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Those interviewed address artistic challenges in the real world, the practical difficulties of a career, and the ways the modern entertainment industry shapes an actor's artistic path.
This book by far contains the best 'industry golden nuggets' there is and will serve as your very own comprehensive guide. Acting Today will make you a successful working actor in Hollywood.
So, you want to be an actor . . . but you have no idea how to get started. In the pages of Act Now!, you’ll find a step-by-step process to show you not only how to get started, but also how to become a working actor. It will take time and commitment, but if you follow these steps you will find success. Author and acting teacher Peter Jazwinski explains every aspect of becoming an actor from start to finish. You’ll learn about: • Improving Your Acting Skills • How Actors Get Cast • Finding Auditions on Your Own • Working with an Agent or Manager—and What the Difference Is • The Importance of Networking • And More! A frank and encouraging game plan for success, Act Now! will empower those who have the drive to stop dreaming and start making a living—as an actor.
TRUE ACTING TIPS
In this controversial book, Norman B. Schwartz suggests that many of the conventional training techniques that have come down to us from the American and British theater may not fully prepare today ́s working actor for the special requirements of the market place where the actor is the seller asked by an agent or casting director to self-tape an audition for the buyer-a producer or director-whom the actor may never get to meet unless he or she is hired. Mr. Schwartz proposes a new method that encompasses all the previous schools of training but expands them to suggest a better way for the actor to get the job and hold on to it on-set in the real and demanding world of film, television, and commercials. Here's your chance to learn from someone who was THERE!
John Harrop examines how we think and speak about acting. Addressing himself to the intellectual problems associated with the idea of acting, it covers the range of actor training and practice from Stanislavski to the Post-Modern, and looks at the spiritual and moral purposes of acting within society: its danger and self-sacrifice.
Secrets of Acting Shakespeare isn't a book that gently instructs. It's a passionate, yes-you-can designed to prove that anybody can act Shakespeare. By explaining how Elizabethan actors had only their own lines and not entire playscripts, Patrick Tucker shows how much these plays work by ear. Secrets of Acting Shakespeare is a book for actors trained and amateur, as well as for anyone curious about how the Elizabethan theater worked.
Acting: The Basics 3rd Edition is a dynamic response to recent societal and entertainment industry changes, focusing on inclusion, diversity and equity, and the actor's trajectory from training to rehearsal to performance on stage and screen, with hands-on tools and global perspectives. The book offers vital ways of building a practical acting toolkit, through breath, body, voice, emotions, imagination and spirit. We begin with a socio-cultural look at actor as magician, storyteller, healer and social changer. Throughout, there are insights from Black, Indigenous, First Nations, South/East Asian, intercultural and feminist practitioners, together with methods focusing on disability and accessibility, intimacy directives, mindfulness and intersectionality. Key 'canonical' figures still feature (e.g., Stanislavsky, Meisner, Brecht and Suzuki) with re-visioned perspective. Scattered throughout are post-COVID insights, plus expanded sections on screen acting (including self-tapes) and Shakespeare. This book is useful for beginner or expert, as it's always helpful getting back to basics. Because the author is both an actor and an actor trainer, the tools are steeped in user-friendly application. At the same time, transferable skills (e.g., dynamic listening and empathy) are shown as relevant to everyone. With a glossary of terms and useful online suggestions (including blogs, videos and podcasts), this is ideal for anyone learn anew about the practice and history of acting, or to take their acting and teaching into new terrain.
To support a new generation of actors/acting teachers by coupling fresh ideas and new approaches with the best proven methods and practices. On Acting is written primarily for the contemporary American actor. It strives to address the acting process with an eye toward the performance culture and requirements that exist today. It is a book for the new twenty-first century artist—the serious practical artist who seeks to pursue a career that is both fulfilling and viable. The text features a balance of philosophy, practical advice, anecdotal evidence/experiences and a wide variety of acting exercises/activities. Also included is the short Steven Breese play "Run. Run. Run Away" and an example of a scene score from that play.