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In Afghanistan Remembers, Parin Dossa examines how violence is remembered by Afghan women through memories and food practices in their homeland and its diaspora.
Although extensive literature exists on the violence of war, little attention has been given to the ways in which this violence becomes entrenched and normalized in the inner recesses of everyday life. In Afghanistan Remembers, Parin Dossa examines Afghan women’s recall of violence through memories and food practices in their homeland and its diaspora. Her work reveals how the suffering and trauma of violence has been rendered socially invisible following decades of life in a war-zone. Dossa argues that it is necessary to acknowledge the impact of violence on the familial lives of Afghan women along with their attempts at recovery under difficult circumstances. Informed by Dossa’s own story of family migration and loss, Afghanistan Remembers is a poignant ethnographic account of the trauma of war. She calls on the reader to recognize and bear witness to the impact of deeper forms of violence.
COLBY AWARD WINNER • “One of the most important books to come out of the Afghanistan war.”—Foreign Policy “A saga of courage and futility, of valor and error and heartbreak.”—Rick Atkinson, author of the Liberation Trilogy and The British Are Coming Of the many battlefields on which U.S. troops and intelligence operatives fought in Afghanistan, one remote corner of the country stands as a microcosm of the American campaign: the Pech and its tributary valleys in Kunar and Nuristan. The area’s rugged, steep terrain and thick forests made it a natural hiding spot for local insurgents and international terrorists alike, and it came to represent both the valor and futility of America’s two-decade-long Afghan war. Drawing on reporting trips, hundreds of interviews, and documentary research, Wesley Morgan reveals the history of the war in this iconic region, captures the culture and reality of the conflict through both American and Afghan eyes, and reports on the snowballing missteps—some kept secret from even the troops fighting there—that doomed the American mission. The Hardest Place is the story of one of the twenty-first century’s most unforgiving battlefields and a portrait of the American military that fought there.
It is obvious that any baby starts the very first stages of learning from a specific family's circumstances and environment. This concept is better expressed by the philosophy "as you go, so go your children." A lucky child is cherished on the knees of a loving, educated mother. Unfortunately, I was a child deprived of love and affection by my parents in early childhood. An attempt was made to write my autobiography in memoir style. It was an interesting search to find and verify the motivation that made me tolerate the hard process of education while facing numerous problems and obstacles during the early period of my childhood. This work is in chronological order and consists of twenty-one chapters (i.e., memories of childhood and the later stages of education, as well as the impacts of the working environment in the course of time). In this regard, the translation of this poem is expressive: Say first thou who are your friends? Then I would say thee would be concerned It often happens that children stray even if they have educated and wealthy parents. On the other hand, sometimes it has been observed that a fulcrum caused to become a benevolent and useful person to the human society. What a strange secret is hidden there. This is my tenet, to pass away conscientiously rather than be a perennial recalcitrant ignorant. Whatever has happened to me, I hope other children do not suffer the same thing. Even though my dispersed writing may be a form of writing style, all that I have said in these three distinguished periods of my life are not fabricated, not a single idea or action. I am proud of that, to say what I have mentioned. Some are episodes that happened to me, and a few ones to others. I consider them to have significant and effective points for my children and to others who are in need.
Why has the US so dramatically failed in Afghanistan since 2001? Dominant explanations have ignored the bureaucratic divisions and personality conflicts inside the US state. This book rectifies this weakness in commentary on Afghanistan by exploring the significant role of these divisions in the US’s difficulties in the country that meant the battle was virtually lost before it even began. The main objective of the book is to deepen readers understanding of the impact of bureaucratic politics on nation-building in Afghanistan, focusing primarily on the Bush Administration. It rejects the ’rational actor’ model, according to which the US functions as a coherent, monolithic agent. Instead, internal divisions within the foreign policy bureaucracy are explored, to build up a picture of the internal tensions and contradictions that bedevilled US nation-building efforts. The book also contributes to the vexed issue of whether or not the US should engage in nation-building at all, and if so under what conditions.
A New York Times Notable Book Winner of 2022 Lionel Gelber Prize The first authoritative history of American's longest war by one of the world's leading scholar-practitioners. The American war in Afghanistan, which began in 2001, is now the longest armed conflict in the nation's history. It is currently winding down, and American troops are likely to leave soon but only after a stay of nearly two decades. In The American War in Afghanistan, Carter Malkasian provides the first comprehensive history of the entire conflict. Malkasian is both a leading academic authority on the subject and an experienced practitioner, having spent nearly two years working in the Afghan countryside and going on to serve as the senior advisor to General Joseph Dunford, the US military commander in Afghanistan and later the chairman of the joint chiefs of staff. Drawing from a deep well of local knowledge, understanding of Pashto, and review of primary source documents, Malkasian moves through the war's multiple phases: the 2001 invasion and after; the light American footprint during the 2003 Iraq invasion; the resurgence of the Taliban in 2006, the Obama-era surge, and the various resets in strategy and force allocations that occurred from 2011 onward, culminating in the 2018-2020 peace talks. Malkasian lived through much of it, and draws from his own experiences to provide a unique vantage point on the war. Today, the Taliban is the most powerful faction, and sees victory as probable. The ultimate outcome after America leaves is inherently unpredictable given the multitude of actors there, but one thing is sure: the war did not go as America had hoped. Although the al-Qa'eda leader Osama bin Laden was killed and no major attack on the American homeland was carried out after 2001, the United States was unable to end the violence or hand off the war to the Afghan authorities, which could not survive without US military backing. The American War in Afghanistan explains why the war had such a disappointing outcome. Wise and all-encompassing, The American War in Afghanistan provides a truly vivid portrait of the conflict in all of its phases that will remain the authoritative account for years to come.
This book offers a descriptive analysis of the Soviet/Russian wars in Afghanistan, Chechnya, and Georgia, as well as an in-depth exploration of the ways in which these wars are framed in the collective consciousness created by global popular culture. Russian and Western modalities of remembrance have been, and remain, engaged in a world war that takes place (not exclusively, but intensively) on the level of popular culture. The action/reaction dynamic, confrontational narratives and othering between the two “camps” never ceased. The Cold War, in many ways and contrary to the views of many others who hoped for the end of history, never really ended.
Praise for False Memories: "It was rich. Like eating a large slice of cheese cake with blueberry topping. I finished reading it today-did what it was suppose to do-kept my interest, created a deeper mystery surrounding the artist, brought up controversy, cleared a few questions, and much, much more. This will be a book, not just for collectors, but for anyone wanting to know a little about the psyche of a painter. Brilliant!" -Lynn Vermillion False memories is a psychologist's term for memories cleverly and conveniently created by the subconscious mind. Since the theory of reincarnation is not widely accepted, we tend to explain away memories of previous lives as false memories. Contemporary American painter Anton Brzezinski would be the first to agree that his own memories of previous lives are productions of his prodigious imagination-but Brzezinski's memories of his own experiences need no exaggeration to make them fascinating. In False Memories: Adventures of the Living Dali, with the exception of the pseudo-author Gabrielle Mallarmé, people who appear as characters in this book are not fictitious. This is a work of fiction, but even the wildest incidents described here really occurred!
Isurin presents a case study of Russian collective memory as it is constructed by producers and consumed by people.
A compelling and evocative autobiography from a serving officer in the Royal Gurkha Rifles - among the finest and most feared soldiers in the world.