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One of the major characteristics of our contemporary culture isa positive, almost banal, view of the transgression and disruptionof cultural boundaries. Strangers, migrants and nomads arecelebrated in our postmodern world of hybrids and cyborgs. But wepay a price for this celebration of hybridity: the non-hybridfigures in our societies are ignored, rejected, silenced orexterminated. This book tells the story of these non-hybrid figuresÐ the anti-heroes of our pop culture. The main example of non-hybrids in an otherwise hybridized worldis that of deep old age. Hazan shows how we fervently distanceourselves from old age by grading and sequencing it into stagessuch as ‘the third age’, ‘the fourth age’and so on. Aging bodies are manipulated through anti-agingtechniques until it is no longer possible to do it anymore, atwhich point they become un-transformable and non-marketable objectsand hence commercially and socially invisible or masked. Otherexamples are used to elucidate the same cultural logic of thenon-hybrid: pain, the Holocaust, autism, fundamentalism andcorporeal death. On the face of it, these examples may seem to havenothing in common, but they all exemplify the same cultural logicof the non-hybrid and provoke similar reactions of criticism,terror, abhorrence and moral indignation. This highly original and iconoclastic book offers a freshcritique of contemporary Western culture by focusing on that whichis perceived as its other Ð the non-hybrid in our midst, oftenrejected, ignored or silenced and deemed to be in need of globallymanageable correction.
Over the last two decades, the unstable notion of hybridity has been the focus of a number of debates in cultural and literary studies, and has been discussed in connection with such notions as métissage, creolization, syncretism, diaspora, transculturation and in-betweeness. The aim of this volume is to form a critical assessment of the scope, significance and role of the notion in literature and the visual arts from the eighteenth century to the present day. The contributors propose to examine the development and various manifestations of the concept as a principle held in contempt by the partisans of racial purity, a process enthusiastically promoted by adepts of mixing and syncretism, but also a notion viewed with suspicion by those who decry its multifarious and triumphalist dimensions and its lack of political roots. The notion of hybridity is analysed in relation to the concepts of identity, nationhood, language and culture, drawing from the theories of Mikhail Bakhtin, Homi Bhabha, Robert Young, Paul Gilroy and Edouard Glissant, among others. Contributors examine forms of hybridity in the work of such canonical writers as Daniel Defoe, Robert Louis Stevenson, Thomas De Quincey and Victor Hugo, as well as in contemporary American and British fiction, Neo-Victorian and postcolonial literature.
Hybridity on the Ground in Peacebuilding and Development engages with the possibilities and pitfalls of the increasingly popular notion of hybridity. The hybridity concept has been embraced by scholars and practitioners in response to the social and institutional complexities of peacebuilding and development practice. In particular, the concept appears well-suited to making sense of the mutually constitutive outcomes of processes of interaction between diverse norms, institutions, actors and discourses in the context of contemporary peacebuilding and development engagements. At the same time, it has been criticised from a variety of perspectives for overlooking critical questions of history, power and scale. The authors in this interdisciplinary collection draw on their in‑depth knowledge of peacebuilding and development contexts in different parts of Asia, the Pacific and Africa to examine the messy and dynamic realities of hybridity ‘on the ground’. By critically exploring the power dynamics, and the diverse actors, ideas, practices and sites that shape hybrid peacebuilding and development across time and space, this book offers fresh insights to hybridity debates that will be of interest to both scholars and practitioners. ‘Hybridity has become an influential idea in peacebuilding and this volume will undoubtedly become the most influential collection on the idea. Nuance and sophistication characterises this engagement with hybridity.’ — Professor John Braithwaite
Praise for Sun Yung Shin: Finalist for the Believer Poetry Award "[her] work reads like redactions, offering fragments to be explored, investigated and interrogated, making her reader equal partner in the creation of meaning."—Star Tribune Sun Yung Shin moves ideas—of identity (Korean, American, adoptee, mother, Catholic, Buddhist) and interest (mythology, science fiction, Sophocles)— around like building blocks, forming and reforming new constructions of what it means to be at home. What is a cyborg but a hybrid creature of excess? A thing that exceeds the sum of its parts. A thing that has extended its powers, enhanced, even superpowered.
This book explores recent developments in the concept of hybridity through a multi-disciplinary perspective, bringing ideas about legal plurality together with the fields of peace, development and cultural studies. Analysing the concepts of hybridity and hybridization, their history, their application in law and legal studies, and their implications for thinking and rethinking legal plurality, the book shows how the concept of hybridity can contribute to an understanding of the processes that occur when different normative or legal orders or frameworks confront each other.
Penny is a Native of the Okanagan Nation and is a mother of three, an artist and an activist. Throughout the novel, Penny comes face to face with the struggles of Native, or Indigenous, people throughout North America. Whether she is in the forests of Western Canada or in the desolate Mayan communities in Mexico, or even trying to get a job, Penny sees first hand the battles that Native people have to fight, from trying to keep what is theirs to trying to survive as a people.
Using three literary analyses to show what happens once we leave behind the theoretical poverty of celebratory readings of contemporary migration and hybridity literature, this book offers a way out of the theoretical deadlock of putting hybridity against purity or flux against fixity.
AcheraIou analyzes hybridity using a theoretical, empirical approach that reorients debates on métissage and the 'Third Space', arguing for the decolonization of postcolonialism. Hybridity is examined in the light of globalization, indicating how postcolonial discourse could become a counter-hegemonic ethics of resistance to global neoliberal doxa.