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Louisville's African-American community dates back to the early 1800s. Before the 1850s, many Black churches such as the Quinn Chapel A.M.E. Church were founded in the area. Prominent African Americans, including Whitney M. Young, Woodford Porter, FrankStanley, and Calvin Winstead, became Louisville's pioneer families in modern business and politics. Within the pages of this volume are many of the families who worked to become institution builders and leaders--in Louisville and around the world.African-American Life in Louisville covers the period from the late nineteenth century to the 1960s and focuses on the people and places in the Greater Louisville area, including Shelbyville. AuthorBruce Tyler, Associate Professor of History at the University of Kentucky, Louisville, has created this unique collection of vintage photographs as a tribute to his community.
The miracle of the black family is that it has survived and grown stronger over the years. Eighteen case studies provide a window through which we see patterns of variation in the life-styles of affluent, middle-class, working-class, and poor black families. A new feature of this edition is the overview that compares the way of life of blacks in the three social classes. A comparative analysis of black and of white families is introduced.
Preston County, West Virginia, is the only county in the United States with that name. It lies nestled into a corner of the state bounded on the north by Pennsylvania and the Mason-Dixon Line, and on the east by the state of Maryland. This scenic Appalachian region has a variance in elevation from a low of 870 feet to a high of 3,236 feet. With more tillable land than any other county in the state, Preston County is naturally a farming community, although mining, timber, recreation, and tourism are vital contributors to the county's economy. In this vibrant retrospective, local author Charles A. Thomas brings the county's past to life, covering the period from 1890 to the mid-1900s. Vintage images portray the pioneer era, the early commercial and industrial ventures here, and the people who brought it all about. We visit turn-of-the-century schools and mills, and see the trains and railroaders who made this area prosper in the late 1800s. Preston County, West Virginia, is the only county in the United States with that name. It lies nestled into a corner of the state bounded on the north by Pennsylvania and the Mason-Dixon Line, and on the east by the state of Maryland. This scenic Appalachian region has a variance in elevation from a low of 870 feet to a high of 3,236 feet. With more tillable land than any other county in the state, Preston County is naturally a farming community, although mining, timber, recreation, and tourism are vital contributors to the county's economy. In this vibrant retrospective, local author Charles A. Thomas brings the county's past to life, covering the period from 1890 to the mid-1900s. Vintage images portray the pioneer era, the early commercial and industrial ventures here, and the people who brought it all about. We visit turn-of-the-century schools and mills, and see the trains and railroaders who made this area prosper in the late 1800s.
Charles Willie and Richard Reddick's A New Look at Black Families has introduced thousands of students to the intricacies of the Black family in American society since its publication in 1976. Using a case study approach, Willie and Reddick show the varieties of the Black family experience and how those experiences vary by socioeconomic status. In addition to examining families of low-income, working, and middle classes, the authors also look to the family experiences of highly successful African Americans to try to identify the elements of the family environment leading to success. The authors puncture the myth of the Black matriarchy prevalent in the popular imagination; and they explore a variety of family configurations, including a family with same-gender parents. The sixth edition has been reorganized and updated throughout. The new Part III—Cases Against and for Black Men and Women—unites two chapters from previous editions into a cohesive discussion of stereotypes and misunderstandings from both scholars and the mass media. Also, a new chapter on the Obama family offers support for cross-gender and cross-racial mentoring, and it demonstrates the value of extended family relations.
The African American presence in St. Louis began in 1763 with the arrival of several free men of color who accompanied Pierre Laclede from New Orleans to set up a fur trading fort on the Mississippi. Within a few decades, the fort had become a prosperous commercial center whose proximity to the western frontier attracted a cosmopolitan community. African Americans in St. Louis--both slave and free--enjoyed greater autonomy and opportunity than those in urban areas of the South and East. Slaves in the city set legal precedent by filing hundreds of freedom suits, often based on the prohibition against slavery set by the Northwest Ordinance of 1787. After a century in the region, many blacks enlisted in the Union Army during the Civil War. Drawing on a wide range of sources, the author studies the history of slaves and free blacks in this city.
"The articles ... have been selected because they provide background information, which helps to explain how the African American community in Greene County came about. It also gives the reader an understanding of the importance of the church and its function, not only as a place of worship, but also as a voice for the African American community and its social development."--Preface.
The prolific journey of African Americans in Portland is rooted in the courageous determination of black pioneers to begin anew in an unfamiliar and often hostile territory. By 1890, the majority of Oregon's black population resided in Multnomah County, and Portland became the center of a thriving black middle-class community.
From tent revivals to radio and records with a gospel music innovator Homer Rodeheaver merged evangelical hymns and African American spirituals with popular music to create a potent gospel style. Kevin Mungons and Douglas Yeo examine his enormous influence on gospel music against the backdrop of Christian music history and Rodeheaver's impact as a cultural and business figure. Rodeheaver rose to fame as the trombone-playing song leader for evangelist Billy Sunday. As revivalism declined after World War I, Rodeheaver leveraged his place in America's newborn celebrity culture to start the first gospel record label and launch a nationwide radio program. His groundbreaking combination of hymnal publishing and recording technology helped define the early Christian music industry. In his later years, he influenced figures like Billy Graham and witnessed the music's split into southern gospel and black gospel. Clear-eyed and revealing, Homer Rodeheaver and the Rise of the Gospel Music Industry is an overdue consideration of a pioneering figure in American music.