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Organised around an extensive essay by Larys Frogier, this monograph offers an overview of the work of Adel Abdessemed.
Since the mid-1990s, Algerian-born, New York-based Adel Abdessemed has unerringly located and triggered the religious, sexual and racial taboos of our culture. This volume takes a broad look at Abdessemed's activities, from his "street acts" to more recent works.
Published alongside an exhibition at Parasol unit foundation for contemporary art (22 September - 21 November 2010), the first solo exhibition in London that is dedicated to the work of Adel Abdessemed. Working across a wide range of different media, including sculpture, installation, video, photography and drawings, Abdessemed passionately tackles difficult subject matter and taboos within society and presents them as naked truth. Yet beyond their often challenging and provocative appearance, his works embody the fragility of life and are deeply imbued with beauty and poetry. Abdessemed's exhibition at Parasol unit highlights precisely the vulnerability and aesthetic sensitivity in the work of this important twenty-first-century artist. The exhibition is organised around two of his major works; Habibi, 2003, a 17 metre human skeleton made of fibreglass; and silent warrior, which includes numerous colourful masks made from found and empty tin cans from Africa, which once contained either food or toxic material. Abdessemed was born in Algeria in 1971 and now lives and works in Paris.
From style wilderness to height of cool, taxidermy has staged an extraordinary comeback. No longer confined to stately homes, stuffed animals are appearing everywhere from modern apartments to luxury department stores. High-profile artists have rejuvenated the medium and museums have dusted down their historic collections and put them back on display. Illustrated with stunning photography that explores this rich artform, past and present, this title is the most comprehensive and beautiful survey of taxidermy ever produced.
Contemporary artists are engaging more deeply than ever with religious imagery, themes, practices, and audiences. With a bracing, jargon-free style, Aaron Rosen--a leading scholar, art critic, and curator--takes readers into studios, galleries, and worship spaces as he paints a compelling picture of art and religion today. Focusing on individual artists, from eminent names to emerging stars, Rosen's essays and interviews tackle key questions, from how art might sustain communities to how it might offer new approaches to conflict resolution. Drawing on years spent developing relationships with artists around the globe--from Algeria to India to the United States--Rosen gets artists to talk, often for the first time, about how religion impacts their practice. Whether inspiring or unsettling, these brushes with faith challenge and invigorate the artists in question, and those who ponder the results. Replete with more than seventy color images of works ranging from video art to outdoor installations, this volume is indispensable reading for those looking to see contemporary art in a new light.
L'Age D'Or is the new work of Algerian artist Adel Abdessemed (born 1971). This gold-cloth-covered box set contains three volumes: one volume of drawings, a photography volume and an essays volume with four texts in English and Arabic.
A cri de coeur or fully imagined poem on the myth and history of Jerusalem/Al-Quds from the author revered as the greatest living Arabic poet At the age of eighty-six, Adonis, an Arabic poet with Syrian origins, a critic, an essayist, and a devoted secularist, has come out of retirement to pen an extended, innovative poem on Jerusalem/Al-Quds. It is a hymn to a troubled city embattled by the conflicting demands of Jews, Christians, and Muslims. Adonis's city, as a coveted land, ought to suggest the universal love of humanity; as a land of tragedy, a place of contending history and beliefs, and a locus of bitterness, conflict, hatred, rivalry, and blood. Wrapping multiple voices, historical references, and political viewpoints within his ecstatic lyricism, Adonis has created a provocative work of unique beauty and profound wisdom, beautifully rendered in English by award-winning poet Khaled Mattawa.
Published in conjunction with the eponymous installation at Art Basel 2015, DO WE DREAM UNDER THE SAME SKY is an extension of the collaboration between artist Rirkrit Tiravanija, architects Nikolaus Hirsch and Michel Müller, and chef Antto Melasniemi. Designed by Hirsch and Müller as an outdoor shelter, the installation, made of modular bamboo and steel, welcomes visitors to engage in discussions while participating in the convivial atmosphere of shared food. This supplemental publication includes interviews, texts, images, and poems that illuminate the installation's properties of self-sufficiency and how it was conceived as a new component of Tiravanija and Kamin Lertchaiprasert's ongoing project "the land," a self-sustaining artistic community near Chiang Mai, Thailand. At the end of the festival, the structure will be transported to Thailand and will be the first building block of a new workshop on the land. In a continuation of conversations among artists surrounding the land, this book explores urbanization in a post-rural condition, the act of building as a collaborative process, and land as a concept that can exist outside of ownership. A discussion with Hirsch, Tiravanija, Melasniemi, and Jörn Schafaff reflects on the way in which the installation builds on the land's objectives relating to improvisation, collaboration, and the questioning of institutional structures. Also featured in the book are recipes developed by Melasniemi on the occasion of this installation-as-workshop, where the public is invited to participate in the cooking process. DO WE DREAM UNDER THE SAME SKY is a project by Rirkrit Tiravanija, Nikolaus Hirsch, Antto Melasniemi, Michel Müller with Angkrit Ajchariyasophon, Sophie Aschauer, Uthit Atimana, Marc Bättig, Klaus Bollinger, Felix Broecker, Carlotta Brucker, Leonardo Bu]rgi, Letizia Calori, Jessica Coates, Claireban Coffey, Nico Dockx, Raphael Fellmer, Michael Gass, Philipp Gasser, Matthias Görlich, Manfred Grohmann, Raphaela Grolimund, Philipp Gru]newald, Somyot Hananuntasuk, Carl Michael von Hausswolff, Karl Holmqvist, Pierre Huyghe, Duangporn Injan, Dueanthalay Injan, Kosit Juntaratip, Dong Kirativongkamchon, Komol Kongjarern, April Lamm, Paphonsak Laor, Kamin Lertchaiprasert, Daniela Leykam, Suwan Limanee, Glorimarta Linares, Kim Boris Löffler, Hector Madera, Therdsak Mahawongsanant, Violette Maillard, Chus Martinez, Philipp Misselwitz, Kritya Notanon, Tepparit Nuntasakun, Hans Ulrich Obrist, Tommaso Pagnacco, Intha Pankeaw, Philippe Parreno, Robert Peters, Thaiwijit Poengkasemsomboon, Tobias Rehberger, Anastasia Remes, Marion Ritzmann, François Roche, Natalia Rolon, Jirasak Saengpolsith, Heikki Salonen, Jörn Schafaff, Ilka Schön, Thasnai Sethaseree, Hanes Sturzenegger, Superflex, Molly Surno, Achim Vogelsberg, Emmi Wegener, Sasiwimon Wongjarin, Eveline Wüthrich Contributors Nikolaus Hirsch, Karl Holmqvist, April Lamm, Antto Melasniemi, Philipp Misselwitz, Michel Müller, Jörn Schafaff, Rirkrit Tiravanija