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We know Colin Powell and Condoleezza Rice as two of today's most high-profile African American political figures, but who paved the way for these notable diplomats? More than one hundred and thirty years ago, Ebenezer D. Bassett served as the first black United States ambassador. In the midst of the aftermath of the Civil War, the U.S. government broke the color barrier by naming this leading educator, abolitionist, and activist to the controversial post of ambassador to the hemisphere's Black Republic - Haiti. For the first time, a nation founded on the principle that all men are created equal would have as its representative abroad someone previously less than equal under the law. This movement toward equality proved to be a force impossible to turn back, leading to a wider acceptance of blacks in U.S. foreign policy. This book lays bare the struggles Bassett faced as a pioneer of racial integration, helping to secure Bassett's legacy as the first African American political figure, a man who not only altered the American political structure, but led the way for all future civil rights advocates. This book highlights Bassett's achievements, which directly contributed to the racial revolution in the U.S. These include being appointed the first African American diplomat and chief of a U.S. diplomatic mission, leading the integration of public schools, and fighting for equal rights alongside revolutionaries such as Frederick Douglass. Bassett played a critical role in foreign affairs during the late 19th century, the formative years of American expansionism in Latin America and the Caribbean. 2008 marks the 100th anniversary of Bassett's death. Though he is long forgotten by history, his legacy as an innovator, activist, and diplomat lives on, and his life story—a tale of intelligence, integrity, and bravery—serves as an inspiration to patriotic Americans of all races and backgrounds. Hero of Hispaniola secures Bassett's legacy as the first African American political figure, a man who not only altered the American political structure, but led the way for all future civil rights advocates to follow.
Winner of the Barondess/Lincoln Award from The Civil War Round Table of New York “Fascinating reading. . .this book eerily reflects some of today’s key issues.” – The New York Times Book Review From an award-winning historian, an engrossing look at how Abraham Lincoln grappled with the challenges of leadership in an unruly democracy An awkward first meeting with U.S. Army officers, on the eve of the Civil War. A conversation on the White House portico with a young cavalry sergeant who was a fiercely dedicated abolitionist. A tense exchange on a navy ship with a Confederate editor and businessman. In this eye-opening book, Elizabeth Brown Pryor examines six intriguing, mostly unknown encounters that Abraham Lincoln had with his constituents. Taken together, they reveal his character and opinions in unexpected ways, illustrating his difficulties in managing a republic and creating a presidency. Pryor probes both the political demons that Lincoln battled in his ambitious exercise of power and the demons that arose from the very nature of democracy itself: the clamorous diversity of the populace, with its outspoken demands. She explores the trouble Lincoln sometimes had in communicating and in juggling the multiple concerns that make up being a political leader; how conflicted he was over the problem of emancipation; and the misperceptions Lincoln and the South held about each other. Pryor also provides a fascinating discussion of Lincoln’s fondness for storytelling and how he used his skills as a raconteur to enhance both his personal and political power. Based on scrupulous research that draws on hundreds of eyewitness letters, diaries, and newspaper excerpts, Six Encounters with Lincoln offers a fresh portrait of Lincoln as the beleaguered politician who was not especially popular with the people he needed to govern with, and who had to deal with the many critics, naysayers, and dilemmas he faced without always knowing the right answer. What it shows most clearly is that greatness was not simply laid on Lincoln’s shoulders like a mantle, but was won in fits and starts.
Freedom Soldiers examines the lives of formerly enslaved men who deserted the US Army during the Civil War and their experiences in army camps, courts, and prisons. It explores their reasons for leaving, often through their own voices from courts-martial testimony.
Comprised of essays from twelve leading scholars, this volume extends the discussion of Civil War controversies far past the death of the Confederacy in the spring of 1865. Contributors address, among other topics, Walt Whitman's poetry, the handling of the Union and Confederate dead, the treatment of disabled and destitute northern veterans, Ulysses S. Grant's imposing tomb, and Hollywood's long relationship with the Lost Cause narrative. The contributors are William Blair, Stephen Cushman, Drew Gilpin Faust, Gary W. Gallagher, J. Matthew Gallman, Joseph T. Glatthaar, Harold Holzer, James Marten, Stephanie McCurry, James M. McPherson, Carol Reardon, and Joan Waugh.
In the middle decades of the nineteenth century, a widening set of opportunities in the public sphere opened up for ambitious men and women in the loosely structured stratum of “the middle class.” Much of the attention to the marketplace between 1820 and 1910 has described entrepreneurship and the beginnings of a more sophisticated economy, but not much has been paid to the commodification of the self. This book sets out to explore the promotion of the self in the rapidly growing economy and political flux of the nineteenth century. Its geography extends through New England, New York, the new states of the Midwest, and the great cities of the Mid-Atlantic, with an occasional trip to New Orleans, San Francisco and Los Angeles. The approach is biographical, using representative middle class figures to illuminate cultural and social history. Aided by more cheaply produced print and the clamor of the American public for entertainment both high and low brow, the figures described in this book strove for fame, sometimes achieved good fortune, and acted out desires for sexual pleasure, political success, and achieving the ideal in society. In doing so they questioned and rearranged the ideas of the early Republic. Poised between the dying class structure of the late eighteenth century and the rise of a more hierarchical one in the early twentieth, they took advantage of a society in flux to make their mark on American culture.
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The Civil War thrust Americans onto unfamiliar terrain, as two competing societies mobilized for four years of bloody conflict. Concerned Northerners turned to the print media for guidance on how to be good citizens in a war that hit close to home but was fought hundreds of miles away. They read novels, short stories, poems, songs, editorials, and newspaper stories. They laughed at cartoons and satirical essays. Their spirits were stirred in response to recruiting broadsides and patriotic envelopes. This massive cultural outpouring offered a path for ordinary Americans casting around for direction. Examining the breadth of Northern popular culture, J. Matthew Gallman offers a dramatic reconsideration of how the Union's civilians understood the meaning of duty and citizenship in wartime. Although a huge percentage of military-aged men served in the Union army, a larger group chose to stay home, even while they supported the war. This pathbreaking study investigates how men and women, both white and black, understood their roles in the People's Conflict. Wartime culture created humorous and angry stereotypes ridiculing the nation's cowards, crooks, and fools, while wrestling with the challenges faced by ordinary Americans. Gallman shows how thousands of authors, artists, and readers together created a new set of rules for navigating life in a nation at war.