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Market: Applied acousticians and microphone users such as engineers, scientists, and technicians. The first single-volume reference to offer complete, up-to-date coverage of the wide-ranging topics related to condenser microphone calibration. Featuring contributions by prominent acousticians, this book provides easy-to-follow calibration methods and step-by-step procedures for operating the various measuring instruments and acoustic devices discussed. It also includes a history of the development of condenser microphones, material never before published.
This is an unparalleled modern handbook reflecting the richly interdisciplinary nature of acoustics edited by an acknowledged master in the field. The handbook reviews the most important areas of the subject, with emphasis on current research. The authors of the various chapters are all experts in their fields. Each chapter is richly illustrated with figures and tables. The latest research and applications are incorporated throughout, including computer recognition and synthesis of speech, physiological acoustics, diagnostic imaging and therapeutic applications and acoustical oceanography. An accompanying CD-ROM contains audio and video files.
Acoustical engineers, researchers, architects, and designers need a comprehensive, single-volume reference that provides quick and convenient access to important information, answers and questions on a broad spectrum of topics, and helps solve the toughest problems in acoustical design and engineering. The Handbook of Acoustics meets that need. It offers concise coverage of the science and engineering of acoustics and vibration. In more than 100 clearly written chapters, experts from around the world share their knowledge and expertise in topics ranging from basic aerodynamics and jet noise to acoustical signal processing, and from the interaction of fluid motion and sound to infrasound, ultrasonics, and quantum acoustics. Topics covered include: * General linear acoustics * Nonlinear acoustics and cavitation * Aeroacoustics and atmospheric sound * Mechanical vibrations and shock * Statistical methods in acoustics * Architectural acoustics * Physiological acoustics * Underwater sound * Ultrasonics, quantum acoustics, and physical aspects of sound * Noise: its effects and control * Acoustical signal processing * Psychological acoustics * Speech communication * Music and musical acoustics * Acoustical measurements and instrumentation * Transducers The Handbook of Acoustics belongs on the reference shelf of every engineer, architect, research scientist, or designer with a professional interest in the propagation, control, transmission, and effects of sound.
The Microphone Book is the only guide you will ever need to the latest in microphone technology, application and technique. This new edition features, more on microphone arrays and wireless microphones; a new chapter on classic old models; the latest developments in surround; expanded advice on studio set up, recording and mic selection; improved layout for ease of reference; even more illustrations. John Eargle provides detailed analysis of the different types of microphones available. He then addresses their application through practical examples of actual recording sessions and studio operations. Surround sound is covered from both a creative and a technical viewpoint. This classic reference takes the reader into the studio or concert hall to see how performers are positioned and how the best microphone array is determined. Problem areas such as reflections, studio leakage and isolation are analyzed from practical viewpoints. Creative solutions to such matters as stereo sound staging, perspective, and balance are also covered in detail. Recording and sound reinforcement engineers at all levels of expertise will find The Microphone Book an invaluable resource for learning the 'why' as well as the 'how' of choosing a microphone for any situation.
The Handbook of Signal Processing in Acoustics brings together a wide range of perspectives from over 100 authors to reveal the interdisciplinary nature of the subject. It brings the key issues from both acoustics and signal processing into perspective and is a unique resource for experts and practitioners alike to find new ideas and techniques within the diversity of signal processing in acoustics.
Eargle's Microphone Book is the only guide you will ever need for the latest in microphone technology, application and technique. This new edition features more on microphone arrays and wireless microphones, new material on digital models; the latest developments in surround; expanded advice on studio set up, recording and mic selection. Ray A. Rayburn provides detailed analysis of the different types of microphones available and addresses their application through practical examples of actual recording sessions and studio operations. The book takes you into the studio or concert hall to see how performers are positioned and how the best microphone array is determined. Problem areas such as reflections, studio leakage and isolation are analyzed from practical viewpoints. Creative solutions to stereo sound staging, perspective, and balance are covered in detail. Eargle's Microphone Book is an invaluable resource for learning the 'why' as well as the 'how' of choosing and placing a microphone for any situation.
Since publication of the previous, the 3rd edition of this book, the sensor tech- logies have made a remarkable leap ahead. The sensitivity of the sensors became higher, the dimensions – smaller, the selectivity – better, and the prices – lower. What have not changed, are the fundamental principles of the sensor design. They still are governed by the laws of Nature. Arguably one of the greatest geniuses ever lived, Leonardo Da Vinci had his own peculiar way of praying. It went like this, “Oh Lord, thanks for Thou don’t violate Thy own laws. ” It is comforting indeed that the laws of Nature do not change with time, it is just that our appreciation of them becomes re?ned. Thus, this new edition examines the same good old laws of Nature that form the foundation for designs of various sensors. This has not changed much since the previous editions. Yet, the sections that describe practical designs are revised substantially. Recent ideas and developments have been added, while obsolete and less important designs were dropped. This book is about devices commonly called sensors. The invention of a microprocessor has brought highly sophisticated instruments into our everyday life. Numerous computerized appliances, of which microprocessors are integral parts, wash clothes and prepare coffee, play music, guard homes, and control room temperature. Sensors are essential components in any device that uses a digital signal processor.
John Eargle's 4th edition of The Handbook of Recording Engineering is the latest version of his long-time classic hands-on book for aspiring recording engineers. It follows the broad outline of its predecessors, but has been completely recast for the benefit of today's training in recording and its allied arts and sciences. Digital recording and signal processing are covered in detail, as are actual studio miking and production techniques -- including the developing field of surround sound. As always, the traditional topics of basic stereo, studio acoustics, analog tape recording, and the stereo LP are covered in greater detail than you are likely to find anywhere except in archival references. This book has been completely updated with numerous new topics added and outdated material removed. Many technical descriptions are now presented in Sidebars, leaving the primary text for more general descriptions. Handbook of Recording Engineering, Fourth Edition is for students preparing for careers in audio, recording, broadcast, and motion picture sound work. It will also be useful as a handbook for professionals already in the audio workplace.