Download Free Aimee Mann On Track Book in PDF and EPUB Free Download. You can read online Aimee Mann On Track and write the review.

Any consideration of the songwriting craft would be incomplete without the inclusion of American singer/songwriter Aimee Mann. From her first steps as singer and bass player with '80s synth pop band 'Til Tuesday, who scored a massive MTV hit with 'Voices Carry' in 1985, she has continually produced starkly autobiographical and often ironically melodic songs that cut through the emotional detail. With a career now spanning almost forty years, she has built a catalogue of nine studio albums since going solo in the early 1990s and, via a series of record label frustrations, has developed into a fiercely independent recording artist, flying outside the mainstream. Her critical acclaim has never wavered, and whilst happy to work in a niche market, her soundtrack for the film Magnolia and the accompanying Oscar nomination raised her profile considerably, adding to her stalwart army of fans. This book gives an overview of Aimee Mann's career from her earliest days, making it big with 'Til Tuesday and onward through her solo career to date, investigating every recorded track in a comprehensive guide for fans and new listeners keen to investigate a true original and double Grammy winner whose songs should be much more widely recognised.
Any consideration of the songwriting craft would be incomplete without the inclusion of American singer/songwriter Aimee Mann. From her first steps as singer and bass player with 1980s synth pop band ‘Til Tuesday, who scored a massive MTV hit with ‘Voices Carry’ in 1985, she has continually produced starkly autobiographical songs, with a sense of melody that cuts through the emotional detail. With a career now spanning almost forty years, she has built a catalogue of nine studio albums, from debut Whatever to 2017’s Mental Illness, since going solo in the early 1990s. Via a series of record label frustrations, Aimee has developed into a fiercely independent recording artist, flying outside the mainstream. Her critical acclaim has never wavered, however, and while happy to continue working in a niche market, her soundtrack for the film Magnolia and the accompanying Oscar nomination raised her profile considerably, adding to her stalwart army of fans. This book gives an overview of Aimee Mann’s career from her earliest days when she ‘made it big’ with ‘Til Tuesday, through her solo career, investigating every recorded track. It is a comprehensive guide for fans and new listeners keen to investigate a double Grammy winner who is also a true original and whose work deserves to be much more widely recognised. A music fan for as long as he can remember, Jez Rowden worked in record shops for many years, absorbing music of all kinds. He enjoys many genres and has been involved in writing album and concert reviews, mostly within the progressive rock field, for nearly 15 years, also acting as editor for the ‘Dutch Progressive Rock Pages’ (DPRP) website and currently ‘The Progressive Aspect’ (TPA) which he helped found in 2013. His previous book for Sonicbond covered the music of Steely Dan’s Walter Becker and Donald Fagen. An avid gig goer, he lives in Swansea.
In her long career, Canadian songstress Joni Mitchell has been hailed as everything from 1960s folk icon to 20th century cultural figure, artistic iconoclast to musical heroine, extreme romantic confessor to outspoken commentator and lyrical painter. While some criticised what they viewed as her seeming dismissal of commercial considerations, she simply viewed her trajectory as that of any artist serious about the integrity of their work. But whatever musical position she took, she was always one step ahead of the game, making eclectic and innovative music. Albums like The Ladies Of The Canyon, Blue, Hejira and Mingus helped define each era of the 1970s, as she moved from exquisitely pitched singer songwriter material towards jazz. Her past influence was obvious in the 1980s when hoards of assuming successors (some highly respectable) gathered her exotic breadcrumbs with a view to distilling their illusive compounds, while Joni simultaneously forged ahead. This book revisits her studio albums in detail from 1968's Song to a Seagull to 2007's Shine, providing anecdote and insight into the recording sessions, an in depth analysis along with a complimentary level of lyrical and instrumental examination.
From cult comedy icon and beloved radio host Tom Scharpling, an inspiring, funny, and thoughtful memoir It Never Ends is Tom Scharpling’s harrowing memoir of his coming of age, a story he has never told before. It’s the heartbreaking account of his attempt at suicide, two stays in a mental hospital, and the memory-wiping electroshock therapy that saved his life. After his rehabilitation, Scharpling committed himself to reinvention through the world of comedy. In this book he will lift the curtain on the turmoil that still follows him, despite all of his accolades and achievements. In the vein of candid memoirs from comedians like Mike Birbiglia's Sleepwalk with Me and Norm Macdonald's Based on a True Story, It Never Ends is a revealing book by a beloved comedy icon.
The author offers a compelling memoir of her two years as a teenager in a psychiatric hospital, sharing vivid portraits of her fellow patients, their keepers, and her experiences during treatment
Drooling fanatic, n. 1. One who drools in the presence of beloved rock stars. 2. Any of a genus of rock-and-roll wannabes/geeks who walk around with songs constantly ringing in their ears, own more than 3,000 albums, and fall in love with at least one record per week. With a life that’s spanned the phonographic era and the digital age, Steve Almond lives to Rawk. Like you, he’s secretly longed to live the life of a rock star, complete with insane talent, famous friends, and hotel rooms to be trashed. Also like you, he’s content (sort of) to live the life of a rabid fan, one who has converted his unrequited desires into a (sort of) noble obsession. Rock and Roll Will Save Your Life traces Almond’s passion from his earliest (and most wretched) rock criticism to his eventual discovery of a music-crazed soul mate and their subsequent production of two little superfans. Along the way, Almond reflects on the delusional power of songs, the awkward mating habits of drooling fanatics, and why Depression Songs actually make us feel so much better. The book also includes: • sometimes drunken interviews with America’s finest songwriters • a recap of the author’s terrifying visit to Graceland while stoned • a vigorous and credibility-shattering endorsement of Styx’s Paradise Theater • recommendations you will often choose to ignore • a reluctant exegesis of the Toto song “Africa” • obnoxious lists sure to piss off rock critics But wait, there’s more. Readers will also be able to listen to a special free mix designed by the author, available online at www.stevenalmond.com, for the express purpose of eliciting your drool. For those about to rock—we salute you!
Soundtrack album-matching folio to the highly acclaimed Oscar-nominated film from writer/director Paul Thomas Anderson that interweaves stories inspired by the music of Aimee Mann. Her song "Save Me" was nominated for Best Song. Folio includes four-color photos of Aimee Mann and shots from the film. Songs performed and/or written by Aimee Mann are: One * Momentum * Build That Wall * Deathly * Driving Sideways * You Do * Nothing Is Good Enough (instrumental) * Wise Up * Save Me * Goodbye Stranger (performed by Supertramp) * (The) Logical Song (performed by Supertramp) * Dreams (performed by Gabrielle) and the title track Magnolia (written by Jon Brion).
Paul McCartney and John Lennon described him as the Beatles' "favorite group," he won Grammy awards, wrote and recorded hit songs, and yet no figure in popular music is as much of a paradox, or as underrated, as Harry Nilsson. In this first ever full-length biography, Alyn Shipton traces Nilsson's life from his Brooklyn childhood to his Los Angeles adolescence and his gradual emergence as a uniquely talented singer-songwriter. With interviews from friends, family, and associates, and material drawn from an unfinished autobiography, Shipton probes beneath the enigma to discover the real Harry Nilsson. A major celebrity at a time when huge concerts and festivals were becoming the norm, Nilsson shunned live performance. His venue was the studio, his stage the dubbing booth, his greatest triumphs masterful examples of studio craft. He was a gifted composer of songs for a wide variety of performers, including the Ronettes, the Yardbirds, and the Monkees, yet Nilsson's own biggest hits were almost all written by other songwriters. He won two Grammy awards, in 1969 for "Everybody's Talkin'" (the theme song for Midnight Cowboy), and in 1972 for "Without You," had two top ten singles, numerous album successes, and wrote a number of songs--"Coconut" and "Jump into the Fire," to name just two--that still sound remarkably fresh and original today. He was once described by his producer Richard Perry as "the finest white male singer on the planet," but near the end of his life, Nilsson's career was marked by voice-damaging substance abuse and the infamous deaths of both Keith Moon and Mama Cass in his London flat. Drawing on exclusive access to Nilsson's papers, Alyn Shipton's biography offers readers an intimate portrait of a man who has seemed both famous and unknowable--until now.
“All I have to say about these songs is that I love them, and want to sing along to them, and force other people to listen to them, and get cross when these other people don’t like them as much as I do.” —Nick Hornby, from Songbook A wise and hilarious collection from the bestselling author of Just Like You, Funny Girl, About a Boy, and High Fidelity. Songs, songwriters, and why and how they get under our skin… Songbook is Nick Hornby’s labor of love. A shrewd, funny, and completely unique collection of musings on pop music, why it’s good, what makes us listen and love it, and the ways in which it attaches itself to our lives—all with the beat of a perfectly mastered mix tape.