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This wasn't in my job description.... Reporting a break-in, avoiding my overprotective exlover, dodging dangerous men out to kill me...not exactly a typical day for a comparative mythology professor. So how did I, Maggie Sanger, get mixed up in all this?
A Greek mogul mixes big business with irresistible pleasure when he takes his shy secretary on a trip to Athens in this international romance. Lucy Proctor watches the women who come and go in Aristotle Levakis’ life. As his prim and plump secretary, she knows she could never be one of them. And despite Ari’s devastating good looks, she has no desire to. Or at least that’s what she keeps telling herself! Ari shouldn’t find his own secretary attractive, but something about her calls to him. He knows there is only one way to overcome this desire—and that is to sate it. Three weeks in Athens should be enough time to get to know his sensible secretary better . . . !
Rethinks the criteria governing agency and receptivity, health and toxicity, productivity and stillness
"Instantly Have You Addicted" - Oprah Magazine #1 Contemporary Romance #1 New Adult Romance Amazon Charts Bestseller Washington Post Bestseller "My absolute favorite L.J. Shen to date. Indulgent and addictive." - USA Today Bestselling author RS Grey "This book will ruin you for all other books in 2019" - Bestselling author BB Easton From USA Today and Washington Post bestselling author L.J. Shen comes an enemies-to-lovers romance with a twist... They say your first kiss should be earned. Mine was stolen by a devil in a masquerade mask under the black Chicago sky. They say the vows you take on your wedding day are sacred. Mine were broken before we left church. They say your heart only beats for one man. Mine split and bled for two rivals who fought for it until the bitter end. I was promised to Angelo Bandini, the heir to one of the most powerful families in the Chicago Outfit. Then taken by Senator Wolfe Keaton, who held my father's sins over his head to force me into marriage. They say that all great love stories have a happy ending. I, Francesca Rossi, found myself erasing and rewriting mine until the very last chapter. One kiss. Two men. Three lives. Entwined together. And somewhere between these two men, I had to find my forever.
Despite the longevity of animation and its significance within the history of cinema, film theorists have focused on live-action motion pictures and largely ignored hand-drawn and computer-generated movies. Thomas Lamarre contends that the history, techniques, and complex visual language of animation, particularly Japanese animation, demands serious and sustained engagement, and in The Anime Machine he lays the foundation for a new critical theory for reading Japanese animation, showing how anime fundamentally differs from other visual media. The Anime Machine defines the visual characteristics of anime and the meanings generated by those specifically “animetic” effects—the multiplanar image, the distributive field of vision, exploded projection, modulation, and other techniques of character animation—through close analysis of major films and television series, studios, animators, and directors, as well as Japanese theories of animation. Lamarre first addresses the technology of anime: the cells on which the images are drawn, the animation stand at which the animator works, the layers of drawings in a frame, the techniques of drawing and blurring lines, how characters are made to move. He then examines foundational works of anime, including the films and television series of Miyazaki Hayao and Anno Hideaki, the multimedia art of Murakami Takashi, and CLAMP’s manga and anime adaptations, to illuminate the profound connections between animators, characters, spectators, and technology. Working at the intersection of the philosophy of technology and the history of thought, Lamarre explores how anime and its related media entail material orientations and demonstrates concretely how the “animetic machine” encourages a specific approach to thinking about technology and opens new ways for understanding our place in the technologized world around us.
This catalogue documents an exhibition at the Kelsey Museum of Archaeology on the mysterious ancient Egyptian jackal-headed gods associated with death and the afterlife. These gods are immediately identifiable symbols of ancient Egypt, but their specific identities and roles are often less well-known. Death Dogs is the first exhibition to examine their mysteries. The exhibition and catalogue focus on the three most important jackal gods: Anubis (embalmer and guide to the dead), Wepwawet (opener of the ways to the afterlife), and Duamutef (son of Horus, protector of the canopic jar). Jackal gods are represented by a variety of artifacts in the Kelsey Museum collection--statues, paintings, amulets, and other objects. These artifacts are used to examine the jackal gods and their functions in the wider context of ancient Egyptian religion and follow their changing roles into the Graeco-Roman period and beyond. The catalogue features 44 artifacts from the exhibition, some never before exhibited or published, many from University of Michigan excavations in Egypt, along with supplementary artifacts, archival photographs, vintage book illustrations, and explanatory graphics. Modern pop cultural manifestations of the Egyptian jackal gods are included to document their persistence into the present.
A tantalizing collection of classic essays from one of the most gifted writers of his generation. • "The brainy, sarcastic, tender intelligence at the center of these pieces can make you laugh out loud: they can also move you to tears." —People Martin Amis brings the same megawatt wit, wickedly acute perception, and ebullient wordplay that characterize his novels. He encompasses the full range of contemporary politics and culture (high and low) while also traveling to China for soccer with Elton John and to London's darts-crazy pubs in search of the perfect throw. Throughout, he offers razor-sharp takes on such subjects as: American politics: "If history is a nightmare from which we are trying to awake, then the Reagan era can be seen as an eight-year blackout. Numb, pale, unhealthily dreamless: eight years of Do Not Disturb." Chess: "Nowhere in sport, perhaps in human activity, is the gap between the tryer and the expert so astronomical.... My chances of a chess brilliancy are the 'chances' of a lab chimp and a type writer producing King Lear." "His fascination with the observable world is utterly promiscuous: he will address a cathedral and a toilet seat with the same peeled-eyeball intensity." —John Updike
Adamek provides a reading of the late 8th century Chan/Zen Buddhist Lidai fabao ji (Record of the Dharma-Jewel Through the Generations) and provides its first English translation. The work combines a history of the transmission of Buddhism and Chan in China with an account of the 8th century Chan master Wuzhu in Sichuan.