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Harriet is leaving her boyfriend Claude, “the French rat.” That at least is how Harriet sees things, even if it’s Claude who has just asked Harriet to leave his Greenwich Village apartment. Well, one way or another she has no intention of leaving. To the contrary, she will stay and exact revenge—or would have if Claude had not had her unceremoniously evicted. Still, though moved out, Harriet is not about to move on. Not in any way. Girlfriends circle around to patronize and advise, but Harriet only takes offense, and it’s easy to understand why. Because mad and maddening as she may be, Harriet sees past the polite platitudes that everyone else is content to spout and live by. She is an unblinkered, unbuttoned, unrelenting, and above all bitingly funny prophetess of all that is wrong with women’s lives and hearts—until, in a surprise twist, she finds a savior in a dark room at the Chelsea Hotel.
Follow the incredible journey and transformation of a 64 years old woman who walked nearly 2500 kilometres alone for 100 days through France and Spain along The Way of Saint James. You will discover the towns, the villages and countryside she went through and the unbelievable encounters she had with people. You will learn about her inner thoughts, her self-discovery, her internal growth and how she was empowered. This is a story of immense courage and resilience To find more about Claude's book go to: http: //www.facebook.com/BootsToBliss
THE FINAL NOVEL IN THE #1 NEW YORK TIMES BESTSELLING SOOKIE STACKHOUSE SERIES—the inspiration for the HBO® original series True Blood. When a shocking murder rocks the small town of Bon Temps, Louisiana, psychic cocktail waitress Sookie Stackhouse learns that she has more than one enemy waiting to get vengeance for the past. Beacuse nothing is ever clear-cut in Bon Temps. What passes for truth is only a convenient lie. What passes for justice is more spilled blood. And what passes for love is never enough...
Perrault argues that rules of architecture be determined by reason, not by ancient precedent.
In My Valley, Claude Ponti leads us on a journey through an enchanted world inhabited by "Touims" (tiny, adorable, monkey-like creatures), secret tree dwellings, flying buildings, and sad giants. Clever language and beautifully detailed maps of imaginary landscapes will delight children and adults alike. Ponti himself has said, "My stories are like fairytales, always situated in the marvelous, speaking to the interior life and emotions of children. That way each child can get what they want out of the images: the characters and dreams are their own."
The book shows that Americans today have fewer relatives than they did forty years ago and that formal gatherings have declined over the decades- at least partially as a result of later marriages and more women in the work force. Yet nether the overall quantity of personal relationships nor, more importantly, the quality of those relationships has diminished. Americans' contact with relatives and friends, as well as their feelings of emotional connectedness, has changed relatively little since the 1970s. Although Americans are marrying later and singly people feel lonely, few Americans report being socially isolated and the percentage who do has not really increased. The author maintains that this constancy testifies to the value Americans place on family and friends and to their willingness to adapt to changing circumstances in ways that sustain their social connections.
A New York Times Book Review Notable Book of 2020 Winner of the Ernest J. Gaines Award for Literary Excellence “A comically dark coming-of-age story about growing up on the South Side of Chicago, but it’s also social commentary at its finest, woven seamlessly into the work . . . Bump’s meditation on belonging and not belonging, where or with whom, how love is a way home no matter where you are, is handled so beautifully that you don’t know he’s hypnotized you until he’s done.” —Tommy Orange, The New York Times Book Review In this alternately witty and heartbreaking debut novel, Gabriel Bump gives us an unforgettable protagonist, Claude McKay Love. Claude isn’t dangerous or brilliant—he’s an average kid coping with abandonment, violence, riots, failed love, and societal pressures as he steers his way past the signposts of youth: childhood friendships, basketball tryouts, first love, first heartbreak, picking a college, moving away from home. Claude just wants a place where he can fit. As a young black man born on the South Side of Chicago, he is raised by his civil rights–era grandmother, who tries to shape him into a principled actor for change; yet when riots consume his neighborhood, he hesitates to take sides, unwilling to let race define his life. He decides to escape Chicago for another place, to go to college, to find a new identity, to leave the pressure cooker of his hometown behind. But as he discovers, he cannot; there is no safe haven for a young black man in this time and place called America. Percolating with fierceness and originality, attuned to the ironies inherent in our twenty-first-century landscape, Everywhere You Don’t Belong marks the arrival of a brilliant young talent.
When Mr. and Mrs. Shineyshoes leave for the day, their dog Claude and his sock puppet sidekick, Sir Bobblysock, travel to the city for the very first time. From Alex T. Smith's hilariously illustrated early chapter book series. After arriving in the city, Claude and Sir Bobblysock go shopping, visit a museum, foil a robbery, and heal an entire hospital waiting room full of patients. What a wonderful day! Quirky, delightfully odd, and positively surreal, Alex T. Smith's beloved Claude series promises fits of giggles for readers transitioning from picture books to chapter books. Two-color illustrations throughout.
From the #1 New York Times bestselling author of All the Bright Places comes an unforgettable summer novel, set on an island off the coast of Georgia, about a sensitive girl ready to live her bravest life--sex, love, heartbreak, and all. Before: With graduation on the horizon, budding writer Claudine Henry is focused on three things: college in the fall, become a famous author, and the ever-elusive possibility of sex. She doesn't even need to be in love--sex is all she's looking for. Then her dad drops a bombshell: he and Claude's mom are splitting up. Suddenly, Claude's entire world feels like a lie, and the ground under her feet anything but stable. After: Claude's mom whisks them both away to a remote, mosquito-infested island off the coast of Georgia, a place where the two of them can start the painful process of mending their broken hearts. It's the last place Claude can imagine finding her footing, but then Jeremiah Crew happens. Miah is a local trail guide with a passion for photography, and a past he doesn't like to talk about. He's brash, enigmatic, and even more infuriatingly, he's the only one who seems to see Claude for who she wants to be. So when Claude decides to sleep with Miah, she tells herself it's just sex--exactly what she has planned. There isn't enough time to fall in love, especially if it means putting her already broken heart at risk. Compulsively readable and impossible to forget, Jennifer Niven's luminous new novel is an insightful portrait of a young woman determined to write her own next chapter--sex, resilience, mosquito bites, and all.
Born in Oakland, California in 1927 the author received his High School education in California before joining the Marines at 17 before the end of WW 2. While pursuing vocal studies in Los Angeles he accepted an LDS Mission starting in Buffalo, NY. Finding many inconsistencies among missionaries he concluded to get his own witness. With 3 days of fasting and prayer he read the BOM relying on Moroni's promise of asking God to reveal the truth of the BOM. Positive confirmation never came. The Mission President advised him to complete his mission saying he needn't teach anything he didn't believe. A missionary chorus was formed and the choice made to tour his final months as soloist with the Utah Centennial Chorus. After his mission he appeared in a Broadway Musical. He left for Milan, Italy in 1952 meeting his future wife on the ship. After his operatic debut in Spain, successful engagements followed that soon led to Berlin and a three year contract at the Vienna State Opera. While singing in Rome a screen test led to Director William Wyler choosing Claude for the role of Jesus in the Academy Award film 'Ben Hur'. After the 'Ben Hur' experience Claude made another BOM attempt with a 3 day fast/prayer at the Holy Trinity chapel of St. Catherine Monastery at Mount Sinai, Egypt. As Dramatic Tenor he sang opposite such sopranos as Birgit Nilsson, Renata Tabaldi, Joan Southerland; as Tristan, Otello, Siegfried, Parsifal etc; at Bayreuth, La Scala and most major European opera houses. After retiring, he attended his local Ward with family, becoming counselor in the Sunday school until he felt enough was enough. Conducting a Testimony meeting he bore his lack of testimony publicly asking for excommunication as the only way to remove oneself from church rolls.