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As a foreign correspondent for the BBC, Nick Bryant has reported from the wilds of Afghanistan, Pakistan, London, Washington and, for the past five years, Australia. Adventures in Correspondentland - his account of these experiences - is part memoir, part travelogue and part polemic. More than anything, however, it is the inside story of the dangers and delights of seeing the world through this unique, sometimes privileged and often strange perspective. How did Bill Clinton react when, in front of a ballroom of over 2000 people, he had to present the award for 'Journalist of the Year' to the reporter who had discovered the existence of Monica Lewinsky's little blue dress? Why did the media report on the night that Princess Diana was killed in a Paris underpass that she was alive when correspondents knew she was dead? How did Bono help save the Northern Ireland peace process? What were international journalists really saying about Prime Minister Rudd? In Adventures in Correspondentland, Nick Bryant takes us around the world and back home to Australia, where he has covered events such as the death of Steve Irwin, the national apology to indigenous Australians and the 2011 Queensland floods. In being an Englishman abroad, he gives us a fresh, funny and revealing insight into how the world sees Australia at the start of the twenty - first century.
The inside story of a treasured profession, in the footsteps of Confessions of a GP and Kitchen Confidential Since making his journalistic debut breaking into Piers Morgan’s office, BBC foreign correspondent Nick Bryant has rattled Donald Rumsfeld, had tea with President Karzai, and lunched with the Tamil Tigers. Now casting a sideways glance at his own profession, Bryant divulges the day-to-day realities of life in ‘Correspondentland’ – its glamour, its quirks, and its sometimes unsavoury practices. Whether in Washington DC, offering a window onto American politics as no insider can, reporting from a slum in India, or revealing why the BBC delayed the news of Princess Diana’s death, Bryant’s perspective is inimitable and always insightful. Part memoir, part travelogue, part exposé, this is an unmissable and unique view into the world of modern reporting, and an intimate portrait of the countries Bryant has come to know.
'Nick Bryant is brilliant. He has a way of showing you what you've been missing from the whole story whilst never leaving you feeling stupid.' – Emily Maitlis 'Bryant is a genuine rarity, a Brit who understands America' – Washington Post In When America Stopped Being Great, veteran reporter and BBC New York correspondent Nick Bryant reveals how America's decline paved the way for Donald Trump's rise, sowing division and leaving the country vulnerable to its greatest challenge of the modern era. Deftly sifting through almost four decades of American history, from post-Cold War optimism, through the scandal-wracked nineties and into the new millennium, Bryant unpacks the mistakes of past administrations, from Ronald Reagan's 'celebrity presidency' to Barack Obama's failure to adequately address income and racial inequality. He explains how the historical clues, unseen by many (including the media) paved the way for an outsider to take power and a country to slide towards disaster. As Bryant writes, 'rather than being an aberration, Trump's presidency marked the culmination of so much of what had been going wrong in the United States for decades – economically, racially, politically, culturally, technologically and constitutionally.' A personal elegy for an America lost, unafraid to criticise actors on both sides of the political divide, When America Stopped Being Great takes the long view, combining engaging storytelling with recent history to show how the country moved from the optimism of Reagan's 'Morning in America' to the darkness of Trump's 'American Carnage'. It concludes with some of the most dramatic events in recent memory, in an America torn apart by a bitterly polarised election, racial division, the national catastrophe of the coronavirus and the threat to US democracy evidenced by the storming of Capitol Hill.
"The inside story of the dangers, delights and diversions of life as a foreign correspondent. As a foreign correspondent for the BBC, Nick Bryant has reported from the wilds of Afghanistan, Pakistan, London, Washington and, for the past five years, Australia. Adventures in Correspondentland - his account of these experiences - is part memoir, part travelogue and part polemic. More than anything, however, it is the inside story of the dangers and delights of seeing the world through this unique, sometimes privileged and often strange perspective. How did Bill Clinton react when, in front of a ballroom of over 2000 people, he had to present the award for 'Journalist of the Year' to the reporter who had discovered the existence of Monica Lewinsky's little blue dress? Why did the media report on the night that Princess Diana was killed in a Paris underpass that she was alive when correspondents knew she was dead? How did Bono help save the Northern Ireland peace process? What were international journalists really saying about Prime Minister Rudd? In Adventures in Correspondentland, Nick Bryant takes us around the world and back home to Australia, where he has covered even
State Violence and the Execution of Law examines how law plays a fundamental role in enabling state violence and, specifically, torture, secret imprisonment, and killing-at-a-distance.
A forensic look at the Lucky Country, from the inside and outside. Never before has Australia enjoyed such economic, commercial, diplomatic and cultural clout. Its recession-proof economy is the envy of the world. It's the planet's great lifestyle superpower. Its artistic exports win unprecedented acclaim. But never before has its politics been so brutal, narrow and facile, as well as being such a global laughing stock. A positive national story is at odds with a deeply unattractive Canberra story. The country should be enjoying The Australian Moment, so vividly described by the best-selling author George Megalogenis. But that description may turn out to be inadvertently precise. It could end up being just that: a fleeting moment. At present the country seems to be in speedy regression, with the nation's leaders, on both sides, mired in relatively small problems, such as the arrival of boat people, rather than mapping out a larger and more inspiring national future. In The Rise and Fall of Australia, BBC correspondent and author Nick Bryant offers an outsider's take on the great paradox of modern-day Australian life: of how the country has got richer at a time when its politics have become more impoverished. In this thoroughly entertaining and thought-provoking book, dealing with politics, racism, sexism, the country's place in the region and the world, culture and sport, the author argues that Australia needs to discard the out-dated language used to describe itself, to push back against Lucky Country thinking, to celebrate how the cultural creep has replaced the cultural cringe and to stop negatively typecasting itself. Rejecting most of the national stereotypes, Nick Bryant sets out to describe the new Australia rather than the mythic country so often misunderstood not just by foreigners but Australians themselves.
This volume presents biographical information and award-winning works by American women journalists earning the coveted Pulitzer Prize for International Reporting. It took about two decades after the establishment of the awards that the first female was decorated with this honor. Based on the jury reports of the prize-giving committees, it is documented in this book how the discussions within the judges went until decisions about winners were reached.
A chilling exposé of corporate corruption and government cover-ups, this account of a nationwide child-trafficking and pedophilia ring in the United States tells a sordid tale of corruption in high places. The scandal originally surfaced during an investigation into Omaha, Nebraska's failed Franklin Federal Credit Union and took the author beyond the Midwest and ultimately to Washington, DC. Implicating businessmen, senators, major media corporations, the CIA, and even the venerable Boys Town organization, this extensively researched report includes firsthand interviews with key witnesses and explores a controversy that has received scant media attention.
The crafty Pip Lincolne is back with her third book of sweet and whimsical projects. In Make Hey While the Sun Shines, she shows you 20 gorgeous things to make for the summertime, holiday time, or any time! There are bike seat covers made from vintage fabric, crocheted baubles to decorate your house (or car!), hand-printed gift bags and pretty decals to customise plates or mugs. More adventurous crafters might like to try the deer quilt (in either couch or cot size) or the handy bottle tote to store your drinks when you head out for the day. Making hey isn't just about sewing and craft though - there are also 5 pull-out recipe cards with delicious goodies to take on a picnic or just enjoy at home. All of the projects have step-by-step instructions and illustrations to guide you through, and with comprehensive sections on sewing, crochet and knitting basics, Make Hey While the Sun Shines is perfect for anyone who is interested in handmaking their own beautiful things.
This book takes a fresh look at the history of war reporting to understand how new technology, new ways of waging war and new media conditions are changing the role and work of today’s war correspondent. Focussing on the mechanics of war reporting and the logistical and institutional pressures on correspondents, the book further examines the role of war propaganda, accreditation and news management in shaping the evolution of the specialism. Previously neglected conflicts and correspondents are reclaimed and wars considered as key moments in the history of war reporting such as the Crimean War (1854-56) and the Great War (1914-18) are re-evaluated. The use of objectivity as the yardstick by which to assess the performance of war correspondents is questioned. The emphasis is instead placed on war as a messy business which confronts reporters and photographers with conditions that challenge the norms of professional practice. References to the ‘demise of the war correspondent’ have accompanied the growth of the specialism since the days of William Howard Russell, the so-called father of war reporting. This highlights the fragile nature of this sub-genre of journalism and emphasises that continuity as much as change characterises the work of the war correspondent. A thematically organised, historically rich introduction, this book is ideal for students of journalism, media and communication.