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Iron working has a long and rich history in Africa--it was decisive for the development of many African cultures and states, and its study is now yielding results of great significance. This book, a collection of articles by archaeologists and enthnographers from the USA, Africa, and Europe, explores the development of the iron working processes, the reasons for local variation, the role of iron workers in ancient and modern societies, and the way in which iron production changed society.
The work of specialists archaeologists, historians, ethnologists, metallographs and sociologists gathered in this volume show the vitality of research being carried out on iron processing in Africa since as early as the third millennium B.C.
Gold. Copper. Iron. Metal working in Africa has been the subject of both public lore and extensive archaeological investigation. Here, four of the leading contemporary researchers on this topic attempt to provide a complete synthesis of current debates and understandings: Where, how, and when was metal first introduced to the continent? How were iron and copper tools, implements, and objects used in everyday life, in trade, in political and cultural contexts? What role did metal objects play in the ideological systems of precolonial African peoples? Substantive chapters address the origins of metal working and the technology and the various uses and meanings of copper and iron. An ethnoarchaeological account in the words of a contemporary iron worker enriches the archaeological explanations. This book provides a comprehensive, timely summary of our current knowledge.
Archaeological and ethnographic investigations in western Tanzania in the 1970s revealed remarkable evidence for a complex and highly advanced iron technology that existed there several thousand years ago. Still, Western scientific and historical practice continues to obscure the history of iron technology and its accomplishments in Africa. Weaving together myth, ritual, history, and science, this work describes the systems of smithing and iron smelting, some of which arose 2,000 to 2,500 years ago. Revealing the world of African technological achievement, the contributors to this work demonstrate that iron production there is a socially constructed activity and that its cultural and technological domains cannot be understood separately.
The purpose of this study is to recuperate the history of African iron technology.
"[Herbert] has constructed a model of power relationships structured upon gender and age, and derived from male transformative processes, and in so doing has written a notable, and most enjoyable, book." -- African History "Herbert examines with great care and thoroughness the relationships between gender and power and the rationales that give them social form.... [Her] analytical ability is outstanding." -- Patrick McNaughton "This book is a well-written and essential study of the place of belief in African material culture." -- International Journal of African Historical Studies Herbert relates the beliefs and practices associated with iron working in African cultures to other transformative activities -- chiefly investiture, hunting, and pottery making -- to propose a gender/age-based theory of power.
This book explores important chapters of past and recent African history from a multidisciplinary perspective. It covers an extensive time range from the evolution of early humans to the complex cultural and genetic diversity of modern-day populations in Africa. Through a comprehensive list of chapters, the book focuses on different time-periods, geographic regions and cultural and biological aspects of human diversity across the continent. Each chapter summarises current knowledge with perspectives from a varied set of international researchers from diverse areas of expertise. The book provides a valuable resource for scholars interested in evolutionary history and human diversity in Africa. Contributors are Shaun Aron, Ananyo Choudhury, Bernard Clist, Cesar Fortes-Lima, Rosa Fregel, Jackson S. Kimambo, Faye Lander , Marlize Lombard, Fidelis T. Masao, Ezekia Mtetwa, Gilbert Pwiti, Michèle Ramsay, Thembi Russell, Carina Schlebusch, Dhriti Sengupta, Plan Shenjere-Nyabezi, Mário Vicente.
"This volume has much to recommend it -- providing fascinating and stimulating insights into many arenas of material culture, many of which still remain only superficially explored in the archaeological literature." -- Archaeological Review "... a vivid introduction to the topic.... A glimpse into the unique and changing identities in an ever-changing world." -- Come-All-Ye Fourteen interdisciplinary essays open new perspectives for understanding African societies and cultures through the contextualized study of objects, treating everything from the production of material objects to the meaning of sticks, masquerades, household tools, clothing, and the television set in the contemporary repertoire of African material culture.
This book provides the first detailed description of the prehistory of the Loango coast of west-central Africa over the course of more than 3000 years.
"The collection of scholarly essays 'Striking Iron: The Art of African Blacksmiths' accompanies an international traveling exhibition of the same title organized by the Fowler Museum at UCLA. For more than two millennia, ironworking has shaped African cultures in the most fundamental ways. 'Striking Iron' reveals the history of invention and technical sophistication that led African blacksmiths to transform one of Earth's most basic natural resources into objects of life-changing utility, empowerment, prestige, spiritual potency, and astonishing artistry. The contributions of diverse scholars examine how blacksmiths' virtuosic works can harness the powers of the natural and spiritual worlds, effect change and ensure protection, prestige, and status, assist with life's challenges and transitions, and enhance the efficacies of sacred acts such as ancestor veneration, healing, fertility, and prophecy. The publication features full-color photographic reproductions of over 225 artworks from across the African continent, focusing on the region south of the Sahara and covering a time period spanning early archaeological evidence to the present day. These works include blades, currencies, diverse musical instruments, body adornments, ritual accoutrements, tools, weapons, and other important iron objects. Following its presentation at the Fowler Museum in Los Angeles the exhibition 'Striking Iron' travels to the Smithsonian Institution's National Museum of African Art, Washington D.C., and the Musée du quai Branly-Jacques Chirac, Paris"--Provided by publisher.