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As playgoers hear the voices in Marilyn Monroes head and encounter seven visitors to James Dean, they must rethink their relationships with cultural icons. As they ride through a Louisiana swamp in the middle of a hurricane, they must rethink their own lives and losses. ONeill can somehow enable her audiences to laugh uproariously while re-examining the lies they have been telling themselves. Katherine H. Adams, HUTCHINSON PROFESSOR OF ENGLISH, LOYOLA UNIVERSITY NEW ORLEANS Rosary ONeills third volume of plays certainly provides ample evidence of the playwrights versatility and artistic fertility. As our resident dramatist, our 112 year-old institution is so proud we have this gifted artist at this period of world history that has never needed more the power of theatre to confront, alert, and awaken. O. Aldon James PRESIDENT, NATIONAL ARTS CLUB, NEW YORK, NY Rosarys work has scope: From her Southern Gothic roots, her epic collection of plays about a dysfunctional Louisiana family, to that Boulevard of broken dreams, Hollywood. Finally on to her great insights into the worlds of other great artists of the past, Rosary leaves no stone unturned. Peter Bloch DIRECTOR, NEW YORK, NY
"Spirited Sketches: A Ghostly Pen's Comedy Capers" is a side-splittingly hilarious tale that will have readers rolling with laughter from beginning to end. This uproarious story follows the misadventures of a mischievous ghostly pen with a knack for comedy. When the pen's ghostly presence awakens in an ink factory, chaos ensues as it unleashes its playful pranks on unsuspecting workers, leaving ink-splattered hilarity in its wake. From there, the story takes readers on a wild ride through various settings, including an artist's studio, an office, a school, and even a comedy club. In each location, the ghost pen's antics reach new levels of absurdity, as it brings drawings to life, plays outrageous pranks on coworkers, and uses its supernatural abilities to turn even the most mundane situations into uproarious comedy. As the ghost pen's reputation for comedy grows, it embarks on a vacation filled with beachside laughter, ghostly humor at famous landmarks, and encounters with wizards and magical ink spells that lead to hilarious consequences. Throughout the story, readers will be treated to an array of puns, witty one-liners, and comical situations that showcase the ghost pen's unique brand of humor. But it's not all fun and games. The ghost pen's journey also includes a grand finale showdown against ghost hunters and exorcists, where the stakes are high, and the laughter is at its peak. With its clever wit and inventive pranks, the ghost pen proves that comedy can even triumph over the supernatural. "Spirited Sketches: A Ghostly Pen's Comedy Capers" is a delightful and light-hearted tale that explores the power of laughter and the joy of embracing the absurd. Packed with memorable characters, laugh-out-loud moments, and unexpected twists, this comedic adventure will leave readers chuckling and eagerly turning the pages for more hilarious capers from the ghostly pen.
The third of five volumes of new scholarship on American movie conventions. The 19 essays explore cinematic representations of such material items as food, weapons, clothing, tools, technology, and art and literature. Not illustrated. No index. Paper edition (unseen), $13.95. Annotation copyright by Book News, Inc., Portland, OR.
Few people can claim the distinction of experiencing first-hand such occurrences as hauntings and the presence of poltergeists, but countless numbers of people are fascinated by these unexplainable events. Written by the world's most knowledgeable authorities in this field, the essays in this work promote a better understanding of the manifestations of and various reasons for hauntings and poltergeist phenomena. The experts come from such backgrounds as anthropology, history, philosophy, psychiatry, and sociology, and provide sober yet highly readable in-depth discussions of numerous ideas and rationalizations for hauntings and poltergeists, from a critical and scientific perspective. Divided into three major sections--sociocultural, physical and physiological, and psychological perspectives--this work provides an overview of each perspective and also addresses the general psychology of belief in the paranormal and how that belief relates to experiences with ghosts and poltergeists.
The early modern period inherited a deeply-ingrained culture of Christian remembrance that proved a platform for creativity in a remarkable variety of forms. From the literature of church ritual to the construction of monuments; from portraiture to the arrangement of domestic interiors; from the development of textual rites to drama of the contemporary stage, the early modern world practiced 'arts of remembrance' at every turn. The turmoils of the Reformation and its aftermath transformed the habits of creating through remembrance. Ritually observed and radically reinvented, remembrance was a focal point of the early modern cultural imagination for an age when beliefs both crossed and divided communities of the faithful. The Arts of Remembrance in Early Modern England maps the new terrain of remembrance in the post-Reformation period, charting its negotiations with the material, the textual and the performative.
The Afterlife in Popular Culture: Heaven, Hell, and the Underworld in the American Imagination gives students a fresh look at how Americans view the afterlife, helping readers understand how it's depicted in popular culture. What happens to us when we die? The book seeks to explore how that question has been answered in American popular culture. It begins with five framing essays that provide historical and intellectual background on ideas about the afterlife in Western culture. These essays are followed by more than 100 entries, each focusing on specific cultural products or authors that feature the afterlife front and center. Entry topics include novels, film, television shows, plays, works of nonfiction, graphic novels, and more, all of which address some aspect of what may await us after our passing. This book is unique in marrying a historical overview of the afterlife with detailed analyses of particular cultural products, such as films and novels. In addition, it covers these topics in nonspecialist language, written with a student audience in mind. The book provides historical context for contemporary depictions of the afterlife addressed in the entries, which deal specifically with work produced in the 20th and 21st centuries.
A profound and fascinating exploration of death and the afterlife! Christian and other religious beliefs, rituals from around the world, quests for immortality, scientists’ conclusions, ghosts, and more! What happens when we die? Many view it as a mystery, but there are tantalizing clues to be found in the Bible and other religious scriptures, scientific findings, historical writings, literature, reports of near-death experiences, and in many other recorded sources. Facing the contradictions and similarities of beliefs from all over the world and throughout history, The Afterlife Book: Heaven, Hell, and Life After Death shows how death and the afterlife is viewed in a variety of different ways. This engrossing guide looks at the many competing views of the afterlife—and the shared connections between them, including ... Where ideas of Heaven and Hell came from and why they endure. What happens during near death experiences and out of body experiences, What is known about reincarnation and immortality. How death is linked to ghosts and apparitions, mediumship, and spiritualism. How the quest for immortality and transhumanism may play a role in one day ending death. How science and spirituality can often say the same thing—only in different languages and terminologies. How death and the dead have been celebrated, memorialized, and honored in the past and present. What happens to the human body just before, during, and immediately after physical death. What happens to the cells, tissues, heart, and brain as a result of the physical process of dying and decomposition. How burial and cremation traditions, rites, rituals, and controversies address consciousness and the existence of a soul. What religious leaders, philosophers, and scientists have to say about consciousness and the soul. Whether animals and pets have souls. Is death just a mysterious phase in our journey? Does it lead to Heaven (or Hell)? Is it reincarnation or simply eternal blackness and unconsciousness? Do we continue to exist in some form or other beyond our physical bodies? The Afterlife Book tackles these questions and gives us all hope that our lives do not come to an end but change like the natural cycles of birth, life, death, and rebirth! It’s many photos and illustrations help bring the text to life, and its helpful bibliography and extensive index add to its usefulness.
This is a definitive study of films that have been built around the themes of love, death, and the afterlife—films about lovers who meet again (and love again) in heaven, via reincarnation, or through other kinds of after-death encounters. Far more than books about mere ghosts in the movies or religion in movies, Love in the Afterlife presents a complex but highly distinctive and unique pattern—the love-death-afterlife pattern—as it was handed down by the ancient Egyptians and Greeks (in the Isis and Orpheus myths, for example), developed by Freud and his followers in the duality of “Eros and Thanatos,” and then featured in popular movies from the 1920s to the recent past. Among its other qualities, Love in the Afterlife may encourage readers to look at movies differently and reflect upon the possibility that other patterns in cinema may have gone undetected for years. Furthermore, this book will show how the love-death-afterlife theme found its way into all sorts of different film types: melodramas, comedies, war films, horror films, film noir, and other genres. The book will be well illustrated and quotations from film reviews will enliven its pages. A long appendix gives production data on almost sixty individual films.
Arguing that our enjoyment of ghost films is linked to masochistic pleasure, Giving up the Ghost provides us with a new way of thinking about the relation between film viewing and gender. A deft but readable application of psychoanalytic theories, especially masochism (by way of Deleuze and Studlar), extends the utility of psychoanalysis to the understanding of film genre and film audiences. It is indispensable reading for scholars and students of film theory.
A sharp thriller with a twist of the supernatural from a masterful sci-fi writer. "Lauren James is a genius." SFX Magazine "Lauren James isn't just headed for the stars - she's already there." Samantha Shannon, author of The Priory of the Orange Tree What if death is only the beginning? When Harriet Stoker dies after falling from a balcony in a long-abandoned building, she discovers a world of ghosts with magical powers - shape-shifting, hypnosis, even the ability to possess the living. Felix, Kasper, Rima and Leah welcome her into their world, eager to make friends with the new arrival. Yet Harriet is more interested in unleashing her own power, even if it means destroying everyone around her. But when all of eternity is at stake, the afterlife can be a dangerous place to make an enemy.