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Most of the time, there is nothing remarkable about a movie theater today; but that wasn't always the case. When the great American movie palaces began opening in the early 20th century, they were some of the most lavish, stunning buildings ever seen. However, they wouldn't last -- with the advent of in-home television, theater companies found it harder and harder to keep them open. Some were demolished, some were converted, and some remain empty to this day. After the Final Curtain: The Fall of the American Movie Theatre will take you through 24 of these magnificent buildings, revealing the beauty that remains years after the last ticket was sold.
In the early 20th century the streets of small towns and cities across America were filled with the lights and sounds of movie theaters. The most opulent -- known as "movie palaces" -- were designed to make their patrons feel like royalty; people would dress up to visit. But as time went on it became harder and harder to fill the 2,000+ seat theaters and many were forced to close. Today, these palaces are illuminated only by the flicker of dying lights. The sound of water dripping from holes in the ceiling echoes through the auditoriums. In After the Final Curtain (Volume 2) internationally-renowned photographer Matt Lambros continues his travels across the United States, documenting these once elegant buildings. From the supposedly haunted Pacific Warner Theatre in Los Angeles to the Orpheum Theatre in New Bedford, MA -- which opened the same day the Titanic sank -- Lambros pulls back the curtain to reveal what is left, giving these palaces a chance to shine again.
More than 100 years after the first movie delighted audiences, movie theaters remain the last great community centers and one of the few amusements any family can afford. While countless books have been devoted to films and their stars, none have attempted a truly definitive history of those magical venues that have transported moviegoers since the beginning of the last century. In this stunningly illustrated book, film industry insiders Ross Melnick and Andreas Fuchs take readers from the nickelodeon to the megaplex and show how changes in moviemaking and political, social, and technological forces (e.g., war, depression, the baby boom, the VCR) have influenced the way we see movies.Archival photographs from archives like the Academy of Motion Picture Arts and Sciences and movie theater ephemera (postcards, period ads, matchbooks, and even a "barf bag") sourced from private collections complement Melnick's informative and engaging history. Also included throughout the book are Fuchs' profiles detailing 25 classic movie theaters that have been restored and renovated and which continue to operate today. Each of these two-page spreads is illustrated with marvelous modern photographs, many taken by top architectural photographers. The result is a fabulous look at one way in which Americans continue to come together as a nation. A timeline throughout places the developments described in a broader historical context."We've had a number of beautiful books about the great movie palaces, and even some individual volumes that pay tribute to surviving theaters around the country. This is the first book I can recall that focuses on the survivors, from coast to coast, and puts them into historical context. Sumptuously produced in an oversized format, on heavy coated paper stock, this beautiful book offers a lively history of movie theaters in America , an impressive array of photos and memorabilia, and a heartening survey of the landmarks in our midst, from the majestic Fox Tucson Theatre in Tucson, Arizona to the charming jewel-box that is the Avon in Stamford, Connecticut. I don't know why, but I never tire of gazing at black & white photos of marquees from the past; they evoke the era of moviemaking (and moviegoing) I care about the most, and this book is packed with them. Cinema Treasures is indeed a treasure, and a perfect gift item for the holiday season. - Leonard Maltin"Humble or grandiose, stand-alone or strung together, movie theaters are places where dreams are born. Once upon a time, they were treated with the respect they deserve. In their heyday, historian Ross Melnick and exhibitor Andreas Fuchs write in Cinema Treasures, openings of new motion-picture pleasure palaces that would have dazzled Kubla Khan 'received enormous attention in newspapers around the country. On top of the publicity they generated, their debuts were treated like the gala openings of new operas or exhibits, with critics weighing in on everything from the interior and exterior design to the orchestra.' Handsomely produced and extensively illustrated, Cinema Treasures is detailed without being dull and thoroughly at home with this often neglected subject matter. Its title would have you believe it is a celebration of the golden age of movie theaters. But this book is something completely different: an examination of the history of movie exhibition, which the authors accurately call 'a vastly under-researched topic.'" - Los Angeles Times
Craving the spotlight is in her blood. Ever since high school student Anastasija Parker discovered she was vampire royalty, her life has been sort of crazy. The half-vampire- half-witch just wants some normalcy, and trying out for the spring musical seems like the perfect fix. But when the ancient talisman that stands between vampire freedom and slavery to witches is stolen, Ana has to skip rehersal and track down the dangerous artifact before someone uses it to make this year's curtain call her last...
This book is a compilation of inspirational and educational stories for working professionals.Visit: fridayreflections.com
All Beatrice Shakespeare Smith has ever wanted is a true family of her own. And she's close to reuniting her parents when her father disappears. Now Bertie must deal with a vengeful sea goddess and a mysterious queen as she tries to keep her family – and the Theatre Illuminata – from crumbling. To complicate it all, Bertie is torn between her two loves, Ariel and Nate.
Julia Solis's photographs of abandoned theaters from across the United States and Europe conjure the remaining magic of the decaying buildings and rooms, though the screenings and performances ceased long ago -- Back cover.
Five years ago, I had an audition for the ballet company of my dreams. Five years ago, my boyfriend purposely broke my toes and ruined my dreams. Two days later, I found out I'm a witch. I thought my ballet days were over. I just graduated from the academy to work as a federal agent with the Paranormal Investigation Bureau. I get called into the office for something that could change my life permanently. Meaning, I could die. That ballet company I never got to audition for is doing The Sugar Skull Girl. This ballet has never been seen on stage before. I don't have the full story, but rumors are that any time someone tries to attempt this ballet, things soon turn fatal. I've been told to strap my pointe shoes on and use my witch abilities to go undercover at the ballet company. I had my reservations about taking this job, even if it had once been a dream of mine to dance for The P. The artistic director is a horny Unseelie rake who makes casting decisions with his cock. The prima ballerina here needs to retire, but she's totally toxic about making sure no one upstages her. She has a club of mean girl ballet dancers willing to ruin careers just for the spotlight...or maybe just for fun. Not only do I have to survive gossip, hot male dancers who like to sniff around new ballerinas, and toxic prima ballerinas, I have to figure out what is going on with this ballet before we all die. I might not like these people, but I'm here to save their lives.
Her terrifying secret was buried--until driven director Meritt Baxter tore it out of her during a performance. Suddenly Rena wasn't safe anymore. And the Merritt Baxter Summer Theater Camp had become a trap, where Bax would stop at nothing to elicit emotions that would lead to murder--onstage. Copyright © Libri GmbH. All rights reserved.