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The first woman in America to own and operate a circus, Agnes Lake spent thirty years under the Big Top before becoming the wife of Wild Bill Hickok—a mere five months before he was killed. Although books abound on the famous lawman, Agnes’s life has remained obscured by circus myth and legend. Linda A. Fisher and Carrie Bowers have written the first biography of this colorful but little-known circus performer. Agnes originally found fame as a slack-wire walker and horseback rider, and later as an animal trainer. Her circus career spanned more than four decades. Following the murder of her first husband, Bill Lake, she was the sole manager of the “Hippo-Olympiad and Mammoth Circus.” While taking her show to Abilene, she met town marshal Hickok and five years later she married him. After Hickok’s death, Agnes traveled with P. T. Barnum and Buffalo Bill Cody, and managed her daughter Emma Lake’s successful equestrian career. This account of a remarkable life cuts through fictions about Agnes’s life, including her own embellishments, to uncover her true story. Numerous illustrations, including rare photographs and circus memorabilia, bring Agnes’s world to life.
A hard-boiled Hollywood PI has to work without a net to save Emmett Kelly from a killer who’s not clowning around: “Nostalgic fun” (Publishers Weekly). In February 1942, Californians may be living in fear of a Japanese attack, but the show must go on. The circus is in town—unfortunately so is a killer saboteur who’s targeting the star attractions. Private detective Toby Peters is no stranger to going undercover, but this is the first time his disguise will include a red nose. The killer has already electrocuted an elephant, and hobo clown Emmett Kelly has had a close brush with death. The second-rate circus in this sleepy coastal town seems like another world from Peters’s usual Hollywood beat, but of all people, Alfred Hitchcock, the director of Suspicion, is under suspicion. With the investigation on the verge of becoming a three-ring circus, it’s up to Toby Peters to cage the killer before anyone else meets a bad end under the big top. Edgar Award winner Stuart M. Kaminsky’s “Toby Peters series [is] a delight . . . Written with more than a dash of humor” and this big-top murder mystery is a “fun, lightweight book for all mystery fans” (Library Journal).
This is a comprehensive workbook for actors, covering the key characteristics and profiles of a wide range of African accents of English. Its unique approach not only addresses the methods and processes by which to go about learning an accent, but also looks in detail at each example. This lets the reader plot their own route through the learning process and tailor not only their working methods but also their own personal idiolect. Full breakdowns of each accent cover: an introduction giving a brief history of the accent, its ethnic background, and its language of origin preparatory warm-up exercises specific to each accent a directory of research materials including documentaries, plays, films and online resources key characteristics such as melody, stress, pace and pitch descriptions of physical articulation in the tongue, lips, jaw, palate and pharynx practice sentences, phoneme tables and worksheets for solo study. African Accents is accompanied by a website at www.routledge.com/cw/mcguire with an extensive online database of audio samples for each accent. The book and audio resources guide actors to develop their own authentic accents, rather than simply to mimic native speakers. This process allows the actor to personalize an accent, and to integrate it into the creation of character rather than to play the accent on top of character.
Increasingly governments around the world are experimenting with initiatives in transparency or 'open government'. These involve a variety of measures including the announcement of more user-friendly government websites, greater access to government data, the extension of freedom of information legislation and broader attempts to involve the public in government decision making. However, the role of the media in these initiatives has not hitherto been examined. This volume analyses the challenges and opportunities presented to journalists as they attempt to hold governments accountable in an era of professed transparency. In examining how transparency and open government initiatives have affected the accountability role of the press in the US and the UK, it also explores how policies in these two countries could change in the future to help journalists hold governments more accountable. This volume will be essential reading for all practising journalists, for students of journalism or politics, and for policymakers.
Through firsthand accounts, interviews with survivors and a gripping collection of vintage photographs, author Michael Skidgell attempts to make sense of one of Hartford's worst tragedies. Almost 7,000 fans eagerly packed into the Ringling Brothers big top on July 6, 1944. With a single careless act, an afternoon at the "Greatest Show on Earth" quickly became one of terror and tragedy as the paraffin-coated circus tent caught fire. Panicked crowds rushed for the few exits, but in minutes, the tent collapsed on those still struggling to escape below. A total of 168 lives were lost, many of them children, with many more injured and forever scarred by the events. Hartford and the surrounding communities reeled in the aftermath as investigators searched for the source of the fire and the responsible parties.
If Saul and Agnes don't do something their den will be destroyed. But the title deeds that could save it were lost in 1914. Good job they know the secret of time travel!Still, is travelling back in time to a world on the verge of war really a good idea? When Agnes disappears Saul has no choice -- he can't let her go to the past on her own.100 years before their own time, Saul and Agnes meet a brother and sister, servants at a big house where a sinister visitor is expected. Together the new friends try to uncover the mystery but Saul and Agnes know time is running out. Soon a war will begin: can they risk altering the past, the present and their future?This fun, time-twisting sequel to The Accidental Time Traveller -- winner of the Scottish Children's Book Award 2013 -- is full of historical details about World War One and will bring early-twentieth-century Scotland to life for young readers.
The nineteenth century saw the American circus move from a reviled and rejected form of entertainment to the “Greatest Show on Earth.” Circus Life by Micah D. Childress looks at this transition from the perspective of the people who owned and worked in circuses and how they responded to the new incentives that rapid industrialization made possible. The circus has long been a subject of fascination for many, as evidenced by the millions of Americans that have attended circus performances over many decades since 1870, when the circus established itself as a truly unique entertainment enterprise. Yet the few analyses of the circus that do exist have only examined the circus as its own closed microcosm—the “circus family.” Circus Life, on the other hand, places circus employees in the larger context of the history of US workers and corporate America. Focusing on the circus as a business-entertainment venture, Childress pushes the scholarship on circuses to new depths, examining the performers, managers, and laborers’ lives and how the circus evolved as it grew in popularity over time. Beginning with circuses in the antebellum era, Childress examines changes in circuses as gender balances shifted, industrialization influenced the nature of shows, and customers and crowds became increasingly more middle-class. As a study in sport and social history, Childress’s account demonstrates how the itinerant nature of the circus drew specific types of workers and performers, and how the circus was internally in constant upheaval due to the changing profile of its patrons and a changing economy. MICAH D. CHILDRESS received his PhD in history from Purdue University and currently works as a Realtor® in Grand Rapids, Michigan. His articles have appeared in Popular Entertainment Studies and American Studies.
During the years 1880 to 1940, the glory days of the American circus, a third to a half of the cast members were women--a large group of very visible American workers whose story needs telling. This book, using sources such as diaries, autobiographies, newspaper accounts, films, posters, and route books, first considers the popular media's presentation of these performers as unnatural and scandalous--as well as romantic and thrilling. Next are the stories told by circus women, which contradict and complicate other versions of their lives. Across America in those years an array of acts featured women, such as tableaux, freak shows, girlie shows, tiger acts, and aerial performances, all involving special skills and all detailed here. The book offers a unique and fascinating view of not just the circus but of what it meant to be an American woman at work.