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“A lively popular history of an oft-overlooked element in the development of human society” (Library Journal)—walls—and a haunting and eye-opening saga that reveals a startling link between what we build and how we live. With esteemed historian David Frye as our raconteur-guide in Walls, which Publishers Weekly praises as “informative, relevant, and thought-provoking,” we journey back to a time before barriers of brick and stone even existed—to an era in which nomadic tribes vied for scarce resources, and each man was bred to a life of struggle. Ultimately, those same men would create edifices of mud, brick, and stone, and with them effectively divide humanity: on one side were those the walls protected; on the other, those the walls kept out. The stars of this narrative are the walls themselves—rising up in places as ancient and exotic as Mesopotamia, Babylon, Greece, China, Rome, Mongolia, Afghanistan, the lower Mississippi, and even Central America. As we journey across time and place, we discover a hidden, thousand-mile-long wall in Asia's steppes; learn of bizarre Spartan rituals; watch Mongol chieftains lead their miles-long hordes; witness the epic siege of Constantinople; chill at the fate of French explorers; marvel at the folly of the Maginot Line; tense at the gathering crisis in Cold War Berlin; gape at Hollywood’s gated royalty; and contemplate the wall mania of our own era. Hailed by Kirkus Reviews as “provocative, well-written, and—with walls rising everywhere on the planet—timely,” Walls gradually reveals the startling ways that barriers have affected our psyches. The questions this book summons are both intriguing and profound: Did walls make civilization possible? And can we live without them? Find out in this masterpiece of historical recovery and preeminent storytelling.
Described by Deborah Solomon in a New York Times profile as “one of contemporary art’s most compelling painters,” Marlene Dumas has continuously explored the complex range of human emotions, often probing questions of gender, race, sexuality, and economic inequality through her dramatic and at times haunting figural compositions. Originally published in 2010 on the occasion of Against the Wall, Dumas’s first solo presentation at David Zwirner in New York, this much sought-after exhibition catalogue—which sold out shortly after publication—has been reprinted to coincide with the artist’s 2014–2015 European retrospective exhibition The Image as Burden, organized by Tate Modern, London in collaboration with the Stedelijk Museum, Amsterdam and the Fondation Beyeler, Basel. Throughout her career, the internationally renowned artist has continually created lyrically charged compositions that eulogize the frailties of the human body, probing issues of love and melancholy. At times her subjects are more topical, merging socio-political themes with personal experience and art-historical antecedents to reflect unique perspectives on the most salient and controversial issues facing contemporary society. The large-scale works included in Against the Wall are primarily based on media imagery and newspaper clippings documenting the conflict between Israel and Palestine, exploring the tension between the photographic documentation of reality and the constructed, imaginary space of painting. The Wall, the painting that began the series, at first appears to present a scene at the Western Wall (also known as the Wailing Wall), an important site of religious pilgrimage located in Jerusalem. However, this work is based upon a photograph from a newspaper that portrayed a group of Orthodox Jews on their way to pray at Rachel’s Tomb in Bethlehem. Through her delicate treatment of every scene, Dumas destabilizes preconceived notions about what, in fact, is being pictured—engaging the often ambiguous nature of ideas like truth or justice. “In a sense they are my first landscape paintings,” Dumas further notes in the catalogue, “or should I say ‘territory paintings.’ That is why they are so big.” The somber color plates reproduced in the publication are given context by Dumas’s own musings, a text framed as a letter to David Zwirner in which she tries to tell him “about the ‘why’ ” of this powerful series.
What does it mean to live against a wall? Travel to the world’s most disputed edges to meet the people who live alongside the razor wire, concrete, and steel and how the structure of the walls has influenced their lives. In this ambitious first person narrative, Marcello Di Cintio shares tea with Saharan refugees on the wrong side of Morocco’s desert wall. He meets with illegal Punjabi migrants who have circumvented the fencing around the Spanish enclave of Ceuta. He visits fenced-in villages in northeast India, walks Arizona’s migrant trails, and travels to Palestinian villages to witness the protests against Israel’s security barrier. From Native American reservations on the U.S.-Mexico border and the “Great Wall of Montreal” to Cyprus’s divided capital and the Peace Lines of Belfast, Di Cintio seeks to understand what these structures say about those who build them and how they influence the cultures that they pen in. He learns that while every wall fails to accomplish what it was erected to achieve – the walls are never solutions – each wall succeeds at something else. Some walls define Us from Them with Medieval clarity. Some walls encourage fear or feed hate. Some walls steal. Others kill. And every wall inspires its own subversion, either by the infiltrators who dare to go over, under, or around them, or by the artists who transform them.
In the steppes of High Asia, the year 1166... 'What is a Mongol? - As free as the geese in the air, as in unison. The flights of the geese promise us we don't give up independence, to unite.'The hundred tribes of the Mongols have come together with one aim: to push back against the walls that have crept onto the steppe - farther than China has ever extended its walls before. Walls are repugnant to a nomad. But can people on horses push them down, even with a united effort? This story begins when nobody has heard of Mongols - not even most Chinese, who think the vast Northern Waste at its weakest and are right. A spectacular history starts obscurely... Against Walls is the first in a trilogy that gives voice to the Mongols in their explosive encounter with the great world under Tchingis Khan. Both epic and intimate, Amgalant sees the world through Mongol eyes. It's different from the world you know.
Blame it on the Egyptian sun or the desert heat, but as tensions flare between a reckless rogue and beautiful scholar en route to foil a kidnapping, so does love, in the most uninhibited and impossibly delightful ways.
Walls Come Tumbling Down charts the pivotal period between 1976 and 1992 that saw politics and pop music come together for the first time in Britain's musical history; musicians and their fans suddenly became instigators of social change, and 'the political persuasion of musicians was as important as the songs they sang'. Through the voices of campaigners, musicians, artists and politicians, Daniel Rachel follows the rise and fall of three key movements of the time: Rock Against Racism, 2 Tone, and Red Wedge, revealing how they all shaped, and were shaped by, the music of a generation. Composed of interviews with over a hundred and fifty of the key players at the time, Walls Come Tumbling Down is a fascinating, polyphonic and authoritative account of those crucial sixteen years in Britain's history.
Truly devoted to the idea of public art, Haring created murals wherever he went.
*** Winner of the 2013 Julian Minghi Outstanding Research Award presented at the American Association of Geographers annual meeting *** Two decades after the fall of the Berlin Wall, why are leading democracies like the United States, India, and Israel building massive walls and fences on their borders? Despite predictions of a borderless world through globalization, these three countries alone have built an astonishing total of 5,700 kilometers of security barriers. In this groundbreaking work, Reece Jones analyzes how these controversial border security projects were justified in their respective countries, what consequences these physical barriers have on the lives of those living in these newly securitized spaces, and what long-term effects the hardening of political borders will have in these societies and globally. Border Walls is a bold, important intervention that demonstrates that the exclusion and violence necessary to secure the borders of the modern state often undermine the very ideals of freedom and democracy the barriers are meant to protect.
Now a Major Motion Picture starring Charlie Plummer, AnnaSophia Robb, and Taylor Russell! Fans of More Happy Than Not and The Perks of Being a Wallflower will cheer for Adam in this uplifting and surprisingly funny story of a boy living with schizophrenia. When you can't trust your mind, trust your heart. Adam is a pretty regular teen, except he's navigating high school life while living with paranoid schizophrenia. His hallucinations include a cast of characters that range from the good (beautiful Rebecca) to the bad (angry Mob Boss) to the just plain weird (polite naked guy). An experimental drug promises to help him hide his illness from the world. When Adam meets Maya, a fiercely intelligent girl, he desperately wants to be the normal, great guy that she thinks he is. But as the miracle drug begins to fail, how long can he keep this secret from the girl of his dreams? "Echoing the premise and structure of Flowers for Algernon, this [is a] frank and inspiring novel." --Publishers Weekly, starred review Don't miss Just Our Luck, another stunning book by Julia Walton. Coming in 2020!
Thirteen-year-old Bani, though born in Jerusalem, has lived from infancy with his uncle in beautiful Susa, the city of the Persian King Artaxerxes. Now, his Uncle Nehemiah wants to leave his position of high honor as Cupbearer to the King to return to Jerusalem, a city in ruins and beset by every kind of trouble! Nehemiah's request of the king, permission to return to help his own people, could so easily—in an empire riddled with political intrigue—be misconstrued as treasonous scheming. Bani himself is given an unexpected part to play, the outcome of which is to forever change his life. Seen through the eyes of Bani, this novel dramatizes a turning-point of history, in 445 BC, when—through confrontation and daring risks—Judaism was re-established in the Promised Land, and purified for her unfolding mission.