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In the first collection of published writings of Thomas Affleck (1812--1868), Lake Douglas re-establishes the reputation of a tireless agricultural reformer, entrepreneur, and horticulturist. Affleck's wide range of interests -- animal husbandry, agriculture, scientific farming, ornamental horticulture, insects, and hydrology, among others -- should afford him a celebrated status in several disciplines; yet until now his immense contributions remained largely unheralded. Steward of the Land remedies this oversight with a broad, annotated selection of Affleck's works, rightfully placing him alongside his better-known contemporaries Andrew Jackson Downing and Frederick Law Olmsted. After immigrating to the United States from Scotland in 1832, Affleck witnessed the burgeoning American expansion and its major advances in agriculture and technology. He worked as a journalist for the influential Western Farmer and Gardener, covering Ohio, Kentucky, and the Mississippi River Valley. Affleck moved to Mississippi in 1842 to manage his new wife's failing plantation; there, he created one of the first commercial nurseries of the South while writing prolifically on numerous agrarian topics for regional periodicals and newspapers. From 1845 to 1865 he edited Affleck's Southern Rural Almanac and Plantation and Garden Calendar, published in New Orleans. Following a postwar move to Brenham, Texas, he published letters and essays about rebuilding that state's livestock herds and rejuvenating its agricultural labor forces. Steward of the Land includes excerpts from dozens of Affleck's articles on subjects ranging from bee keeping to gardening to orchard tending. This valuable single-volume resource reveals Affleck's astonishing breadth of horticultural knowledge and entrepreneurial sagacity, and his role in educating mid-nineteenth-century readers about agricultural products and practices, plant usage, and environmental stewardship. Never before collected or contextualized, Affleck's writings provide a firsthand account of the advancement of agricultural techniques and practices that created a new environmental awareness in America.
Landscape architect Lake Douglas employs written accounts, archival data, historic photographs, lithographs, maps, and city planning documents -- many of which have never before been published -- to explore public and private outdoor spaces in New Orleans and those who shaped them. The result offers the first in-depth examination of the city's landscape history. Douglas presents this "beautiful and imposing" city as a work of art crafted by numerous influences. His survey from the colonial period to the twentieth century finds that geography, climate, and, above all, the multicultural character of its residents have made New Orleans unique in American landscape design history. French and Spanish settlers, Africans and Native Americans, as well as immigrants from Germany, Ireland, Italy, and other parts of the world all participated in creating this community's unique public and private landscapes. Places such as Congo Square, Audubon Park, the river levees, and "neutral grounds" -- local residents' own term for medians -- together with ordinary residential gardens are all testaments to the city's international imprint. Douglas identifies five types of public and private designed landscapes in New Orleans: squares, linear open spaces, urban parks, commercial pleasure gardens, and domestic gardens. Discussing their design, function, and content, he shows how specific examples of each contribute to the city's unique character and also fit within the larger context of American landscape design history. Each type has its own complexion and reflects the influence of those who occupied it. Though New Orleanians lived in strata according to language, cultural identity, economics, and race, they found common ground, literally, in their community's landscapes. Douglas's sweeping study, illustrated with over 90 color and black-and-white images, includes an exploration of archival horticultural books, almanacs, and periodicals; information about laborers who actually built landscapes; details of horticultural commerce, services, and marketing materials; and an exhaustive inventory of plants grown in New Orleans for agricultural, medicinal, and ornamental uses. Public Spaces, Private Gardens provides an informative look at two hundred years of the designed landscapes and horticulture of New Orleans and a fresh perspective on one of America's most interesting and historic cities.
Foreign Trends in American Gardens addresses the influence of foreign, designed landscapes on the development of their American counterparts. Including essays from an array of significant scholars in landscape studies, this collection examines topics ranging from the importation of Western and Eastern styles of design and theoretical literature to the adaptation of specific plant types. As the variety of topics and influences discussed demonstrates, the essence of American gardens defies simple definition. Examining the translation, imitation, adaptation, and naturalization of stylistic trends and horticultural specimens into American gardens, the book also dwells on the juxtaposition of the foreign and the native. The volume’s contributors consider the experiences both of immigrants, who contributed through their writing, planting, and design efforts to enhance the character of regional gardens, and of Americans, who traveled abroad and brought back with them a passion for naturalizing exotics for scientific as well as aesthetic reasons. The complexity of American gardens—their combination of the historic and the modern, and of foreign cultures and local values—is also their most distinctive characteristic.
Winner of the Working-Class Studies Association C.L.R. James Award Seen as a pioneering figure in the critical study of whiteness, US historian David Roediger has sometimes received criticism, and praise, alleging that he left Marxism behind in order to work on questions of identity. This volume collects his recent and new work implicitly and explicitly challenging such a view. In his historical studies of the intersections of race, settler colonialism, and slavery, in his major essay (with Elizabeth Esch) on race and the management of labor, in his detailing of the origins of critical studies of whiteness within Marxism, and in his reflections on the history of solidarity, Roediger argues that racial division is part of not only of the history of capitalism but also of the logic of capital.
In 1907, pioneering labor historian and economist John Commons argued that U.S. management had shown just one "symptom of originality," namely "playing one race against the other." In this eye-opening book, David Roediger and Elizabeth Esch offer a radically new way of understanding the history of management in the United States, placing race, migration, and empire at the center of what has sometimes been narrowly seen as a search for efficiency and economy. Ranging from the antebellum period to the coming of the Great Depression, the book examines the extensive literature slave masters produced on how to manage and "develop" slaves; explores what was perhaps the greatest managerial feat in U.S. history, the building of the transcontinental railroad, which pitted Chinese and Irish work gangs against each other; and concludes by looking at how these strategies survive today in the management of hard, low-paying, dangerous jobs in agriculture, military support, and meatpacking. Roediger and Esch convey what slaves, immigrants, and all working people were up against as the objects of managerial control. Managers explicitly ranked racial groups, both in terms of which labor they were best suited for and their relative value compared to others. The authors show how whites relied on such alleged racial knowledge to manage and believed that the "lesser races" could only benefit from their tutelage. These views wove together managerial strategies and white supremacy not only ideologically but practically, every day at workplaces. Even in factories governed by scientific management, the impulse to play races against each other, and to slot workers into jobs categorized by race, constituted powerful management tools used to enforce discipline, lower wages, keep workers on dangerous jobs, and undermine solidarity. Painstakingly researched and brilliantly argued, The Production of Difference will revolutionize the history of labor race in the United States.
Collected essays by two of America's earliest environmental authors retain relevance today William Summer founded the renowned Pomaria Nursery, which thrived from the 1840s to the 1870s in central South Carolina and became the center of a bustling town that today bears its name. The nursery grew into one of the most important American nurseries of the antebellum period, offering wide varieties of fruit trees and ornamentals to gardeners throughout the South. Summer also published catalogs containing well-selected and thoroughly tested varieties of plants and assisted his brother, Adam, in publishing several agricultural journals throughout the 1850s until 1862. In Taking Root, James Everett Kibler, Jr., collects for the first time the nature writing of William and Adam Summer, two of America's earliest environmental authors. Their essays on sustainable farm practices, reforestation, local food production, soil regeneration, and respect for Mother Earth have surprising relevance today. The Summer brothers owned farms in Newberry and Lexington Counties, where they created veritable experimental stations for plants adapted to the southern climate. At its peak the nursery offered more than one thousand varieties of apples, pears, peaches, plums, figs, apricots, and grapes developed and chosen specifically for the southern climate, as well as offering an equal number of ornamentals, including four hundred varieties of repeat-blooming roses. The brothers experimented with and reported on sustainable farm practices, reforestation, land reclamation, soil regeneration, crop diversity rather than the prevalent cotton monoculture, and animal breeds accustomed to hot climates from Carolina to Central Florida. Written over a span of two decades, their essays offer an impressive environmental ethic. By 1860 Adam had concluded that a person's treatment of nature is a moral issue. Sustainability and long-term goals, rather than get-rich-quick schemes, were key to this philosophy. The brothers' keen interest in literature is evident in the quality of their writing; their essays and sketches are always readable, sometimes poetic, and occasionally humorous and satiric. A representative sampling of their more-than-six hundred articles appear in this volume.