Download Free Advertisement To The New Illustration Of The Sexual System Of Linnaeus Book in PDF and EPUB Free Download. You can read online Advertisement To The New Illustration Of The Sexual System Of Linnaeus and write the review.

Throughout history, both art and science have been employed to visualise things unseen and to image/imagine things unknown as part of the quest to understand nature. In light of this, perhaps our contemporary tendency to see art and science as completely divergent, mutually exclusive fields of study with similarly distinct methodologies may be profitably re-examined. This volume brings together recent work by both junior and senior scholars treating the art/science connection in eighteenth- and nineteenth-century art. The essays are individual case studies dealing with historical interconnections between drawing, painting, sculpture and book illustration and such diverse fields of science as botany, physics, geology, and evolutionary biology. As a whole, the book invites readers to question more generally: What is art's relationship to science and vice versa? At what points do the two disciplines intersect and/or complement one another? Can science directly inform artistic subjects? Is art a useful tool to focus a scientific lens on the past, to validate or challenge scientific theory, to inspire and encourage scientific inquiry? Can it be employed successfully as a means to visualise scientific ends? Do artists have the potential to create images and objects whose meanings surpass the laws of science and outlast its theories, whose functions are similarly universal and arguably more immediately accessible (legible) to the public? If art, like text and data charts, has the power to create, organise and disseminate information (knowledge), then why do we continue to privilege scientific research over artistic investigation? Would it not be more fruitful and humane to see them as more equitable modes of inquiry?
Short, pithy, beautifully illustrated articles on various fascinating intersections of art and science, originally published in the British magazine Nature.
In The Political Uncommons, Kathryn Milun presents a cultural history of the global commons: those domains, including the atmosphere, the oceans, the radio frequency spectrum, the earth's biodiversity, and its outer space, designated by international law as belonging to no single individual or nation state but rather to all humankind. From the res communis of Roman property law to early modern laws establishing the freedom of the seas, from the legal battles over the neutrality of the internet to the heritage of the earth's genetic diversity, Milun connects ancient, modern, and postmodern legal traditions of global commons. Arguing that the logic of legal institutions governing global commons is connected to the logic of colonial doctrines that dispossessed indigenous peoples of their land, she demonstrates that the failure of international law to adequately govern the earth's atmosphere and waters can be more deeply understood as a cultural logic that has successfully dispossessed humankind of basic subsistence rights. The promise of global commons, Milun shows, has always been related to subsistence rights and an earth that human communities have long imagined as 'common' existing alongside private and public domains. Utilizing specific case studies, The Political Uncommons opens a way to consider how global commons regimes might benefit from the cross-cultural logics found where indigenous peoples have gained recognition of their common tenure systems in Western courts.