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"The imagery of Marquesan art is testament to the myriad beings and creatures who inhabited the Marquesan universe - gods, ancestors, humans, lizards, turtles, fish - and to the islands' complex social and political organization. These art forms are explored in the present volume, published in conjunction with the exhibition "Adorning the World: Art of the Marquesas Islands," held at The Metropolitan Museum of Art."--BOOK JACKET.
OVER 100,000 COPIES SOLD! Winner of the 2018 Christian Book Award® (Bible Study Category) Known for her wisdom, warmth, and knowledge of Scripture, Nancy DeMoss Wolgemuth has encouraged millions through her books, radio programs, and conferences. Now she’s back with a legacy work on Titus 2 and its powerful vision for women: Woman to woman. Older to younger. Day to day. Life to life. This is God’s beautiful plan. The Titus 2 model of older women living out the gospel alongside younger women is vital for us all to thrive. It is mutually strengthening, glorifies God, and makes His truth believable to our world. Imagine older women investing themselves in the lives of younger women, blessing whole families and churches. Imagine young wives, moms, and singles gaining wisdom and encouragement from women who’ve been there and have found God’s ways to be true and good. Imagine all women—from older women to young girls—living out His transforming gospel together, growing the entire body of Christ to be more beautiful. This is Christian community as God designed it. Read this book and take your relationships to new depths, that your life might find its fullest meaning as you adorn the gospel of Christ.
the art of ADORNMENT DESIGN • FASHION • ART Adornment originated in the fourteenth century as the action of making someone or something attractive by adding decoration. It is also those details in design that create evocative rooms, intriguing structures, and beautiful landscapes. The Art of Adornment is lavishly illustrated with design patterns and “adorned” with quotes about design, fashion, and art. It’s the perfect gift for anyone who understands that “the gods are in the details.” Each of the arts whose office is to refine, purify, adorn, embellish, and grace life is under the patronage of a muse, no god being found worthy to preside over them. —RALPH WALDO EMERSON
People everywhere have attempted to change their bodies in an effort to meet their cultural standards of beauty, as well as their religious and/or social obligations. Often times, this modification or adornment of their bodies is part of the complex process of creating and re-creating personal and social identities. Body painting has probably been practiced since the Paleolithic as archaeological evidence indicates, and the earliest human evidence of tattooing goes back to the Neolithic with mummies found in Europe, Central Asia, the Andes and the Middle East. Adornments such as jewelry have been found in the earliest human graves and bodies unearthed from five thousand years ago show signs of intentional head shaping. It is clear that adorning and modifying the body is a central human practice. Over 200 entries address the major adornments and modifications, their historical and cross-cultural locations, and the major cultural groups and places in which body modification has been central to social and cultural practices. This encyclopedia also includes background information on the some of the central figures involved in creating and popularizing tattooing, piercing, and other body modifications in the modern world. Finally, the book addresses some of the major theoretical issues surrounding the temporary and permanent modification of the body, the laws and customs regarding the marking of the body, and the social movements that have influenced or embraced body modification, and those which have been affected by it. All cultures everywhere have attempted to change their body in an attempt to meet their cultural standards of beauty, as well as their religious and or social obligations. In addition, people modify and adorn their bodies as part of the complex process of creating and re-creating their personal and social identities. Body painting has probably been practiced since the Paleolithic as archaeological evidence indicates, and the earliest human evidence of tattooing goes back to the Neolithic with mummies found in Europe, Central Asia, the Andes and the Middle East. Adornments such as jewelry have been found in the earliest human graves and bodies unearthed from five thousand years ago show signs of intentional head shaping. It is clear that adorning and modifying the body is a central human practice. Over 200 entries address the major adornments and modifications, their historical and cross-cultural locations, and the major cultural groups and places in which body modification has been central to social and cultural practices. This encyclopedia also includes background information on the some of the central figures involved in creating and popularizing tattooing, piercing, and other body modifications in the modern world. Finally, the book addresses some of the major theoretical issues surrounding the temporary and permanent modification of the body, the laws and customs regarding the marking of the body, and the social movements that have influenced or embraced body modification, and those which have been affected by it. Entries include, acupuncture, amputation, Auschwitz, P.T. Barnum, the Bible, body dysmorphic disorder, body piercing, branding, breast augmentation and reduction, Betty Broadbent, castration, Christianity, cross dressers, Dances Sacred and Profane, Egypt, female genital mutilation, foot binding, freak shows, genetic engineering, The Great Omi, Greco-Roman world, henna, infibulation, legislation & regulation, lip plates, medical tattooing, Meso-America, military tattoos, National Tattoo Association, nose piercing, obesity, permanent makeup, primitivism, prison tattooing, punk, rites of passage, scalpelling, silicone injections, Stalking Cat, suspensions, tanning, tattoo reality shows, tattooing, Thailand, transgender, tribalism.
Elaborating the history, variety, pervasiveness, and function of the adornments and ornaments with which we beautify ourselves, this book takes in human prehistory, ancient civilizations, hunter-foragers, and present-day industrial societies to tell a captivating story of hair, skin, and make-up practices across times and cultures. From the decline of the hat, the function of jewelry and popularity of tattooing to the wealth of grave goods found in the Upper Paleolithic burials and body painting of the Nuba, we see that there is no one who does not adorn themselves, their possessions, or their environment. But what messages do these adornments send? Drawing on aesthetics, evolutionary history, archaeology, ethology, anthropology, psychology, cultural history, and gender studies, Stephen Davies brings together African, Australian and North and South American indigenous cultures and unites them around the theme of adornment. He shows us that adorning is one of the few social behaviors that is close to being genuinely universal, more typical and extensive than the high-minded activities we prefer to think of as marking our species – religion, morality, and art. Each chapter shows how modes of decoration send vitally important signals about what we care about, our affiliations and backgrounds, our social status and values. In short, by using the theme of bodily adornment to unify a very diverse set of human practices, this book tells us about who we are.
Young women are deeply dissatisfied with society's standards (and double standards). They want more for themselves--but sometimes they don't quite know what that more should be. That's where Miss Black New Jersey 2018 and Teen Vogue "It Girl" turned fashion writer Tarah-Lynn Saint-Elien comes in. Through her insightful comments on media, pop culture, and pervading cultural myths about beauty, fashion, and womanhood, Tarah-Lynn dismantles the messages that feed into the insecurities, fears, doubts, and guilt that young women experience today. She introduces them to an understanding of God as a loving Father and the King of all kings, who bestows upon his daughters a crown of love, worth, and power. And she shows them how to not only claim the promises of God but also walk purposefully in them as independent women (no prince necessary!) who respond to adversity with righteousness and authority.
How could you be more beautiful than to adorn yourself with the very character of God so that your life displays the beliefs you claim to profess! You can choose to "dress," act, and be like Him - for Him! "Adorn Yourself with Godliness" looks closely at two of Paul's letters: his first letter to Timothy and his letter to Titus. Through this study, you will learn that you have everything you need for godliness through the Spirit of God who lives inside you and is continually at work in you.
New works by a noted contemporary glass artist.
There’s a strong biblical connection between people and trees. They both come from dirt. They’re both told to bear fruit. In fact, arboreal language is so often applied to humans that it’s easy to miss, whether we're talking about family trees, passing along our seed, cutting someone off like a branch, being rooted to a place, or bearing the fruit of the Spirit. It’s hard to deny that trees mean something, theologically speaking. This book is in many ways a memoir, but it’s also an attempt to wake up the reader to the glory of God shining through his creation. One of the first commands to Adam and Eve was to “work and keep” the garden. Award-winning author and songwriter Andrew Peterson, being as honest as possible, shares a story of childhood, grief, redemption, and peace, by walking through a forest of memories: “I trust that by telling my story, you’ll encounter yours. Hopefully, like me, you’ll see that the God of the Garden is and has always been present, working and keeping what he loves.” Sometimes he plants, sometimes he prunes, but in his goodness he intends to reap a harvest of righteousness.
When Scarlet Hiltibidal was a teenager, plastic butterfly clips were all the rage. She couldn’t understand why they didn’t look the same in her “frizzy, bulbous hair” as they did on the blonde whose mom was a professional hair stylist. Back then, she would have sanctioned the destruction of scores of actual butterflies just to own the label "pretty butterfly clips girl." And so it goes for many girls like Scarlet who strive for self-worth yet struggle to find it. He Numbered the Pores on My Face is for teens who long for beauty, love, and rest. Any labels you long for today might as well be “looks good in butterfly clips” if you are not rooted in who Jesus says you are, because any self­-centered identity is going to leave you in the same place: unfulfilled and unhappy. Girls will relate to Scarlet’s stories as she discusses hottie lists, eating disorders, and haphazard beauty in a way that is both humorous and thought provoking. Through it all, she describes how she found peace by learning to see life not through a mirror but through a Savior who shapes who we were, who we are, and who we will be.