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This issue features THE AIR TRAP by Edward E. Chappelow, THE ARCTIC RESCUE by Walter Kateley, WOMEN WITH WINGS by Leslie F. Stone, THE INVISIBLE DESTROYER by L. A. Eschbach, THE SKY RULER by Ed Earl Repp, and THE BAT-MEN OF MARS (Part 1) by Wood Jackson.
After losing control of Amazing Stories, Hugo Gernsback began AIR WONDER STORIES in 1929. Stories in this issue are: THE SILENT DESTROYER by Henrik Dahl Juve, BEYOND GRAVITY by Ed Earl Repp, THE ARK OF THE COVENANT (Part 2) by Victor MacClure, and THE PLANET'S AIR MASTER by Edward E. Chappelow.
Contents: CITIES IN THE AIR (Part I) by Edmond Hamilton, WHEN SPACE RIPPED OPEN by Ralph W. Wilkins, SUITCASE AIRPLANES by E. D. Skinner, BEYOND THE AURORA by Ed Earl Repp, THE SECOND SHELL by Jack Williamson, and THE CRYSTAL RAY by Raymond Gallun.
This issue features THE BLUE DEMON by Lowell Howard Morrow, THE FLIGHT OF THE EASTERN STAR by Ed Earl Repp, THE PHANTOM OF GALON by J. W. Ruff, FREEDOM OF THE SKIES by Edsel Newton, FLANNELCAKE'S INVENTION by H. McKay, and CITIES IN THE AIR (Part 2) by Edmond Hamilton.
In July 1929 Hugo Gernsback published the first issue of AIR WONDER STORIES, one of three magazines he started after he lost control of the original Amazing Stories. In 1929 science-fiction was still a small, niche market, but Gernsback's publications would change that, usher in the Golden Age of science-fiction, and alter the world as we know it. We're bringing you the complete 11-issue run of AIR WONDER STORIES (after which it was merged with Science Wonder Stories into the simpler Wonder Stories) --- some of the most imaginative and fantastic works of literature of the day, and of any day! Only Gwandanaland Comics publishes the complete series! GWANDANALAND COMICS(TM): We specialize in character collections - many for the first time in print; we also publish individual issues from the past as well as complete comic title series'. We take your requests and create special collections never gathered together before! At Gwandanaland Comics we take the extra time to give you the best quality possible! GWANDANALAND COMICS(TM) wishes everyone to know the value of, and debt owed to two Websites which have made sure that public domain comics are available to the world. Please visit these sites and enjoy viewing their comic files. Without their efforts few of these books would be available: www.digitalcomicmuseum.com www.comicbookplus.com NEW TITLES DAILY - WRITE FOR UPDATES [email protected] GWANDANALAND(TM) and GWANDANALAND COMICS(TM)are trademarks of Gwandanaland Comics.All Rights are Reserved.
This is a sustained argument about the idea of science fiction by a renowned critic. Overturning many received opinions, it is both controversial and stimulating Much of the controversy arises from Westfahl's resurrection of Hugo Gernsback - for decades a largely derided figure - as the true creator of science fiction. Following an initial demolition of earlier critics, Westfahl argues for Gernsback's importance. His argument is fully documented, showing a much greater familiarity with early American science fiction, particularly magazine fiction, than previous academic critics or historians. After his initial chapters on Gernsback, he examines the way in which the Gernsback tradition was adopted and modified by later magazine editors and early critics. This involves a re-evaluation of the importance of John W. Campbell to the history of science fiction as well as a very interesting critique of Robert Heinlein's Beyond the Horizon, one the seminal texts of American science fiction. In conclusion, Westfahl uses the theories of Gernsback and Campbell to develop a descriptive definition of science fiction and he explores the ramifications of that definition. The Mechanics of Wonder will arouse debate and force the questioning of presuppositions. No other book so closely examines the origins and development of the idea of science fiction, and it will stand among a small number of crucial texts with which every science fiction scholar or prospective science fiction scholar will have to read.
The Fantastic Other is a carefully assembled collection of essays on the increasingly significant question of alterity in modern fantasy, the ways in which the understanding and construction of the Other shapes both our art and our imagination. The collection takes a unique perspective, seeing alterity not merely as a social issue but as a biological one. Our fifteen essays cover the problems posed by the Other, which, after all, go well beyond the bounds of any single critical perspective. With this in mind, we have selected studies to show how insights from deconstruction, Marxism, feminism, and Freudian, Jungian and evolutionary psychology help us understand an issue so central to the act of reading.
"In recent years there has been a resurgence of interest in Hugo Gernsback, and the start of a serious study of the contribution he made to the development of science fiction. . . . It seemed to me that the time was due to reinvestigate the Gernsback era and dig into the facts surrounding the origins of Amazing Stories. I wanted to find out exactly why Hugo Gernsback had launched the magazine, what he was trying to achieve, and to consider what effects he had-good and bad. . . . Too many writers and editors from the Gernsback days have been unjustly neglected, or unfairly criticized. Now, I hope, Robert A. W. Lowndes and I have provided the grounds for a fair consideration of their efforts, and a true reconstruction of the development of science fiction. It's the closest to time travel you'll ever get. I hope you enjoy the trip."-Mike Ashley, Preface
By examining important aspects of science fiction in the twentieth century, this book explains how the genre evolved to its current state. Close critical attention is given to topics including the art that has accompanied science fiction, the subgenres of space opera and hard science fiction, the rise of science fiction anthologies, and the burgeoning impact of the marketplace on authors and works. Included are in-depth studies of key texts that contributed to science fiction's growth, including Philip Francis Nowlan's first Buck Rogers story, the first published stories of A. E. van Vogt, and the early juveniles of Isaac Asimov, Arthur C. Clarke and Robert Heinlein.
Complementing Science-Fiction: The Early Years, which surveys science-fiction published in book form from its beginnings through 1930, the present volume covers all the science-fiction printed in the genre magazines--Amazing, Astounding, and Wonder, along with offshoots and minor magazines--from 1926 through 1936. This is the first time this historically important literary phenomenon, which stands behind the enormous modern development of science-fiction, has been studied thoroughly and accurately. The heart of the book is a series of descriptions of all 1,835 stories published during this period, plus bibliographic information. Supplementing this are many useful features: detailed histories of each of the magazines, an issue by issue roster of contents, a technical analysis of the art work, brief authors' biographies, poetry and letter indexes, a theme and motif index of approximately 30,0000 entries, and general indexes. Science-Fiction: The Gernsback Years is not only indispensable for reference librarians, collectors, readers, and scholars interested in science-fiction, it is also of importance to the study of popular culture during the Great Depression in the United States. Most of its data, which are largely based on rare and almost unobtainable sources, are not available elsewhere.