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In Age of Contradiction, Howard Brick provides a rich context for understanding historical events, cultural tensions, political figures, artistic works, and trends of intellectual life. His lucid and comprehensive book combines the best methods of historical analysis and assessment with fascinating subject matter to create a three-dimensional portrait of a complicated time. In one of the only books on the 1960s to put ideas at the center of the period's history, Brick carefully explores the dilemmas, the promise, and the legacy of American thought in that time.
“You can’t trust the Bible — it’s full of hundreds of contradictions.” Really? Just because the critic mindlessly declares it so? Don’t be so fast to believe everything you hear! In this book Dr. Jason Lisle examines 420 claims of Bible contradictions and sets the record straight. Contradiction #139 Was Abraham justified by faith or by works? Romans 4:2 - says by faith VS. James 2:21 - says by works Bifurcation fallacy. Abraham was justified both by faith and by works (James 2:24, 26). To “justify” means either to be in right moral standing or to show that one is (morally) in right standing. Abraham was justified by faith before God since God knows all things — including Abraham’s faith (James 2:23). God sees our hearts (1 Samuel 16:7), so we are justified before God by our faith alone, which God can see. But men cannot see another man’s faith. They only see the outward works that follow from inward faith. Therefore, Abraham was justified before men by the works that followed from his faith, since men cannot see faith but can see works. James explicitly teaches this (James 2:18–26).
Yang Gui-ja is one of Korea's major literary figures of the last generation, with a succession of literary prizes and best-sellers to her credit. Her most representative early work, the 1987 Wonmi-dong saramdeul, is available in English as A Distant and Beautiful Place. In the 1990s her writing took an increasingly personal turn with a series of popular works including Contradictions (Mosun), South Korea's best-selling novel in 1998. Contradictions is a coming-of-age tale that explores the paradoxes and contradictions of the human condition and delves into the meaning of personal happiness. The book opens with a moment of epiphany as the main character An Jin-jin awakens to the realization that her entire energy must be devoted to her own life. She struggles over whom to marry with an awareness of consequences gleaned from seeing the divergence in the lives of twin sisters--her mother and her aunt. A host of binary oppositions is also presented in the lives of the men around her: a wannabe gang boss brother, an Ivy League cousin, an alcoholic schizophrenic father, a steadfast but rigid uncle, and her two suitors. Yang skillfully develops these characters in increasingly complex threads as the novel unfolds in a series of surprises.
Sophie is young and queer and into feminist theory. She decides to study abroad, choosing Paris for no firm reason beyond liking French comics. Feeling a bit lonely and out of place, she’s desperate for community and a sense of belonging. She stumbles into what/who she’s looking for when she meets Zena. An anarchist student-activist committed to veganism and shoplifting, Zena offers Sophie a whole new political ideology that feels electric. Enamored—of Zena, of the idea of living more righteously—Sophie finds herself swept up in a whirlwind friendship that blows her even further from her rural California roots as they embark on a disastrous hitchhiking trip to Amsterdam and Berlin, full of couch surfing, drug tripping, and radical book fairs. Capturing that time in your life where you’re meeting new people and learning about the world—when everything feels vital and urgent—The Contradictions is Sophie Yanow’s fictionalized coming-of-age story. Sophie’s attempts at ideological purity are challenged time and again, putting into question the plausibility of a life of dogma in a world filled with contradictions. Keenly observed, frank, and very funny, The Contradictions speaks to a specific reality while also being incredibly relatable, reminding us that we are all imperfect people in an imperfect world.
“Nothing short of a masterpiece.” —NPR Books A New York Times Bestseller and a Washington Post Notable Book of the Year In the most ambitious one-volume American history in decades, award-winning historian Jill Lepore offers a magisterial account of the origins and rise of a divided nation. Widely hailed for its “sweeping, sobering account of the American past” (New York Times Book Review), Jill Lepore’s one-volume history of America places truth itself—a devotion to facts, proof, and evidence—at the center of the nation’s history. The American experiment rests on three ideas—“these truths,” Jefferson called them—political equality, natural rights, and the sovereignty of the people. But has the nation, and democracy itself, delivered on that promise? These Truths tells this uniquely American story, beginning in 1492, asking whether the course of events over more than five centuries has proven the nation’s truths, or belied them. To answer that question, Lepore wrestles with the state of American politics, the legacy of slavery, the persistence of inequality, and the nature of technological change. “A nation born in contradiction… will fight, forever, over the meaning of its history,” Lepore writes, but engaging in that struggle by studying the past is part of the work of citizenship. With These Truths, Lepore has produced a book that will shape our view of American history for decades to come.
Foreword by Arthur Drexler. Introduction by Vincent Scully.
First published in in 1976, Hermann Levin Goldschmidt's Contradiction Set Free, (Freiheit für den Widerspruch), reflects the push to explore new forms of critical thinking that gained momentum in the decade between Theodor Adorno's Negative Dialectics of 1966 and Paul Feyerabend's Against Method in 1975. The book articulates Goldschmidt's reclamation of an epistemologically critical position that acknowledges the deep underlying link between the modes of production of knowledge and the social and political life they produce. In signalling a breakout from the academic rut and its repressive hold, Goldschmidt pointed beyond the ossified methods of a philosophical discourse whose oppressive consequences could no longer be ignored.Contradiction Set Free makes available for the first time in English a pivotal work by one of the great critical thinkers of the 20th century.
A part of Harper Perennial’s special “Resistance Library” highlighting classic works that illuminate the “Age of Trump”: Soren Kierkegaard’s stunningly prescient essay on the dangers of mass media—particularly advertising, marketing, and publicity. An essential read as we reckon with, and try to understand, the media forces that have helped create our present political moment. “The Present Age shows just how original Kierkegaard was. He brilliantly foresaw the dangers of the lack of commitment and responsibility in the Public Sphere. When everything is up for endless detached critical comment as on blogs and cable news, action finally becomes impossible.”— Hubert L. Dreyfus, University of California, Berkeley “A revolutionary age is an age of action; ours is the age of advertisement and publicity. Nothing ever happens but there is immediate publicity everywhere.”— From The Present Age In The Present Age (1846), Søren Kierkegaard analyzes the philosophical implications of a society dominated by the mass-media. What makes the essay so remarkable is the way it seems to speak directly to our time—i.e. the Information Age—where life is dominated by mere “information” not true “knowledge.” Kierkegaard even goes so far as to say that advertising and publicity almost immediately co-opts and suppresses revolutionary actions/thoughts. The Present Age is essential reading for anyone who wishes to better understand the modern world.
A penetrating, character-filled history “in the manner of David McCullough” (WSJ), revealing the deep roots of our tormented present-day politics. Democracy was broken. Or that was what many Americans believed in the decades after the Civil War. Shaken by economic and technological disruption, they sought safety in aggressive, tribal partisanship. The results were the loudest, closest, most violent elections in U.S. history, driven by vibrant campaigns that drew our highest-ever voter turnouts. At the century's end, reformers finally restrained this wild system, trading away participation for civility in the process. They built a calmer, cleaner democracy, but also a more distant one. Americans' voting rates crashed and never fully recovered. This is the origin story of the “normal” politics of the 20th century. Only by exploring where that civility and restraint came from can we understand what is happening to our democracy today. The Age of Acrimony charts the rise and fall of 19th-century America's unruly politics through the lives of a remarkable father-daughter dynasty. The radical congressman William “Pig Iron” Kelley and his fiery, Progressive daughter Florence Kelley led lives packed with drama, intimately tied to their nation's politics. Through their friendships and feuds, campaigns and crusades, Will and Florie trace the narrative of a democracy in crisis. In telling the tale of what it cost to cool our republic, historian Jon Grinspan reveals our divisive political system's enduring capacity to reinvent itself.