with a Scottish secular academic. Sammar is a Sudanese widow working as an Arabic translator at a Scottish university. Since the sudden death of her husband, her young son has gone to live with family in Khartoum, leaving Sammar alone in cold, gray Aberdeen, grieving and isolated. But when she begins to translate for Rae, a Scottish Islamic scholar, the two develop a deep friendship that awakens in Sammar all the longing for life she has repressed. As Rae and Sammar fall in love, she knows they will have to address his lack of faith in all that Sammar holds sacred. An exquisitely crafted meditation on love, both human and divine, The Translator is ultimately the story of one woman’s courage to stay true to her beliefs, herself, and her newfound love. “A story of love and faith all the more moving for the restraint with which it is written.” —J. M. Coetzee
Are secular aims, politics, and sensibilities impossible, undesirable and impracticable for Muslims and Islamic states? Should Muslim women be exempted from feminist attempts at liberation from patriarchy and its various expressions under Islamic laws and customs? Considerable literature on the entanglements of Islam and secularism has been produced in the post-9/11 decade and a large proportion of it deals with the Woman Question. Many commentators critique the secular and Western feminism, and the racialising backlash that accompanied the occupation of Muslim countries during the War on Terror military campaign launched by the U.S. government after the September 11 attacks in 2001. Implicit in many of these critical works is the suggestion that it is Western secular feminism that is the motivating driver and permanent collaborator -- along with other feminists, secularists and human rights activists in Muslim countries -- that sustains the Wests actual and metaphorical war on Islam and Muslims. The book addresses this post-9/11 critical trope and its implications for womens movements in Muslim contexts. The relevance of secular feminist activism is illustrated with reference to some of the nation-wide, working-class womens movements that have surged throughout Pakistan under religious militancy: polio vaccinators, health workers, politicians, peasants and artists have been directly targeted, even assassinated, for their service and commitment to liberal ideals. Afiya Zia contends that Muslim womens piety is no threat against the dominant political patriarchy, but their secular autonomy promises transformative changes for the population at large, and thereby effectively challenges Muslim male dominance. This book is essential reading for those interested in understanding the limits of Muslim womens piety and the potential in their pursuit for secular autonomy and liberal freedoms.
Explores the impact the Al-Jazeer and other satellite television stations have had on Arab politics over the last decade, discussing how these new Arab medias have encouraged open debate about Iraq, Palestine, Islamism, Arab identity, and other key political and social issues.
Study of the impact of ill-conceived economic policies on the 1979 revolution in Iran, Islamic Republic - discusses theoretical issues, economic development trends since 1949, development planning objectives modernization and import substitution-based industrialization, land reforms, inappropriate choice of technology and technological change; economic disparities; issues relating to increased petroleum revenue, increasing public expenditure, irrational agricultural policies, commercial policies, price policies and counter-inflationary monetary policies, etc. Bibliography.
This volume explores the dialogue between Arab media and global developments in the information age, looking at the influence of new technologies in Arab societies and the evolving role of Arab women in ‘old’ and ‘new’ media. By gathering together contributions from both Arab and non-Arab scholars alike, a timely and important collection is presented that sheds new light on the growing involvement, role and image of Arab women in the media.
Abdullah, Amal Kharisha Barghouthi, Rita Giacaman, May Mistakmel Nassar, Amal Wahdan / Sahar Khalifeh ; translation by Nagla El-Bassiouni -- Intifada year four: notes on the women's movement / Rita Giacaman and Penny Johnson -- Palestinian women's activism after Oslo / Amal Kawar -- The declaration of principles on Palestinian women's rights: an analysis / Suha Sabbagh.
When Salma becomes pregnant before marriage in her small village in the Levant, her innocent days playing the pipe for her goats are gone for ever. She is swept into prison for her own protection. To the sound of her screams, her newborn baby daughter is snatched away. In the middle of the most English of towns, Exeter, she learns good manners from her landlady, and settles down with an Englishman. But deep in her heart the cries of her baby daughter still echo. When she can bear them no longer, she goes back to her village to find her. It is a journey that will change everything - and nothing. Slipping back and forth between the olive groves of the Levant and the rain-slicked pavements of Exeter, My Name is Salma is a searing portrayal of a woman's courage in the face of insurmountable odds.