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With the ancient epic Mahabharat as her source, and the battle of Kurukshetra as a central motif, Mahasweta Devi weaves three stories in which we visit unexpected alleys and by-lanes of the traditional epic saga, and look at events from the eyes of women marginalized, dispossessed, dalit. Their eyes condemn the wanton waste and inhumanity of war. This Kurukshetra is not the legendary Dharmayuddha of the popular imagination but rather a cold-blooded power game sacrificing countless human lives. How do the women s quarters of the palace, a colourless place of shadowy widowhood, appear to five peasant women whose lives are no less shattered by the Kurukshetra massacre, but who are used to dealing with trauma in a more robust manner? How does their outlook on life and survival influence the young pregnant princess who is abruptly plunged into the half-life of uppercaste widowhood? How does a lower caste serving woman, who was brought in to service king Dhritarashtra when his queen was with child, view her half-royal offspring and his decision to perform the last rites for a father who never acknowledged him as a son? How does an ageing Kunti, living out her last years in the forest, come to terms with her guilt over her unacknowledged son, Karna? And, having finally voiced her shame aloud, how then does she face up to a crime she has not even remembered: the murder of a family of nishad forest dwellers? These tales, brewed in the imagination of a master story-teller, make us look at the Mahabharata with new eyes, insisting as they do on the inclusion, within the master narrative, of the fates and viewpoints of those previously unrepresented therein: women and the underclass. MAHASWETA DEVI is one of India s foremost writers. Her powerful, satiric fiction has won her recognition in the form of the Sahitya Akademi (1979), Jnanpith (1996) and Ramon Magsaysay (1996) awards, the title of Officier del Ordre Des Arts Et Des Lettres (2003) and the Nonino Prize (2005), amongst several other literary honours. She was also awarded the Padmasree in 1986, for her activist work amongst dispossessed tribal communities. ANJUM KATYAL is as an editor who has also translated several plays and short stories.
Spoken In The First Person, These Reminiscences Of A Woman Whose Mother Was Rescued From A House Of Ill-Repute Construct A History Not Often Documented. A History That Runs Parallel To The Official Narrative Of India`S Modernism And Nationalism: That Of Women Outcast Because They Are `Fallen`. Starting From The Late Nineteenth Century, The Voice Of Bedanabala Bears Witness To The Experiences Of Many Women Who Find Themselves Outside The Safety Of Domestic Walls And Thereafter Make Their Lives In The Only Ways Open To Them In A Society Where Women Did Not Work Except As Domestic Servants-Entertaining Men, Developing Liaisons, Interwining Their Dreams And Passions With The Destiny Of A Country Struggling For Independence And Questioning Oppressive Time-Worn Social Custom. Bedanabala, Written In 1996, Seeks To Empathize With A Segment Of Society Condemned Even By Other Women As Beyond The Bounds Of Decency And Social Acceptance.
It is the tenth night of the great war between the Pandavas and Kauravas. Bhishma, the venerable patriarch of the families, lies fatally wounded on the plains of Kurukshetra. On his deathbed he offers Radheya, his nemesis, a chance to rule the Kuru kingdom by capturing Yudhishthira. In the Pandava camp, Yudhishthira, a reluctant warrior, tries desperately to hold his allies together and escape capture without appearing to be a coward. Meanwhile, his young and impulsive nephew, Abhimanyu, a warrior prince, dreams of glory and yearns for a chance to save the Pandava cause. The lives of these three warriors, Yudhisthira, Radheya and Abhimanyu, collide brutally on the thirteenth day. A story of how stories are created, how fact becomes fiction, how history becomes mythology and how men become legends, The Thirteenth Day re-imagines India's greatest epic like never before.
Good and evil, loyalty and treachery, faith and doubt, honour and ignominy—the Mahabharata has served as a primer for codes of conduct to generations of Hindus. Over time, the epic has also fascinated those who love a tale well told. In its telling, however, the story has lost much of its richness and nuance, and the characters have become one-dimensional cut-outs—either starkly good or irredeemably evil. In this reinterpretation, Meena Arora Nayak analyses how the values espoused in the Mahabharata came to be distorted into meagre archetypes, creating customary laws that injure society even today.
In Indian mythological texts like the Mahābhārata and Rāmāyaṇa, there are recurrent tales about gleaners. The practice of "gleaning" in India had more to do with the house-less forest life than with residential village or urban life or with gathering residual post-harvest grains from cultivated fields. Gleaning can be seen a metaphor for the Mahābhārata poets’ art: an art that could have included their manner of gleaning what they made the leftovers (what they found useful) from many preexistent texts into Vyāsa’s “entire thought”—including oral texts and possibly written ones, such as philosophical debates and stories. This book explores the notion of non-violence in the epic Mahābhārata. In examining gleaning as an ecological and spiritual philosophy nurtured as much by hospitality codes as by eating practices, the author analyses the merits and limitations of the 9th century Kashmiri aesthetician Anandavardhana that the dominant aesthetic sentiment or rasa of the Mahābhārata is shanta (peace). Mahatma Gandhi's non-violent reading of the Mahabharata via the Bhagavad Gita are also studied. This book by one of the leaders in Mahābhārata studies is of interest to scholars of South Asian Literary Studies, Religious Studies as well as Peace Studies, South Asian Anthropology and History.
Where are the wheels of History now driving us? History is an essay on the survival of man. Does the present civilisation represent an end of History? In this groundbreaking reinterpretation of Indian history, the author explores the evolutionary journey of the Indian people, tracing their origins from Africa to the present day. Through a unique lens, the book challenges traditional narratives, offering profound insights into the complex tapestry of Indian civilization. Examining the historical impact of migration and cultural exchange, the book delves into the ancient Manusmriti, revealing its role in shaping India's social fabric. Against the backdrop of contemporary challenges, the author emphasizes the urgency of preserving India's unity amidst regional differences and external influences. A compelling exploration of India's past and present, this book offers fresh perspectives on the nation's rich heritage and its potential future.
Did you know that a little-known Panchala prince, Yudhamanyu, single-handedly defeated the great Duryodhana? Or that Shakuni was a valiant warrior on the battlefield? How did Iravan, the son of Arjuna by Naga Princess Ulupi, rout the whole Gandhara armies all by himself? And how did the ageing king Bhagadatta, perched on his famed elephant Supratika, defeat a whole army of the Pandavas led by Bhima? Loyal. Valiant. Steadfast. They were all that and more. They secured crucial victories. They were indispensable. And yet, there were forgotten. Unsung Valour: Forgotten Warriors of the Kurukshetra War is an attempt by ten writers to bring forth those forgotten warriors of the Mahabharata. Reimagined with passion and devotion, each story brings you a new perspective of the epic as each warrior gears up for his big day on the battlefield. In this epic battle, they are all related by either blood or loyalty. These stories capture the poignance, valour, unsung victories and eventual destinies of the warriors. This is a magnificent attempt to explore the epic in dimensions that have not been explored yet.
The title aspires to present a panorama of India’s yet to be fully discovered martial heritage, denoted by its unconquerable ancient epoch, a critique of the generally misread medieval age vicissitudes, followed by a survey of the contemporary & post-independence travails and triumphs. Not a historical narrative, it attempts to define what constitutes India’s natural-born military mind, how it evolved and breasted the world-conquering armies, followed by critical glimpses of the past ordeals, besides its uncelebrated defiance & conquests. The venture culminates in defining the nation’s prospective defence and development policy imperatives, for its emerging global role. It is rare in providing in one volume India’s scintillating perspective of the past, present and the future. The ardent quest, spanning over twelve years, is a reflective blend of a review of the Vedas, the Epics, relevant Shastras & other select material of help, with the author’s long years of rich military operational, planning and instructional experience. Poring over its pages answers many elemental questions, coming naturally to a lay reader, student, research scholar, man-at-arm, defence analyst and the policy maker. The thesis fills a gap by covering a wide range of archeological, historical, politico-military, socio-cultural and strategic and warfare issues, besides dispelling certain myths, which tend to demean India’s way of life and war fighting. The scrutiny of the post-independence wars comes to several untold finds. An exclusive study on ‘what motivates men in combat’ gives the subject an added depth. A lucid account of the nuances of the vital subject, bolstered by an unflagging perceptive probe, makes it an absorbing study.