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In 2015, members of the philosophy department at the University of Madrid conducted an interview with Alberto Moreiras for the university’s digital archive. The resulting dialogues and the Spanish edition of this work, Marranismo e inscripción, o el abandono de la conciencia desdichada, are the basis for Against Abstraction, supplemented with an interview conducted for the Chilean journal Papel máquina. In these landmark conversations, Moreiras describes how, though he was initially committed to Latin American literary studies, he eventually transitioned to become an eminent scholar of critical theory, existential philosophy, and ultimately infrapolitics and posthegemony. Blending intellectual autobiography with a survey of Hispanism as practiced in universities in the United States (including the schisms in Latin American subaltern studies that eventually led to Moreiras’s departure from Duke University), these narratives read like a picaresque and a polemic on the symbolic power of scholars. Drawing on the concept of marranism (originally a term for Iberian Jews and Muslims forced to convert to Christianity during the Middle Ages) to consider the situations and allegiances he has navigated over the years, Moreiras has produced a multifaceted self-portrait that will surely spark further discourse.
"Published on the occasion of the exhibition 'From All Sides: Tansaekhwa on Abstraction', September 13-November 8, 2014, Blum & Poe"--Page 167.
Mancosu offers an original investigation of key notions in mathematics: abstraction and infinity, and their interaction. He gives a historical analysis of the theorizing of definitions by abstraction, and explores a novel approach to measuring the size of infinite sets, showing how this leads to deep mathematical and philosophical problems.
Berkeley’s critique of abstract ideas in the Introduction to Principles of Human Knowledge has provoked a great deal of commentary of various sorts. This anthology, first published in 1989, presents a selection of historically important and philosophically interesting discussions on Berkeley’s theories.
This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).
Discussions about abstraction are so important and so profound that this topic can hardly be neglected. It has inevitably cropped up again in various periods of philosophical enquiry. Despite these ancient roots and after the great debate that characterised the empirical and rationalistic tradition, interest in the problem has unfortunately been absent in large measure from the mainstream of mathematical logic and analytic philosophy. It seems that there is a gap between the epistemological theorization, in which it is difficult to find new insights on the problem of abstraction, and the historical studies concerning the development of philosophical thought. Such studies, however, present a more fertile ground for such insights. Here the reader will find presented for the first time a collection of papers about the topic, considered from an historical point of view together with an awareness of the need for building a bridge between historical research and theoretical speculation. Accordingly the volume consists of both general overviews which sketch the signifcance and the fortunes of abstraction in science, philosophy and logic (the first part) and historical case studies which focus on abstraction in particular thinkers (the second part). This volume is of interest for both general philosophers and historians of philosophy.
A Deleuzian reading of Whitehead and a Whiteheadian reading of Deleuze open the possibility of a critical aesthetics of contemporary culture. In Without Criteria, Steven Shaviro proposes and explores a philosophical fantasy: imagine a world in which Alfred North Whitehead takes the place of Martin Heidegger. What if Whitehead, instead of Heidegger, had set the agenda for postmodern thought? Heidegger asks, “Why is there something, rather than nothing?” Whitehead asks, “How is it that there is always something new?” In a world where everything from popular music to DNA is being sampled and recombined, argues Shaviro, Whitehead's question is the truly urgent one. Without Criteria is Shaviro's experiment in rethinking postmodern theory, especially the theory of aesthetics, from a point of view that hearkens back to Whitehead rather than Heidegger. In working through the ideas of Whitehead and Deleuze, Shaviro also appeals to Kant, arguing that certain aspects of Kant's thought pave the way for the philosophical “constructivism” embraced by both Whitehead and Deleuze. Kant, Whitehead, and Deleuze are not commonly grouped together, but the juxtaposition of them in Without Criteria helps to shed light on a variety of issues that are of concern to contemporary art and media practices.
We don't have to know what a painting is if we know how it makes us feel. A fun, fascinating survey of abstract art, Journeys to Abstraction offers a behind-the-scenes look at how contemporary artists break free from literal depiction to rejoice in the pure expressive power of color, line and texture. • 58 artists share 100 striking abstract paintings, along with the ideas, inspirations and diverse working processes behind them. • Covers a wide variety of traditional and non-traditional media and techniques, including watercolor, collage, acrylics, ink and more. • Four step-by-step demonstrations show how abstract pieces come together from start to finish. Discover how artists paint, pour, scrape, spray, carve, stamp, collage and otherwise build complex layers of texture and meaning. Painting with egg cartons, turning acrylic paints into shards of "stained glass," incorporating old "failed" paintings into fresh finished pieces...anything goes in abstract art! Marked by an inspiring freedom of form and content, this is a liberating book for any artist in search of new, dynamic forms of self-expression.
Cutting-edge historians explore ideas, communities, and technologies around modern computing to explore how computers mediate social relations. Computers have been framed both as a mirror for the human mind and as an irreducible other that humanness is defined against, depending on different historical definitions of "humanness." They can serve both liberation and control because some people's freedom has historically been predicated on controlling others. Historians of computing return again and again to these contradictions, as they often reveal deeper structures. Using twin frameworks of abstraction and embodiment, a reformulation of the old mind-body dichotomy, this anthology examines how social relations are enacted in and through computing. The authors examining "Abstraction" revisit central concepts in computing, including "algorithm," "program," "clone," and "risk." In doing so, they demonstrate how the meanings of these terms reflect power relations and social identities. The section on "Embodiments" focuses on sensory aspects of using computers as well as the ways in which gender, race, and other identities have shaped the opportunities and embodied experiences of computer workers and users. Offering a rich and diverse set of studies in new areas, the book explores such disparate themes as disability, the influence of the punk movement, working mothers as technical innovators, and gaming behind the Iron Curtain. Abstractions and Embodiments reimagines computing history by questioning canonical interpretations, foregrounding new actors and contexts, and highlighting neglected aspects of computing as an embodied experience. It makes the profound case that both technology and the body are culturally shaped and that there can be no clear distinction between social, intellectual, and technical aspects of computing. Contributors: Janet Abbate, Marc Aidinoff, Troy Kaighin Astarte, Ekaterina Babinsteva, André Brock, Maarten Bullynck, Jiahui Chan, Gerardo Con Diaz, Liesbeth De Mol, Stephanie Dick, Kelcey Gibbons, Elyse Graham, Michael J. Halvorson, Mar Hicks, Scott Kushner, Xiaochang Li, Zachary Loeb, Lisa Nakamura, Tiffany Nichols, Laine Nooney, Elizabeth Petrick, Cierra Robson, Hallam Stevens, Jaroslav Švelch
In this first modern, critical assessment of the place of mathematics in Berkeley's philosophy and Berkeley's place in the history of mathematics, Douglas M. Jesseph provides a bold reinterpretation of Berkeley's work. Jesseph challenges the prevailing view that Berkeley's mathematical writings are peripheral to his philosophy and argues that mathematics is in fact central to his thought, developing out of his critique of abstraction. Jesseph's argument situates Berkeley's ideas within the larger historical and intellectual context of the Scientific Revolution. Jesseph begins with Berkeley's radical opposition to the received view of mathematics in the philosophy of the late seventeenth and early eighteenth centuries, when mathematics was considered a "science of abstractions." Since this view seriously conflicted with Berkeley's critique of abstract ideas, Jesseph contends that he was forced to come up with a nonabstract philosophy of mathematics. Jesseph examines Berkeley's unique treatments of geometry and arithmetic and his famous critique of the calculus in The Analyst. By putting Berkeley's mathematical writings in the perspective of his larger philosophical project and examining their impact on eighteenth-century British mathematics, Jesseph makes a major contribution to philosophy and to the history and philosophy of science.