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As featured in Entertainment Weekly, The New York Times, The Wall Street Journal, Fangoria, and more! Growing up in the 1980s, Michael Gingold became obsessed with horror movies, and his love of the genre led him to become a Fangoria writer and editor for nearly 30 years, as well as a Rue Morgue contributor. But before all that, he took his scissors to local newspapers, collecting countless ads for horror movies, big and small. Ad Nauseam: Newsprint Nightmares from the 1980s is a year-by-year deep dive into the Gingold archive, with more than 450 ads! Within these pages you'll see rare alternate art for Gremlins, Child's Play, The Blob remake, and the Friday the 13th and A Nightmare on Elm Street franchises. You'll also revel in oddities including Psycho from Texas, Dracula Blows His Cool, Blood Hook, Zombie Island Massacre, and many more. Gingold provides personal recollections and commentary, and unearths vintage reviews to reveal what critics of the time were saying about these films. He also interviews the men behind legendary exploitation distributor Aquarius Releasing to learn how they built buzz for shockers like Make Them Die Slowly and Doctor Butcher M.D. Steel yourselves, genre junkies--Ad Nauseam is an unmatched journey into the wild world of 1980s horror movies!
BRAND NEW & EXPANDED EDITION! Now with 125 additional pages of film ads from the 1970s and a new foreword by director Joe Dante! As featured in Entertainment Weekly, The New York Times, The Wall Street Journal, Fangoria, and more. Growing up in the 1970s and 1980s, Michael Gingold became obsessed with horror movies, and his love of the genre led him to become a Fangoria writer and editor for over 30 years, as well as a contributor to Rue Morgue and others. But before all that, he took his scissors to local newspapers, collecting countless ads for horror movies, big and small. Ad Nauseam: Newsprint Nightmares from the '70s and '80s is a year-by-year deep dive into the Gingold archive, with more than 700 ads! Within these pages you'll see rare alternate art for film franchises such as Halloween, Friday the 13th, A Nightmare on Elm Street, Child's Play, Jaws, The Texas Chainsaw Massacre, and The Exorcist. You'll also revel in oddities including Invasion of the Blood Farmers, Psycho from Texas, Dracula Blows His Cool, Zombie Island Massacre, Twitch of the Death Nerve, and many more. Gingold also provides personal recollections and commentary, and unearths vintage reviews to reveal what critics of the time were saying about these films. Steel yourselves, genre junkies: Ad Nauseam is an unmatched journey into the wild world of 1970s and 1980s horror movies!
The goal of information is to inform, while the goal of propaganda is to influence or persuade. It is not the intent to persuade that makes something propaganda, but the use of deceptive and manipulative techniques. Some advertising and public relations campaigns employ propaganda techniques and other psychotechnologies of influence. Jeff Koob, a psychologist, provides examples of advertisers using propaganda and other invisible means of persuasion. He explores the history of advertising and public relations, and focuses on how: advertisers employ deceptive and manipulative techniques media campaigns have become a tool of corporate social engineering propaganda works across the spectrum of media, from print to the Internet Ad Nauseam reveals how the propaganda industry affects almost every aspect of our lives. Equip yourself with the knowledge you need to recognize the techniques of propaganda, and discover the antidote to the infotoxins in our mental environment.
An anthology encompassing hundreds of articles from September 2000 through September 2001 includes "No Jennifer Lopez News Today" and such post-September 11 works as "Hijackers Surprised to Find Selves in Hell."
From FSGO x Logic: a revealing examination of digital advertising and the internet's precarious foundation In Subprime Attention Crisis, Tim Hwang investigates the way big tech financializes attention. In the process, he shows us how digital advertising—the beating heart of the internet—is at risk of collapsing, and that its potential demise bears an uncanny resemblance to the housing crisis of 2008. From the unreliability of advertising numbers and the unregulated automation of advertising bidding wars, to the simple fact that online ads mostly fail to work, Hwang demonstrates that while consumers’ attention has never been more prized, the true value of that attention itself—much like subprime mortgages—is wildly misrepresented. And if online advertising goes belly-up, the internet—and its free services—will suddenly be accessible only to those who can afford it. Deeply researched, convincing, and alarming, Subprime Attention Crisis will change the way you look at the internet, and its precarious future. FSG Originals × Logic dissects the way technology functions in everyday lives. The titans of Silicon Valley, for all their utopian imaginings, never really had our best interests at heart: recent threats to democracy, truth, privacy, and safety, as a result of tech’s reckless pursuit of progress, have shown as much. We present an alternate story, one that delights in capturing technology in all its contradictions and innovation, across borders and socioeconomic divisions, from history through the future, beyond platitudes and PR hype, and past doom and gloom. Our collaboration features four brief but provocative forays into the tech industry’s many worlds, and aspires to incite fresh conversations about technology focused on nuanced and accessible explorations of the emerging tools that reorganize and redefine life today.
Whether using images of dizzy sex kittens to sell to the man of the house or playing on the fears of domestic inadequacy to sell to the housewife, advertising has rarely let the truth get in the way of a good story. This collection, stretching from the 19th century to the 1970s, shows the ad-man's beloved caricatures of female behavior in outrageous form: -- Down-trodden housewives obsessed with cooking and cleaning-- Hare-brained office girls struggling in a man's world-- Scantily-clad bimbos used to peddle everything from cars to cigarsYou Mean a Women Can Open It...? shows us how far we've really come.
Once upon a time - the 1980s - in a galaxy not really all that far away - New York - Michael Gingold started a collection of newspaper advertisements for the science fiction, fantasy, and horror releases that stoked his passion as a genre fan. Eventually, he would grow up to become editor-in-chief of the horror magazine Fangoria, plus a writer for numerous other genre publications, a screenwriter, respected author, and all-around expert for films frightful and fanstastical. As the years went by, Michael held on to this collection of weird and wonderful art, eventually publishing the best-selling, horror-themed Ad Nauseam: Newsprint Nightmares from the 1980s and its sequel, Ad Nauseam II: Newsprint Nightmares from the 1990s and 2000s. And now he presents Ad Astra: 20 Years of Newspaper Ads for Sci-Fi & Fantasy Films, a year-by-year look at the movies that shaped many a childhood in the '80s and '90s. Inside this 270-page book, you'll find Star Trek to Starship Troopers, The Dark Crystal to Dark City, Blade Runner to The Running Man, RoboCop to Robot Jox, The Empire Strikes Back to Back to the Future, and many, many more. See alternate artwork for your favorite films, learn the fascinating behind-the-scenes stories of their marketing campaigns, and read the most entertaining and unexpected quotes from reviewers at the time all carefully curated by Michael. So throw on your jetpack as we travel back in time to when print was king and movie marketing was an art form for the ages!
Part of the 'Onion Ad Nauseam' series, this book includes every news story, opinion piece, news-in-brief, horoscope - in fact, every last word published in 'The Onion' between October 2002 and October 2003.