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Papers presented to the Society for Ancient Greek Philosophy since its beginnings in the 1950's.
Essays in Ancient Greek Philosophy, Volume Two, reflects the refinements in scholarship and philosophical analysis that have impacted classical philosophy in recent years. It is a selection of the best papers presented at the annual meetings of the Society for Ancient Greek Philosophy during the last decade. The papers presented indicate a shift in accent from a predominant preference for the application of linguistic methods in the study of texts to a more intensified concern for contextual examinations of philosophical concepts. The works of both younger scholars and senior authors show a more liberal, yet controlled, use of historical and cultural elements in interpretation. The papers also reflect advances in scholarship in adjacent fields of Greek studies. From pre-Socratic to post-Aristotelian philosophers, the papers in this volume are intended to stimulate interest in the major accomplishments of classical philosophers. This work augments its companion volume Essays in Ancient Greek Philosophy.
Examination of the theories of the ancient philosophers, from the materialism of the Presocratics and Hellenists to the dualism of Plato and Plotinus, reveals that psychology had become an established discipline long before Descartes.
Dalzell presents three of the major didactic poems in the classical canon: the De rerum natura of Lucretius, the Georgics of Virgil, and the Ars amatoria of Ovid, considering what tools are available for their understanding.
A new reconstruction and text of the Placita of Aëtius (ca. 50 CE), accompanied by a full commentary and an extensive collection of related texts. This compendium, arguably the most important doxographical text to survive from antiquity, is known through the intensive use made of it by authors in later antiquity and beyond. Covering the entire field of natural philosophy, it has long been mined as a source of information about ancient philosophers and their views. It now receives a thorough analysis as a remarkable work in its own right. This volume is the culmination of a five-volume set of studies on Aëtius (1996–2020): Aëtiana I (ISBN: 9789004105805, 1996), II (Parts 1&2; set ISBN 9789004172067; 2008), III (ISBN 9789004180413; 2009), IV (ISBN: 9789004361454, 2018), and V (Parts 1-4). It uses an innovative methodology to replace the seminal edition of Hermann Diels (1879).
"Usually, such a work becomes at some point too scholarly to be read by . . . amateurs. This is not the case here. It's an admirable accomplishment."—David K. Glidden, University of California Riverside
Dramaturgy, in its many forms, is a fundamental and indispensable element of contemporary theatre. In its earliest definition, the word itself means a comprehensive theory of "play making." Although it initially grew out of theatre, contemporary dramaturgy has made enormous advances in recent years, and it now permeates all kinds of narrative forms and structures: from opera to performance art; from dance and multimedia to filmmaking and robotics. In our global, mediated context of multinational group collaborations that dissolve traditional divisions of roles as well as unbend previously intransigent rules of time and space, the dramaturg is also the ultimate globalist: intercultural mediator, information and research manager, media content analyst, interdisciplinary negotiator, social media strategist. This collection focuses on contemporary dramaturgical practice, bringing together contributions not only from academics but also from prominent working dramaturgs. The inclusion of both means a strong level of engagement with current issues in dramaturgy, from the impact of social media to the ongoing centrality of interdisciplinary and intermedial processes. The contributions survey the field through eight main lenses: world dramaturgy and global perspective dramaturgy as function, verb and skill dramaturgical leadership and season planning production dramaturgy in translation adaptation and new play development interdisciplinary dramaturgy play analysis in postdramatic and new media dramaturgy social media and audience outreach. Magda Romanska is Visiting Associate Professor of Slavic Languages and Literatures at Harvard University, Associate Professor of Theatre and Dramaturgy at Emerson College, and Dramaturg for Boston Lyric Opera. Her books include The Post-Traumatic Theatre of Grotowski and Kantor (2012), Boguslaw Schaeffer: An Anthology (2012), and Comedy: An Anthology of Theory and Criticism (2014).
A broad range of epistemological views, from the extreme relativism of Protagoras to the skepticism of the Pyrrhonists, is explored in critical essays that span sixth century B.C. to the second and third centuries A.D.
In this sweeping volume of comparative philosophy and intellectual history, Barry Allen reassesses the values of experience and experiment in European and world traditions. His work traces the history of empirical philosophy from its birth in Greek medicine to its emergence as a philosophy of modern science. He surveys medical empiricism, Aristotlean and Epicurean empiricism, the empiricism of Gassendi and Locke, logical empiricism, radical empiricism, transcendental empiricism, and varieties of anti-empiricism from Parmenides to Wilfrid Sellars. Throughout this extensive intellectual history, Allen builds an argument in three parts. A richly detailed account of history's empiricisms in Part One establishes a context in Part Two for reconsidering the work of the radical empiricists--William James, Henri Bergson, John Dewey, and Gilles Deleuze, each treated in a dedicated chapter. What is "radical" about them is their effort to return empiricism from epistemology to the ontology and natural philosophy where it began. In Part Three, Allen sets empirical philosophy in conversation with Chinese tradition, considering technological, scientific, medical, and alchemical sources, as well as selected Confucian, Daoist, and Mohist classics. The work shows how philosophical reflection on experience and a profound experimental practice coexist in traditional China with no interaction or even awareness of each other, slipping over each other instead of intertwining as they did in European history, a difference Allen attributes to a different understanding of the value of knowledge. Allen's book recovers empiricism's neglected, multi-textured contexts, and elucidates the enduring value of experience, to arrive at an idea of what is living and dead in philosophical empiricism.