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Air Waves is a collection of poignant, vividly portrayed, and emotion-laden stories written for the airwaves, under the guise of "editorials of the air." The broadcaster/writer is William O'Shaughnessy, who took a small, regional radio station in New Rochelle and turned it into what the Wall Street Journal has described as "the quintessential community radio station in America." WVOX is also his "bully pulpit" for defending our most precious freedoms.
MissingMilo Hamilton has called 11 no-hitters and a World Series, often in tandem with such broadcast legends as Jack Buck, Jack Brickhouse, Bob Elson, and Harry Caray. His work was so well-received that he was enshrined into the broadcasters? wing of the Baseball Hall of Fame in 1992. He received an even more unexpected honor eight years later ? election to the exclusive Radio Hall of Fame, of which only seven other baseball broadcasters belong. He has truly managed to work his way up from humble origins. The story he tells in Making Airwaves: 60 Years at Milo's Microphone is a profile in courage, a tale of talent and determination, and a behind-the-scenes look at seven decades of baseball history.
So what if Colin Michaels is traffic-stopping gorgeous? So what if he represents every sin she knows to flee? Emily Erickson wants only the job Colin offers at Diamond Country KDMD. It and 's far from home, away from Daddy and 's lonely stare, the echo of Mother and 's feeble call, and a sin that can and 't be forgiven. And so what if Emily goes out with Colin a few times? God isn and 't happy with her anyway. It won and 't matter that he and 's her boss. Definitely not a Christian. Or maybe a thief and --someone and 's stealing from the station. So what if he and 's a liar, a man who can never tell what happened and --what he did and --in Oklahoma nine years before? When will Emily learn that an unforgiven heart can and 't outrun God and 's love?
Jazz was banned from German broadcasting as soon as the Nazis came to power in 1933. Yet throughout World War II, American jazz and swing were core components of the Third Reich's propaganda. Jazz classics such as W.C. Handy's famous St. Louis Blues, their lyrics neatly tampered with, came over the airwaves, alongside the famous Germany Calling programmes directed at Britain and allied forces around the world.
From its inception in New York City, radio dramatically changed the city. The five boroughs became, in some ways, more united through the medium, as common concerns were aired and given wider attention. But as radio focused more on entertainment, the city lost the last of its small town origins, as people left the front stoop for the living room. This heavily illustrated history traces the development and influence of AM radio in the New York metropolitan area, as well as providing technical data and program schedules of the stations.
Political advertising plays a key role in modern electioneering and has formed part of political campaigns since the earliest federal elections were held in the United States. As modes of mass communication have evolved, so have the venues for campaign advertising—from newspapers to radio and television, and today, the Internet. Not only have the outlets for political advertising expanded over the past twenty years, so have the number of groups using it to convey information and advance their points of view. Because political advertising has become such a pervasive medium for candidates, political parties, and special interest groups, understanding its role in election campaigns becomes all the more important. Crowded Airwaves gathers some of the most significant new work in American political advertising and communication. The contributors provide an objective and balanced analysis of political advertising: its causes, its growth, and its consequences on elections in the United States. The chapters in this volume tackle three of the most interesting and most complicated issues in political advertising today: the characterization of ads and the need to measure their impact; the agenda-setting and priming effects of ads; and the role and implications of issue advertising for the electorate. The contributors focus in particular on the effects and consequences of negative advertising. Crowded Airwaves will appeal to readers who are interested in political campaigns and communication. It will be of special importance to those concerned with the tone and content of electoral campaigns and political discourse.
Human Rights and African Airwaves focuses on Nkhani Zam'maboma, a popular Chichewa news bulletin broadcast on Malawi's public radio. The program often takes authorities to task and questions much of the human rights rhetoric that comes from international organizations. Highlighting obligation and mutual dependence, the program expresses, in popular idioms and local narrative forms, grievances and injustices that are closest to Malawi's impoverished public. Harri Englund reveals broadcasters' everyday struggles with state-sponsored biases and a listening public with strong views and a critical ear. This fresh look at African-language media shows how Africans effectively confront inequality, exploitation, and poverty.
The first book to document and emphasize the myriad voices of the free radio movement, from Black Liberation Radio in Springfield, Illinois, to Free Radio Berkeley in Berkeley, California. The first section, "Media Monopoly And The Rise Of The Free Radio Movement" includes contributions from Robert McChesney on the political economy of radio in North America and a history and analysis of the burgeoning pirate radio movement. The second section, "On The Air," includes interviews with and commentary by some of the key grassroots participants in micropower broadcasting worldwide--from Canada, Holland, Haiti, and Mexico, as well as America. The final section of the book consists of a comprehensive technical guide and how-to manual for going on the air, complete with schematics and "sound" advice.
Founded as a counterweight to the Communist broadcasters in East Germany, Radio in the American Sector (RIAS) became one of the most successful public information operations conducted against the Soviet Bloc. Cold War on the Airwaves examines the Berlin-based organization's history and influence on the political worldview of the people--and government--on the other side of the Iron Curtain. Nicholas J. Schlosser draws on broadcast transcripts, internal memoranda, listener letters, and surveys by the U.S. Information Agency to profile RIAS. Its mission: to undermine the German Democratic Republic with propaganda that, ironically, gained in potency by obeying the rules of objective journalism. Throughout, Schlosser examines the friction inherent in such a contradictory project and propaganda's role in shaping political culture. He also portrays how RIAS's primarily German staff influenced its outlook and how the organization both competed against its rivals in the GDR and pushed communist officials to alter their methods in order to keep listeners. From the occupation of Berlin through the airlift to the construction of the Berlin Wall, Cold War on the Airwaves offers an absorbing view of how public diplomacy played out at a flashpoint of East-West tension.