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AFRICA HEROES & SHEROES SERIES is a fantastic children book that tells a series of classic stories with the aim of preserving our culture and informing the current and next generation of the amazing tales of our land. The first series is ‘The Kilimanjaro Hero’, this story is about a brave boy who takes the initiative to save his community from the biggest ogre ever seen. This story is showcasing the boy who is courageous, brave, creative, and innovative and a boy who wants unity. We can be as brave as this boy in many forms through: reading, playing, helping our friends and parents and even when you choose to be kind to yourself and others. There are many ways to be a hero and a shero.
On 4 July, 1910, in 100-degree heat at an outdoor boxing ring near Reno, Nevada, film cameras recorded-and thousands of fans witnessed-former heavyweight champion Jim Jeffries' reluctant return from retirement to fight Jack Johnson, a black man. After 14 grueling rounds, Johnson knocked out Jeffries and for the first time in history, there was a black heavyweight champion of the world. At least 10 people lost their lives because of Johnson's victory and hundreds more were injured due to white retaliation and wild celebrations in the streets. Public screenings received instantaneous protests and hundreds of cities barred the film from being shown. Congress even passed a law making it a federal offense to transport moving pictures of prizefights across state lines, and thus the most powerful portrayal of a black man ever recorded on film was made virtually invisible. This is but one of the hundreds of films covered in The A to Z of African American Cinema, which includes everything from The Birth of a Nation to Crash. In addition to the films, brief biographies of African American actors and actresses such as Sidney Poitier, James Earl Jones, Halle Berry, Eddie Murphy, Whoopi Goldberg, Denzel Washington, and Jamie Foxx can be found in this reference. Through a chronology, a list of acronyms and abbreviations, an introductory essay, a bibliography, appendixes, black-&-white photos, and hundreds of cross-referenced dictionary entries on actors, actresses, movies, producers, organizations, awards, film credits, and terminology, this book provides a better understanding of the role African Americans played in film history.
Celebrating notable African Americans, this inspirational and thoughtprovoking collection of quotations covers a wide range of African-American heroes, from Sojourner Truth to Frederick Douglass, Thurgood Marshall to Jackie Robinson, Ella Fitzgerald to Harriet Tubman, Toni Morrison to Jesse Owens, George Washington Carver to Martin Luther King Jr., Rosa Parks to Barack Obama, from profound historical figures to more current, popular ones, such as Oprah Winfrey, Nikki Giovanni, Spike Lee, and Snoop Dogg. Organized thematically, the selections explore key topics such as overcoming obstacles, teaching life lessons, and nurturing creativity. The book features more than 350 quotations memorializing the wisdom and strength of 200 notable African-American heroes. The sources for the quotations and an instructive biographical section are included as well.
As early as 1909, African Americans were utilizing the new medium of cinema to catalogue the world around them, using the film camera as a device to capture their lives and their history. The daunting subject of race and ethnicity permeated life in America at the turn of the twentieth century and due to the effect of certain early films, specific television images, and an often-biased news media, it still plagues us today. As new technologies bring the power of the moving image to the masses, African Americans will shoot and edit on laptop computers and share their stories with a global audience via the World Wide Web. These independently produced visions will add to the diverse cache of African American images being displayed on an ever-expanding silver screen. This wide range of stories, topics, views, and genres will finally give the world a glimpse of African American life that has long been ignored and has yet to be seen. This second edition of Historical Dictionary of African American Cinema covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1400 cross-referenced entries on actors, actresses, movies, producers, organizations, awards, and terminology, this book provides a better understanding of the role African Americans played in film history. This book is an excellent access point for students, researchers, and anyone wanting to know more about African American cinema.
There is an ongoing debate as to whether African American Studies is a discipline, or multidisciplinary or interdisciplinary field. Some scholars assert that African American Studies use a well-defined common approach in examining history, politics, and the family in the same way as scholars in the disciplines of economics, sociology, and political science. Other scholars consider African American Studies multidisciplinary, a field somewhat comparable to the field of education in which scholars employ a variety of disciplinary lenses-be they anthropological, psychological, historical, etc., --to study the African world experience. In this model the boundaries between traditional disciplines are accepted, and researches in African American Studies simply conduct discipline based an analysis of particular topics. Finally, another group of scholars insists that African American Studies is interdisciplinary, an enterprise that generates distinctive analyses by combining perspectives from d
Drawing on extensive research and his own wide travels, Ford vividly retells ancient African myths and tales and brings to light their universal meanings.
Looking for an exciting way to have fun and get to know your partner better? Are you having a wine tasting or just a few guests over and want to get the party started? Do you enjoy being stimulated while having fun? Then pick up a copy of Think About It! - it's the book you've been looking for!
Love asks different creatures, objects, and ideas what they know and each responds with quiet observations of how they shape and view their world.
This critical study interrogates the intersection of race and gender media representations on screen and behind the scenes. The thought-provoking investigation on the Oprah Winfrey Network’s Queen Sugar series shows the ways in which the television drama is a significant contribution to mainstream media that creates in-depth conversations concerning African American women’s social roles, social class, and social change. Ollie L. Jefferson provides a unique analysis of the television production by using the exemplary representations conceptual framework to contextualize and theorize research contributing to systemic change. Jefferson highlights the best practices used by African American female executive producers, Oprah Winfrey and Ava DuVernay, by examining Queen Sugar as a case study. The investigation shows how the decision-makers produced multidimensional female characters to illustrate the complex humanity of Black lives. This book broadens understanding of the media industry’s need for culturally sensitive and conscious inclusion of women and people of color behind the scenes—as media owners, creators, writers, directors, and producers—to put an end to the persistent and pervasive misrepresentations of African American women on screen. Scholars of television studies, film studies, media studies, race studies, and women’s studies will find this book particularly useful.