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The large-sized works of the American artist Jen Ray transport their viewers into a surreal universe. The mystical realism of her images is reminiscent of the worlds created by Alejandro Jodorowsky or Moebius or those featured in Japanese manga culture. Jen Ray grew up in a secluded log cabin in the woods of rural South Carolina. The formative influence of this distance to and innocence of the larger world is clearly reflected in the figures in her artwork who are surrounded by a vast, white nothingness. The attractive women in the focus of Jen Ray s signature landscapes represent power and self-determination. The post-apocalyptic scenes set a haunting mood suggestive of a deserted amusement park. Ain t We Got Fun is a collection of new work by Jen Ray, who currently lives in Berlin. The book features an interview with the artist and an essay by curator Robbert Roos.
Fake books—anthologies of songs notated in a musical shorthand—have been used by countless pop and jazz musicians in both professional and amateur settings for more than half a century. The Story of Fake Books: Bootlegging Songs to Musicians traces the entertaining and previously unknown account of the origins of pop song fake books, which evolved through the bootlegging of a now obscure musical subscription service, the Tune-Dex. The book follows the history of fake books through their increased popularity among musicians to their prosecution by the government and the music industry, resulting in America's first full-blown federal trial for criminal copyright infringement. Through accounts given by jazz musicians Steve Swallow and Pat Metheny, The Story of Fake Books also reveals the definitive history of the most popular fake book, one that has acquired a legendary status among jazz musicians: an anthology of jazz tunes called The Real Book. Drawing from information in FBI files, entertainment trade papers, and federal court records, author Barry Kernfeld presents pioneering research, which brings together aspects of pop music history and copyright law to disclose this predecessor of current-day battles over pop song piracy.
A comprehensive anthology bringing together more than one thousand of the best American and English song lyrics of the twentieth century; an extraordinary celebration of a unique art form and an indispensable reference work and history that celebrates one of the twentieth century’s most enduring and cherished legacies. Reading Lyrics begins with the first masters of the colloquial phrase, including George M. Cohan (“Give My Regards to Broadway”), P. G. Wodehouse (“Till the Clouds Roll By”), and Irving Berlin, whose versatility and career span the period from “Alexander’s Ragtime Band” to “Annie Get Your Gun” and beyond. The Broadway musical emerges as a distinct dramatic form in the 1920s and 1930s, its evolution propelled by a trio of lyricists—Cole Porter, Ira Gershwin, and Lorenz Hart—whose explorations of the psychological and emotional nuances of falling in and out of love have lost none of their wit and sophistication. Their songs, including “Night and Day,” “The Man I Love,” and “Bewitched, Bothered and Bewildered,” have become standards performed and recorded by generation after generation of singers. The lure of Broadway and Hollywood and the performing genius of such artists as Al Jolson, Fred Astaire, Ethel Waters, Judy Garland, Frank Sinatra, and Ethel Merman inspired a remarkable array of talented writers, including Dorothy Fields (“A Fine Romance,” “I Can’t Give You Anything but Love”), Frank Loesser (“Guys and Dolls”), Oscar Hammerstein II (from the groundbreaking “Show Boat” of 1927 through his extraordinary collaboration with Richard Rodgers), Johnny Mercer, Yip Harburg, Andy Razaf, Noël Coward, and Stephen Sondheim. Reading Lyrics also celebrates the work of dozens of superb craftsmen whose songs remain known, but who today are themselves less known—writers like Haven Gillespie (whose “Santa Claus Is Coming to Town” may be the most widely recorded song of its era); Herman Hupfeld (not only the composer/lyricist of “As Time Goes By” but also of “Are You Makin’ Any Money?” and “When Yuba Plays the Rumba on the Tuba”); the great light versifier Ogden Nash (“Speak Low,” “I’m a Stranger Here Myself,” and, yes, “The Sea-Gull and the Ea-Gull”); Don Raye (“Boogie Woogie Bugle Boy,” “Mister Five by Five,” and, of course, “Milkman, Keep Those Bottles Quiet”); Bobby Troup (“Route 66”); Billy Strayhorn (not only for the omnipresent “Lush Life” but for “Something to Live For” and “A Lonely Coed”); Peggy Lee (not only a superb singer but also an original and appealing lyricist); and the unique Dave Frishberg (“I’m Hip,” “Peel Me a Grape,” “Van Lingo Mungo”). The lyricists are presented chronologically, each introduced by a succinct biography and the incisive commentary of Robert Gottlieb and Robert Kimball.
First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
Ever since Bartholomew Borax III returned to being homeschooled, Mother has been so cleaning-obsessed and cruel that all he dreamed of was finding another portal to the magical Artania. Until now. With doorways opening without warning and thrusting him through time and space, he has no idea where he'll end up next. It might be a Parisian loft with a depressed Monet, near a burning café with hunchbacked monsters in pursuit, or in the middle of an empty street at midnight. And then, the real trouble begins - his best friend falls into a coma that no one can wake him from. Everyone is perplexed but there are clues; anagrams which Bartholomew must decipher. But with Alex unconscious and time running out, will Bartholomew find the key in time?
(Fake Book). The fourth volume of vocal jazz classics with 300 more titles! Songs include: All I Ask of You * And So It Goes * At Last * But Not for Me * Dream * Emily * A Foggy Day (In London Town) * Happy Days Are Here Again * I Dreamed a Dream * I Only Have Eyes for You * I Wanna Be Around * Just Friends * La Vie En Rose (Take Me to Your Heart Again) * Like a Lover (O Cantador) * Love Is Here to Stay * Mack the Knife * Mr. Bojangles * Night and Day * Pieces of Dreams (Little Boy Lost) * The Rose * The Shadow of Your Smile * Somewhere * Summertime * Sweet Georgia Brown * They Can't Take That Away from Me * Tonight * Unchained Melody * What Is This Thing Called Love? * When She Loved Me * The Windmills of Your Mind * You've Lost That Lovin' Feelin' * and more.
The yearbook of the classes of the Cavalry School. Includes description of the school and its training activities, the various units attending the school, rosters of graduates and general articles on horsemanship.