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Margery Perham was an outstanding influence on official and academic thinking on British Colonial rule and decolonization in Africa during the middle part of the century. The book traces how the Second World War transformed her view of colonial rule and of the rate at which it would have to be relinquished.
Margery Perham was an outstanding influence on official and academic thinking on British Colonial rule and decolonization in Africa during the middle part of the century. The book traces how the Second World War transformed her view of colonial rule and of the rate at which it would have to be relinquished.
On the eve of World War II, a small, impoverished group of Africans and West Indians in London dared to imagine the unimaginable: the end of British rule in Africa. In books, pamphlets, and periodicals, they launched an anti-colonial campaign that used publishing as a pathway to liberation. West Indians George Padmore, C. L. R. James, and Ras Makonnen; Kenya’s Jomo Kenyatta and Sierra Leone’s I. T. A. Wallace Johnson –made their point: that colonial rule was oppressive and inconsistent with the democratic ideals Britain claimed at home. Ending British Rule in Africa draws on previously unexplored manuscript and archival collections to trace the development of this publishing community from its origins in George Padmore’s American and Comintern years through the independence of Ghana in the 1957. This original study will be of interest to scholars and general readers interested in social movements, diaspora studies, empire and African history, publishing history, literary history, and cultural studies.
This work explores the lives of people of sub-Saharan Africa and their descendants, how they were shaped by empire, and how they in turn influenced the empire in everything from material goods to cultural style. The black experience varied greatly across space and over time. Accordingly, thirteen substantive essays and a scene-setting introduction range from West Africa in the sixteenth century, through the history of the slave trade and slavery down to the 1830s, to nineteenth- and twentieth-century participation of blacks in the empire as workers, soldiers, members of colonial elites, intellectuals, athletes, and musicians. No people were more uprooted and dislocated; or travelled more within the empire; or created more of a trans-imperial culture. In the crucible of the British empire, blacks invented cultural mixes that were precursors to our modern selves - hybrid, fluid, ambiguous, and constantly in motion. SERIES DESCRIPTION The purpose of the five volumes of the Oxford History of the British Empire was to provide a comprehensive study of the Empire from its beginning to end, the meaning of British imperialism for the ruled as well as the rulers, and the significance of the British Empire as a theme in world history. The volumes in the Companion Series carry forward this purpose by exploring themes that were not possible to cover adequately in the main series, and to provide fresh interpretations of significant topics
Intended for those interested in the African continent and the diversity of human history, this work looks at Africa's past and reflects on the changing ways it has been imagined and represented. It illustrates key themes in modern thinking about Africa's history with a range of historical examples.
First Published in 1965. Routledge is an imprint of Taylor & Francis, an informa company.
This second volume of official documents continues the survey of British relations with West African societies during the period of international partition, expansion into the interior, and the consolidation of the four colonial states formed under British rule before 1914.